7.6 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
A cabaret chanteuse awaiting the return of a long-lost lover is unwilling to entertain the adoration of another love-struck soul, the wanderer Roland.
Starring: Anouk Aimée, Marc Michel (I), Jacques Harden, Elina Labourdette, Corinne MarchandForeign | 100% |
Drama | 93% |
Romance | 35% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
French: LPCM Mono
English
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (locked)
Movie | 4.5 | |
Video | 2.5 | |
Audio | 4.5 | |
Extras | 4.5 | |
Overall | 2.5 |
Jacques Demy's "Lola" (1961) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original trailer for the new restoration of the film; excerpts from two video interviews with Anouk Aimee conducted by Agnes Varda; restoration demonstration; Jacques Demy's early short films "Les Horizons Morts" (1951), "Le sabotier du Val de Loire" (1956), "Ars" (1959), and "La Luxure" (1962); and more. In French, with optional English subtitles for the main feature. Region-A "locked".
Lola
Presented in its original aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Jacques Demy's Lola arrives on Blu-ray courtesy of Criterion.
The following text appears inside the book provided with this release:
"Approved by Mathieu Demy, this new digital transfer was created in 2K resolution on a Scanity film scanner from two 35mm internegatives at Technicolor Los Angeles, where the film was also restored; the original negative was lost in a fire, and these internegatives are the only remaining preprint elements in existence. This 2012 restoration was undertaken by Cine-Tamaris, the Technicolor Foundation for Cinema Heritage, and the Groupama Gen Foundation for Cinema. The original monaural soundtrack was remastered at 24-bit from the optical track of a low-contrast print.
Transfer supervisors: Tom Burton, Danielle Cantwell.
Image restoration supervisor: Danny Albano.
Colorist: Jason Fabbro/Technicolor Los Angeles."
As clarified above, the release uses as a foundation the same restoration of Lola that was first introduced by Arte Video in France in 2012. You can see our review of Arte Video's release of Lola here.
Because the film's original negative no longer exists, the restorers had to work with surviving elements that were not in perfect condition. As a result, a number of important corrections were made while the film was restored and reconstructed -- contrast was rebalanced, torn frames were repaired and realigned, and in some cases non-existing details were digitally recreated by borrowing existing details from other parts of the film. However, it appears that at some point -- either during or after the restoration was completed -- specific digital corrections were also performed to make the film look smoother/better balanced. While these corrections were likely beneficial in some areas, it is easy to see that in other areas they destabilized the image. For example, because of specific filtering corrections some darker areas of the film almost completely collapse. There are areas of the film where contrast stability is also affected. (Cinematographer Raoul Coutard's use of light and shadow is very unique and there are sequences where contrast natively fluctuates quite a lot and in the process affects shadow definition, but these image fluctuations have nothing to do with the effects of the filtering corrections that are visible throughout the film). As a result, more often than not the film looks quite flat (see screencaptures #7 and 17). This being said, overall image stability is very good. Indeed, there are no serious transition issues and large cuts, damage marks, debris, warps, and stains have been removed as best as possible. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
There is only one standard audio track on this Blu-ray release: French LPCM 1.0. For the record, Criterion have provided optional English subtitles for the main feature. When turned on, they appear inside the image frame.
The lossless track is very good. While dynamic intensity is limited -- which should not be surprising considering the fact that the film's original sound design imitates that of the Nouvelle Vague films -- clarity and stability are very good. Michel Legrand's music is also well balanced with the dialog -- there are no sudden spikes or drops in dynamic activity. Lastly, there are no pops, cracks, hiss, audio dropouts, or distortions to report in this review. The English translation is excellent.
The restoration of Jacques Demy's first feature film is rather underwhelming. The people that worked on this project were clearly aware that they were facing some very unusual challenges -- the original negative for Lola no longer exists -- but I don't believe that they made all the right decisions while restoring and reconstructing the film. Criterion's upcoming release has the majority of the supplemental features from Arte Video's release of Lola, as well as four early short films directed by Jacques Demy that are not included on the French release.
(Still not reliable for this title)
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