6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In 1882, a young Russian aristocrat goes on an epic adventure to find out what happened to her grandfather and save her family's reputation.
Starring: Christa Théret, Féodor Atkine, Antony Hickling, Audrey Sablé, Thomas SagolsAnimation | 100% |
Foreign | 92% |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.0 |
Like many fans of animated films, I’ve regularly marveled at the wonders that the wizards of modern “cartoon” emporiums like Pixar, Disney and Dreamworks have offered to audiences. The technical achievements of computer driven animation have gotten more and more mind boggling since what now almost seems like the veritable “Dark Ages” of the Toy Story era. With the sheer perfection of imagery that so many modern CGI-fests offer, is there still room for a more traditionally animated film (or a film that at least looks traditionally animated, even if it has been aided and abetted by some computer imagery) to really make a significant impact? The answer would seem to be at least a qualified "yes" even from Pixar’s John Lasseter himself, who has of course championed the inimitable work of Hayao Miyazaki, though it’s important to note that box office receipts and home video sales for Studio Ghibli films rarely if ever reach the astronomical proportions of the biggest Pixar blockbusters. My personal answer is most decidedly "yes", and it’s based on a by now rather long list of at least partially hand drawn efforts that have really delighted my eyes over the past several years. Michel Ocelot’s whimsical films (Tales of the Night) are a great example of someone eschewing the typical frameworks not just of blockbuster Pixar entries but even the more predictable cel animation that has appeared over the course of the CGI era. There have been a number of other really fascinating animated films, many originating at least in part from France, including The Secret of Kells and The Painting, though the latter is a notable example of CGI “masquerading” as traditional cel animation. While Long Way North marks the feature film directing debut of Rémi Chayé, it’s perhaps instructive to note the Chayé cut his animation teeth on both The Secret of Kells and The Painting (along with a handful of other entries). Long Way North has a bit more of a minimalist ambience than either The Secret of Kells or The Painting, but it has the same charming approach that becomes increasingly ingratiating as the story progresses.
Long Way North is presented on Blu-ray courtesy of Shout! Factory Kids, an imprint of Shout! Factory, with an AVC encoded 1080p transfer in 2.39:1. Shout! sent a rather large amount of supporting press documentation with this release, including some extended interviews with director Rémi Chayé where he talks about some of the influences which led to this film's unique design aesthetic. As can be seen in the screenshots accompanying this review, things are intentionally "flat" and blocky, with an absence of outlines that Chayé specifically mentions was done to simplify the look of the piece. As such, there may not appear to be a lot of "wow" factor in the visuals, especially with a palette that rarely if ever pops in a more picaresque (Pixar- esque?) way. But with the film's design aesthetic accepted for what it is and what it can provide, this transfer is quite enjoyable, with solid representations of what is admittedly a rather restrained array of hues. Ironically, the block color approach sometimes gives the illusion of macroblocking, since there are big "splotches" of color within other colors, but these are actually intentional design choices and not the result of any compression issues.
Long Way North features DTS-HD Master Audio 5.1 tracks in both English and French. The general mixes are identical (to my ears, anyway) aside from the language being spoken, and my personal reaction is you can't really go wrong with either of these tracks. There are some interesting differences in performances (some of the English voice cast seems a bit artificial sounding at times), but the tracks offer excellent fidelity and some good surround activity, especially in details like the ambient environmental noises Sacha experiences as she forays into frigid northern climes. Dialogue and score are both rendered clearly and with excellent prioritization.
Long Way North may not have enough "oomph" to appeal to the youngest members of the potential viewing audience, especially if they favor the whiz bang aesthetic of the big Pixar blockbusters. But for those willing to give this film a bit of time to develop its characters and story, there are some abundant dividends which are ultimately forthcoming. The film's remarkable, if apparently "simple", design approaches take a bit of getting used to, but the story is fascinating and provides some significant emotion. Technical merits are strong, and Long Way North comes Highly recommended.
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