6 | / 10 |
Users | 3.7 | |
Reviewer | 3.0 | |
Overall | 3.2 |
Holly Berenson is an up-and-coming caterer and Eric Messer is a promising network sports director. After a disastrous first date, the only thing they have in common is their dislike for each other and their love for their goddaughter, Sophie. But when they suddenly become all Sophie has in the world, Holly and Eric are forced to put their differences aside. Juggling career ambitions and competing social calendars, they'll have to find some common ground while living under one roof.
Starring: Katherine Heigl, Josh Duhamel, Josh Lucas, Hayes MacArthur, Christina HendricksComedy | 100% |
Romance | 76% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Portuguese: Dolby Digital 5.1
English SDH, French, Portuguese, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy (on disc)
DVD copy
Slipcover in original pressing
Region free
Movie | 2.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.0 |
I cry foul. Normally, a single plot point in a less-than-spectacular genre pic wouldn't trip me up, particularly a plot point in a romantic comedy. I'd remind myself that I wasn't watching Black Swan, Inception or True Grit, suspension of disbelief would kick in, and a love for my wife would compel me to grin and bear it. But Life as We Know It hinges on one of the most ludicrous plot points I've ever encountered in a film, good or bad, and I don't even have to deal with spoiler warnings to discuss it. Read on...
Bringing up baby...
I'm beginning to think I could spot a romantic comedy presentation from a mile away. Somewhat oversaturated colors, slightly overcooked skintones, oil-spill blacks, soft lighting with fickle fine detailing, a neat-n-tidy field of genial grain... all of it attractive, polished and primed for mass market rom-com consumption. But while the trend curses the vast majority of Big Studio rom-coms with an unbecoming same-y-ness, it makes for many a notable high definition presentation. Life as We Know It earns just such a 1080p/AVC-encoded transfer and the results are, for better or worse, fairly satisfying. Primaries are a bit gaudy, faces are a tad overheated and black levels border on opulent, but it amounts to an extravagant (albeit overindulgent) genre delight. Andrew Dunn's palette is warm and appropriately heartfelt, detail and delineation are decent (especially considering the amber glow emanating from every surface), textures are well-resolved, edge definition is relatively crisp and clean, and the technical encode is, for the most part, pristine and proficient. Minor artifacting and banding spoiled my first impressions, but neither one proved to be a persistent issue. Some faint ringing, negligible crush and brief noise furrowed my brow on a few fleeting occasions as well, but each one was easy to overlook. All in all, Life as We Know It looks the part and looks good while doing so. Rom-commers will be pleased.
Warner's DTS-HD Master Audio 5.1 surround track isn't going to drop any jaws, but it is easy on the ears. Dialogue is bright and summery (even when the film is at its darkest) and every snarky quip, backhanded compliment and pint-sized squeal is perfectly prioritized in the mix. And in a chatty romantic comedy like Life as We Know It, that's often all that matters. Even so, the rear speakers help create an organic soundfield, one that favors refreshing restraint over peppy rom-com pomp and circumstance. Crowded neighborhood cookouts are suitably busy, sports arenas are loud and unruly, and Blake Neely's score darts in and out of the soundscape with ease. All the while, directionality is fairly precise, pans are effortless, and dynamics, though a wee bit reserved, are competent and consistent. LFE output isn't pushy or punchy either, brandishing its wonderfully weighty wares without resorting to jarring (and frankly unnecessary) low-end kicks. Long story short? Warner's lossless mix won't turn heads, but it will leave a lasting impression.
Life as We Know It skimps on the supplements, offering a mere thirty minutes of saccharine studio featurettes and deleted scenes. It isn't entirely unexpected, but fans of the film will be disappointed by the lack of material.
What exactly is Life as We Know It? A stilted romantic comedy? A misguided dramedy? A scattershot tearjerker? A well-intentioned but poorly conceived genre pic? A maligned Valentine's Day gift for mothers and moms-to-be? Whatever it is, it isn't very good. Duhamel and his tiny co-star give their all -- and carry the film -- but it simply isn't enough. Heigl, Berlanti, Deitchman and Robinson fumble the flick from the get-go and never recover. Luckily, Warner's Blu-ray release takes away some of the sting. While its supplemental package is as anemic as they come, its AV presentation is quite good. Just don't pick up Life as We Know It as a Valentine's Day gift for the mother of your children. As romantic as dead parents, orphaned babies and unfit guardians may sound to you, believe me, she won't feel the same.
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