5.5 | / 10 |
Users | 0.5 | |
Reviewer | 3.0 | |
Overall | 3.0 |
When her husband suddenly dumps her, longtime dedicated housewife Deanna turns regret into re-set by going back to college - landing in the same class and school as her daughter, who's not entirely sold on the idea. Plunging headlong into the campus experience, the increasingly outspoken Deanna -- now Dee Rock -- embraces freedom, fun, and frat boys on her own terms, finding her true self in a senior year no one ever expected.
Starring: Melissa McCarthy, Gillian Jacobs, Christina Aguilera, Julie Bowen, Adria ArjonaComedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French (Canada): Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (640 kbps)
English: Dolby Digital 5.1 (640 kbps)
English DD=narrative descriptive
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 3.0 |
You have to give it up for Melissa McCarthy. She's managed to turn herself into a brand with
enough of a fan base to support a stream of comedies in which she basically plays the same
character. Whether cast as a loser (Tammy), a spy (Spy), an online swindler (Identity Thief), an
FBI agent (The Heat) or a business tycoon (The Boss), McCarthy's persona remains essentially
that of a motor-mouthed bovine in a china shop. Indeed, one of the reasons why McCarthy's SNL impression of former Presidential press secretary Sean Spicer was so effective was the
unstoppable energy she brings to all her characters. As her version of Spicer bulldozed his way
through troublesome reporters, blaring from a motorized podium, McCarthy managed to be
spicier than the real "Spicy".
McCarthy's most recent film, Life of the Party ("LotP"), is another collaboration with husband
Ben Falcone, who directed and co-wrote the script with his wife. The same team also
created Tammy and The Boss, but LotP was far less well-received at the box office. Maybe
McCarthy's fans were simply waiting for the video release, as the window between video and
theatrical continues to shrink. Or maybe the formula is wearing out. Either way, LotP is a
dispirited affair, intermittently amusing but on the whole disappointing.
Life of the Party was digitally photographed by Julio Macat, who also shot McCarthy's The Boss
and whose comic credits include Wedding Crashers
and Ace Ventura: Pet Detective.
The film
has been designed and lit like a glossy TV sitcom, no doubt to assist in the extreme suspension of
disbelief that McCarthy's films require. Warner's 1080p, AVC-encoded Blu-ray exhibits all the
usual virtues of contemporary digital capture, with solid blacks, superior sharpness and detail and
an absence of noise, interference or artifacts. The colors are bright and richly saturated, never
more so than at the Eighties theme party attended by Deanna with Maddie and her friends, where
costume designer Louise Mingenbach has had a field day re-imagining an era where the clothing
was wildly excessive (but rarely so much as in LotP's Hollywood re-creation).
A reputation, once acquired, can be very hard to change, and I still see posts at Blu-ray.com
decrying Warner's low bitrates. However, LotP is yet another example of the studio's new-found
(and, as yet, inconsistent) embrace of more generous encoding, with an average bitrate of 29.79
Mbps and a capable encode.
LotP's 5.1 soundtrack, encoded in lossless DTS-HD MA, keeps the dialogue front, center and fully prioritized, as comedies usually do. Every so often, there will be an interesting rear channel effect (e.g., Deanna's racket ball games with Christine, where you can hear the ball bouncing off the wall behind you), but for the most part the surrounds are limited to ambiance and to supporting the lively and occasionally sentimental score by Fil Eisler, a regular contributor to TV's Empire, among other shows. Dynamic range is broad, and bass extension is serious, especially in the frat party scene, where the music is appropriately ear-splitting.
As is no doubt obvious, I don't number among Melissa McCarthy's fans, but even they may be
ready for something new. If LotP doesn't sell any better on video than it did at the box office, she
and Falcone might want to consider a different approach. How about a role in which the
comedienne keeps all of that manic energy bottled up inside while trying to maintain a stable
exterior? Now that would be an interesting change of pace. In the meantime, LotP is
recommended on its technical merits. The film itself is strictly for McCarthy loyalists.
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