6.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
After a virus claims millions, most live in the safety of a closed-off world, relegating themselves to an on-line existence. But when a young girl decides to brave life outside the virtual world, she finds a group of friends - and a killer. Someone is hunting and violently murdering children. Who? Why? And is she the next target?
Starring: Kanae Oki, Kana Uetake, Hiromi Igarashi, Marina Inoue, Miyuki SawashiroAnime | 100% |
Foreign | 99% |
Action | 14% |
Sci-Fi | 6% |
Adventure | Insignificant |
Drama | Insignificant |
Mystery | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 2.0
Japanese: DTS-HD Master Audio 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 3.5 |
There’s a whole subgenre of anime devoted to dystopian future realities, usually the result of some horrible nuclear calamity or hideous disease. Many of these titles take place in a far off future which allows contemporary viewers to feel safe, vicariously removed from any eventual “reality” any individual project might offer. One of the most interesting things about the 2010 Japanese feature film Loups=Garous is that while, yes, it posits a dystopian future society, it’s one that isn’t that far off into the future to create a sort of safety buffer within the subconscious, and in fact the film has a number of elements which are creepily similar to things going on in our present day reality. While depicters of the future going back to George Orwell (and even beyond Orwell) have frequently painted a future rife with Big Brother governments, electronic eavesdropping and constant monitoring (Bradbury’s Fahrenheit 451 is another great example), Loups=Garous does the same thing within the confines of technology that any parent sees their kids carrying around daily, namely things like cell phones or handheld gaming systems. Loups=Garous also deals with a near future society that has been decimated by a plague, leading to the abolition of human contact, meaning that electronic interfacing becomes all the more important. One could obviously make the case that current day affairs are filled with that same sort of distant electronic “touching” without the causal element of disease making it necessary, but it’s just another way that Loups=Garous manages to cash in on trends which are already happening, preventing viewers from easily dismissing the film with a cavalier, “Aw, that’ll never happen.”
Loups=Garous is presented on Blu-ray by Sentai Filmworks with an AVC encoded 1080p transfer in 1.78:1. While the transfer is generally strong and artifact free, it's hobbled by something it can't control, namely the generic look of the feature. Characters have nothing really very dramatically innovative about them, and backgrounds similarly have a same old, same old look a lot of the time. The best elements here are some of the more graphic elements, when some victims meet their fate. At those moments, Loups=Garous finally erupts into something distinctive looking, with some excellent color and moody design. Line detail is generally very strong throughout this presentation and the colors, while muted a lot of the time due to a preponderance of dark nighttime scenes, look decently sharp and well saturated.
Loups=Garous offers two nice lossless tracks, one in the original Japanese and the second a very good English dub, both in DTS-HD Master Audio 2.0. This film certainly would have benefited from a surround mix, but the stereo mixes presented here are surprisingly robust and pack quite a bit of wallop a lot of the time. The Japanese girl group SCANDAL (they like their name capitalized, don't blame me) actually delivers some very forceful music to the proceedings (the group also appears in animated form in a sort of cameo within the film itself), with some great low end thumping courtesy of some aggressive bass and drums. Dialogue is well presented and well mixed, with excellent fidelity and very good dynamic range.
Loups=Garous has an intriguing enough premise, and the source novel is evidently widely admired and loved in Japan, but somewhere along the way the translation to anime lost something. This is an effort that really could have benefited from at least a slightly longer running time to allow the audience to be provided with more information about this near future society and how the characters fit into it. The film also never develops a real narrative or dramatic flow, so that when we do get a series of denouements toward the end, they seem anti-climactic at best and just kind of pointless at worst. But those who have read the original source novel may have enough context to derive more out of this presentation than the casual viewer, and those folks may want to check this out at least as a rental.
(Still not reliable for this title)
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