7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A shipwrecked 13th century samurai considers ritual suicide until captured by cannibals on a seemingly deserted island. His will to live awakens.
Starring: Shogen, Yayan Ruhian, Sumire Ashina| Foreign | Uncertain |
| Period | Uncertain |
| Thriller | Uncertain |
| Fantasy | Uncertain |
| Action | Uncertain |
| Mystery | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Japanese: Dolby Atmos
Japanese: Dolby TrueHD 7.1 (48kHz, 24-bit)
Japanese: Dolby Digital 2.0
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English SDH, French
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
Before there's even a glint of imagery in Lone Samurai, a slow roar of ambient environmental sounds washes over the soundtrack as both text and voiceover offer a perhaps unexpected tour through the etymology of the word kamikaze. In the "IYKYK" category, those ambient environmental sounds then become at least somewhat explicable in terms of the word origin being explored, a word that is rather directly tied to attempted Mongol invasions of Japan in the 13th century being foiled by some kind of Divine Providence, or at least Bad Weather (capitalization optional). That pre-imagery prelude, along with what amount to "chapter headings" for various sections of the film, perhaps hint at a somewhat compartmentalized structure, and in fact it could be argued pretty strongly that Lone Samurai is kind of two films in one. After the explanation of the history of the term kamikaze, and a brief and maybe frankly a bit confusing opening vignette documenting some kind of mayhem on an assumed Mongol ship, the film then segues without any real illumination to find focal character Riku (Shogen), seemingly the one who committed the slicing and dicing aboard the ship, washed ashore on a beach with a large block of wood protruding through his leg.


Lone Samurai is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. Information on
this
shoot is frustratingly sparse as of the writing of this review, and the IMDb offers no real technical information. This is a very impressive digital
capture
that I have to believe had a 4K DI based on the detail levels seen in Well Go USA's standalone 4K UHD version, especially when compared to already
excellent detail levels
in
this standalone 1080 release. The real precision of fine detail probably isn't evident until the brightly lit island
material takes over (which really isn't that long into the narrative), but everything from clarity of individual grains of sand to
droplets
of water on fern leaves is really outstanding. The palette is really gorgeously suffused for virtually the entire running time, and the island material
varies from brightly lit sunshine to torrential rain with imposing mists and clouds. I'd certainly advise those with the appropriate equipment to opt for
Well Go USA's 4K edition, as the HDR / Dolby Vision grades add some noticeable highlights across the board, including some of the ubiquitous yellow
material once the cannibals enter the fray. Digital grain is most evident in the outdoor material against bright
skies.

Lone Samurai features a Dolby Atmos mix in the original Japanese. As mentioned above, large swaths of at least the pre-cannibal material are virtually wordless, aside from some interstitial flashbacks and occasional (very brief) moments of voiceover. But that is not to suggest that this Atmos track doesn't have a lot to "play with", as from the pre-imagery soundtrack assault, the sound design here is really evocative and makes the most of the island setting. Ambient environmental effects are near constant throughout, and the Atmos track delivers some noticeable height in several scenes, as in some aerial work over a waterfall. But the side and rear channels are really nicely engaged throughout the presentation. The cannibals do speak, for better or worse, and whatever language they're speaking features forced English subtitles. Optional English and French subtitles are available for the rest of the presentation.


The production LLC for this enterprise is named Samurai vs. Cannibals, which may suggest this project began with more of an exploitation flair imagined. That aspect is certainly part of the cannibal side of things, but I personally found the samurai side to be the much more interesting element. This is both visually and aurally audacious a lot of the time, and the film is presented with solid technical merits, for anyone who is considering making a purchase.