| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A 15-year-old who must accept the unacceptable-that his mother is an accomplice of the regime's crimes.
Director: Vladimir Perisic| Foreign | Insignificant |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Serbian: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 3.5 |
The vastness of political conflict and terror is handed an intimate treatment in 2023’s “Lost Country.” Co-writer/director Vladimir Perisic returns viewers to the Federal Republic of Yugoslavia in 1996, examining the woes of the region during the government rule of Slobodan Milosevic and a key election that inspired the formation of revolution. Perisic doesn’t show much interest in the fine details of the unfolding situation, instead using such tension to power a study of a mother and her son, examining the pair as their once tight relationship is challenged by the reality of the world around them. “Lost Country” is committed to silent moments of reflection and visual communication, giving the feature an interesting presence as it burns quietly.


The AVC encoded image (1.85:1 aspect ratio) presentation for "Lost Country" maintains a film-like appearance, finding heavy grain decently resolved. Detail is appreciable at times, mostly reaching the limitation of the original cinematography. Street activity is dimensional, and interiors provide a look at decorative additions. Costuming is also fibrous, dealing with cold-weather wear. Colors retain moodiness, capturing the coolness of the setting with richer browns and grays. Brighter primaries are found in fashion and building appearances. Skin tones are natural. Delineation is satisfactory.

The 5.1 DTS-HD MA mix remains largely frontal with the dialogue-driven film, keeping emotional exchanges and conversational moments clear. Music is used sparingly, but registers with crisp instrumentation. Atmospherics are acceptable, exploring protest actions and sporting activity. Low-end isn't challenged.


"Lost Country" is set in 1996, but the story remains relevant today, following Stefan through a region where dissenters are kidnapped, propaganda and lies dominate the media, and political leadership is bent on maintaining control as they destroy democracy. Parts of the feature are chilling, but Perisic is aiming for emotional destruction, tracking the collapse of innocence and trust. It's a slow-burn viewing experience, and the ending is a bit too extreme, just shy of becoming a parody of European cinema, but "Lost Country" retains an interesting study of family ties and adolescence.