6.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Exploring the territory where art, love and sex collide, Love is the Devil charts the powerful and dangerous relationship between one of Britain's most controversial artists, Francis Bacon, and his lover and muse George Dyer.
Starring: Derek Jacobi, Daniel Craig, Tilda Swinton, Adrian Scarborough, Karl Johnson (II)Biography | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
The full title is “Love is the Devil: Study for a Portrait of Francis Bacon,” which might be a play for irony from writer/director John Maybury, who doesn’t actually make sense of his subject despite having the cinematic tools to do so. A blizzard of images with the occasional blip of emotional clarity, “Love is the Devil” is more of a sensory experience, finding the viewer blasted with the mere idea of Bacon’s intricate appetites in both art and sex, not necessarily gifted a concrete vision of creative stimulus and domestic intent. It’s raw, unhinged work, but it’s often caught servicing Maybury, not the needs of drama.
Despite a few limitations with the soft source material, the AVC encoded image (1.85:1 aspect ratio) presentation does a commendable job bringing "Love is the Devil" to BD. This isn't a picture interested in sharpness, but the viewing experience does retain plenty of detail, with artistic textures registering crisply and nightmare visits offering appropriate textures to encourage intended sickness. Contrast has a few battles, and crush does have a presence here. However, delineation is mostly acceptable. Colors are satisfactory, providing stable hues on art projects and costuming, and skintones remain natural.
The 2.0 DTS-HD MA sound mix does quite well with its limitations, creating a full sense of madness and artistic activity that never steamrolls over dialogue exchanges. Dramatics are sharp and emotionally true, while group activity in pub scenarios is lively and clean. Music takes command when necessary. Sound effects are the real star of the show, exploring the space with confidence, generating intended aural chaos with crisp separation, allowing the feature's extremes to take hold.
The finest moments of "Love is the Devil" are found watching Bacon at work, studying his technique and frustration, working out his vision through fits of inspiration. Here is where the artist comes alive. However, Maybury doesn't share the excitement, quickly returning to the sordid details of Bacon's violent sex life and his half-realized capacity for cruelty, keeping "Love is the Devil" tightly bound as an offering of directorial indulgence, not biographic or artistic illumination.
(Still not reliable for this title)
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