6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
1940, Thom and Mars have built a machine, LOLA, that can intercept radio and TV broadcasts from the future.
Starring: Emma Appleton, Stefanie Martini, Ayvianna SnowWar | Insignificant |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.5 |
Low budget sci-fi has its own built in challenges that enterprising filmmakers need to overcome, though in that regard it's kind of hilarious to hear on the commentary track included on this disc how paying to license "Space Oddity" by Bowie and "You Really Got Me" by The Kinks was no ultimate bank breaker, but trying to do the same with the venerable "Que Sera, Sera" proved to be a bridge (loan?) too far. The recently reviewed Monolith took a micro budgeted approach toward sci-fi by offering virtually no special effects and only one on screen character, whereas Lola enters the "little to no money" fray courtesy of a "found footage" element that probably helped to elide production design and cinematography hurdles, since the story is told via supposed historic reels only recently discovered in 2021. This found footage aspect doesn't actually end up working all of the time, since some of the footage that was supposedly found would seem not to be the "home movies" of sisters Thomasina (Emma Appleton) and Martha (Stefanie Martini), something that the bulk of the footage more comfortably supposedly employs. The interesting if not completely fleshed out plot hinges on the sisters' invention of a device in the late 1930s called Lola that allows them to receive radio and television broadcasts from the future, something that initially kind of improbably introduces them to David Bowie, but which later ends up providing them with a "prophetic" ability to help the Allied cause in World War II. Suffice it to say that it's not nice to fool Mother Nature, or whoever is in charge of navigating the vagaries of time, and probably unsurprisingly the sisters' efforts end up causing unexpected ripples in the space time continuum.
Lola is presented on Blu-ray courtesy of Dark Sky Films and Severin Films with an AVC encoded 1080p transfer in 1.37:1. There's some really interesting information courtesy of Andrew Legge on the commentary track about some of the different cameras and stocks that were utilized, including some little tidbits like how Legge would allow light to interact with the film to "distress" its appearance. And in fact Legge goes into some detail about other "distressing" techniques he utilized, all of which may hint at the fact that Lola is an intentionally lo-fi, gritty and badly damaged viewing experience. That in turn means most of the aspects we tend to cover in reviews can be highly variant, including clarity, detail levels and grain structure. Everything from scratches to emulsion bubbles to warping to unstable frames (often combined with "jiggly cam" handheld moves) all combine to make this a decidedly less than glossy experience, but that said, the transfer certainly seems true to its source(s).
Lola features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options. The surround track nicely opens up a number of elements, including the near hallucinatory overlay of dialogue and sounds that begins the film, but also some of the source cues, including those "affordable" items mentioned above. There's other original music as well, all of which sounds nicely full bodied. Both interior scenes when Lola is active as well as quite a bit of outdoor material provide opportunities for well placed ambient environmental effects. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
- The Girl With the Mechanical Maiden (2012) (HD; 15:51)
- The Unusual Inventions of Henry Cavendish (2005) (HD; 16:24)
Lola plays at times kind of like a student exercise, though it's obvious in this case the "student" has a certain technical facility and some serious writing chops. Lola probably would have benefited from a more fulsome budget and more fleshed out screenplay, but it's a rather fascinating riff on time travel paradoxes and that oft quoted maxim about being careful what you wish for. Technical merits are generally solid, and the supplements very enjoyable. Recommended.
(Still not reliable for this title)
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