5.5 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
A crew of men who do the high-wire work of fixing the electrical grid are hit by a sudden deadly storm.
Starring: John Travolta, Kate Bosworth, Devon Sawa, Gil Bellows, Julie BenzAction | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
UV digital copy
Slipcover in original pressing
Region A (C untested)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 2.0 |
One of the oddest major hits from the always fascinating pen of Jimmy Webb was Glen Campbell’s 1968 smash “Wichita Lineman”, a song which recounted an almost hallucinogenic tale told by one of those guys who hoists himself up a power pole to work on the electric lines that keep our country lit and otherwise powered. Webb’s ode to a working class hero had the benefit of a gorgeous melody and a stellar singer, two things that might have helped Life on the Line, an obviously well intentioned effort that does indeed attempt to shine a light on (sorry) undervalued workers who make our lives so much easier every day but who rarely get their due. What might have been a commendable if kind of preachy homage to the working stiffs of America instead wants to ply first more traditional soap operatic material and then ultimately some disaster movie territory oddly mixed with what might almost be thought of as a horror element, several things that clash at times with a more naturalistic depiction of guys going about their daily grind to make others’ lives better.
Life on the Line is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. Perhaps because the film sat on the shelf for so long and didn't have a huge theatrical exhibition, technical data is sparse to nonexistent online. While detail levels are generally quite high in decent lighting, a lot of this film plays out either in dark, dimly lit or (toward the end of the film) relentlessly stormy environments where both shadow definition and some fine detail can occasionally be lacking. Occasional anemic contrast also creates a few transitory problems in some interior scenes especially. Director David Hackl favors close-ups quite a bit of the time, something that helps to elevate fine detail levels.
Life on the Line's DTS-HD Master Audio 5.1 mix derives some good energy from its country inflected score as well as a lot of the outdoor scenes, where ambient environmental sounds are nicely scattered through the surround channels. The climactic storm, something the film itself relentlessly teases with a number of subtitles announcing how many days away it is, provides sufficient bombast as well. Dialogue comes through just fine, and in fact much of this film is built out of smaller scale dialogue scenes.
As churlish as it may sound, the best part of this film is the credits sequence, which offers shots of many linemen who have died in their line of work, along with a bunch of explanatory text about a group set up to aid their families. If only Life on the Line had told that story instead of going off in a number off different, and at times patently odd, directions. Fans of the cast may find this bearable, but even they will probably recognize this film's almost weird lack of energy.
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