7.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Grief-stricken after the loss of his family, Martin Riggs moves to California to start over at the LAPD. He’s paired with Roger Murtaugh, who’s back on the job after a near-fatal heart attack. Riggs’ penchant for diving into the line of fire clashes with Murtaugh’s by-the-book technique. But Riggs discovers that he may have found something worth living for – a partner and friend. Even Murtaugh figures this might just work, if Riggs doesn’t get them killed first. Based on the hit movie franchise.
Starring: Damon Wayans, Clayne Crawford, Jordana Brewster, Keesha Sharp, Kevin RahmDrama | Insignificant |
Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
German: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 2.0
French: Dolby Digital 2.0
English SDH, French, German SDH, Danish, Dutch, Finnish, Norwegian, Swedish
Blu-ray Disc
Three-disc set (3 BDs)
Region free
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.5 |
I suspect my reaction was a typical one when I heard that Richard Donner's Lethal Weapon films
were being rebooted as a weekly TV series: It'll never work. Mel Gibson and Danny Glover so
indelibly defined the characters of LAPD detective Riggs and Murtaugh that no one could
possibly follow their act.
But after watching the eighteen episodes of Lethal Weapon's debut season, I have to admit that I
was wrong, or at least wrong enough to keep watching. Series creator Matt Miller, a veteran of
Chuck and Las Vegas (among others), latched onto what was smart and original about Shane
Black's initial Lethal Weapon script, then deftly reinvented it for the weekly one-hour format.
Black's clever notion was to endow each half of his buddy cop pairing with a fully developed
character and back story before they were forced by their bosses to team up—and then to let
those narratives continue to evolve as the two partners went about the business of law
enforcement. Riggs and Murtaugh are as much the story of the Lethal Weapon films as the crimes
they investigate. By starting them on opposing trajectories, with Riggs wanting to die and
Murtaugh eager to live, Black built drama into the relationship itself.
Miller has done the same thing with his version of Riggs and Murtaugh, but with multiple tweaks
to update the stories and provide openings for future plot developments. His Martin Riggs
(Clayne Crawford) is still a skilled combat veteran—a former Navy SEAL, as compared to
Gibson's Special Forces vet—but in this version he's a Texan who relocated to L.A. after his
wife, Miranda (Floriana Lima), was killed in a car wreck while en route to the hospital to deliver
their first child. Miranda was an Angeleno, whose father (Tony Plana) just happens to be the Los
Angeles City Attorney, which is how the right strings were pulled to get Riggs placed in the
LAPD (and yes, there's more to that story).
The TV version of Roger Murtaugh (Damon Wayans) is still pushing fifty, but he's also
recovering from a near-fatal heart attack and bypass surgery. Wife Trish (Keesha Sharp) is now a
working woman and, indeed, the family's big earner, with a lucrative law career that supports a
sizeable and glamorous house. Trish herself is now pretty glamorous—and
professionally ambitious—as opposed to the stoical housewife played by Darlene Love in the
films.
Key supporting characters have also been re-imagined. The burly police captain from the movies,
whose most memorable line was "I don't give a f*ck!", is now a sleight and far more articulate
commander named Avery (Kevin Rahm, Mad Men), who, in a convenient twist, was formerly
Murtaugh's partner and remains close to Roger's family. The police psychiatrist mercilessly
tormented by Riggs whenever she offered counseling is now a formidable professional named
Cahill (Jordana Brewster, retired from the Fast
and Furious franchise) with whom Riggs has
weekly sessions and whom he comes to regard as a friend, even as he stubbornly refuses to talk
about his feelings. Late in the season, we meet the new version of Leo Getz, who is now an
ambulance-chasing lawyer (actor Thomas Lennon wisely doesn't try to compete with Joe Pesci's
original). And the resident medical examiner, known by the nickname "Scorsese" (Jonathan
Fernandez) because he went to film school, joins a long TV crime tradition of eccentric
pathologists offering mordant commentary on our heroes and their cases.
What hasn't changed is the basic opposition between Riggs, who cheerfully courts death at every
turn (although he has forsworn actual suicide, because Miranda wouldn't approve) and
Murtaugh, who daily monitors both his heart rate and his cholesterol intake. Despite Murtaugh's
efforts at caution, the pair routinely find themselves in pitched gun battles, demolition derby auto
pursuits and perilous altercations with suspects. As he did in the movies, Riggs periodically
survives falls from dizzying heights, sometimes taking Murtaugh with him. TV's Lethal Weapon
maintains the films' tradition of big-budget stunts; the pilot and one additional episode were
directed by McG, who is also an executive producer, and every subsequent episode director
seems to be trying to live up to McG's familiar master-of-disaster style (his credits include
Charlie's Angels and its sequel). The series is filled with references to Donner's films, including
a Christmas episode that opens with a fatal plunge from a top floor apartment onto the roof of a
car below, echoing the case that first united Riggs and Murtaugh some thirty years ago.
Lethal Weapon was shot digitally (on the Arri Alexa, according to IMDb) by a revolving crew of
cinematographers, of which the most frequent was David Moxness (Fringe, among other TV
credits). The TV division of Warner Brothers Home Entertainment continues its unfortunate
practice of bit-starving its releases, crunching episodes onto as few discs as possible. In the case
of Lethal Weapon, the eighteen episodes of Season One have been stuffed onto three BD-50s, six
episodes per disc, with a miserly average bitrate hovering between 12 and 13 Mbps. While it's
certainly possible to achieve an acceptable image with digitally acquired material at such
rates—broadcast and streaming services make do with even less—you'll never achieve the great
image that the material deserves and of which Blu-ray is capable. (For examples, look at Sony's
TV Blu-rays or those released by WBHE's corporate affiliate, the Warner Archive Collection.)
Still, despite sacrificing the material's finest detail and most refined depth and textures, the Blu-rays do achieve a pleasingly watchable image,
replicating the series' colorful imagery with
sufficient vividness to convey the multiple locations and classy production design typical of a
high-concept TV show, especially one set in L.A. (Where else would TV cops routinely be called
to ritzy locations featuring expensive cars, lavish hospitality and the latest in high fashion?) The
digital clarity of the original photography covers up a multitude of sins in mastering; the show's
richly varied palette keeps the eye entertained; and artifacts are fleeting and minor (mostly light
banding). Lethal Weapon looks fine on Blu-ray, though you could probably get just as good an
image on Netflix, Amazon or Vudu.
The news is better on the audio front. Lethal Weapon's lossless DTS-HD MA 5.1 mix is a lively and aggressive affair, as befits a TV show with such distinguished ancestry. Gunfire, car crashes (lots of car crashes) and a wide variety of blows, impacts and shatterings are forcefully rendered with broad dynamic range and an immersive presence that uses the entire surround array. Dialogue is clear and appropriately prioritized, and the soundtrack benefits from an imaginatively mixed combination of song selections and music cues from several composers, primarily Tree Adams (The 100).
Unfortunately, there are no episode commentaries (say, from Miller or McG), and the absence of
any feature on the series' elaborate stunts is a missed opportunity.
If you're old enough to remember Damon Wayans as the reckless younger half of an
investigative team with Bruce Willis in The Last Boy Scout (also written by Lethal Weapon
writer Shane Black), it's somewhat unnerving to watch him settle so comfortably into the older
and more cautious role in this latest incarnation of an iconic buddy cop pairing. It's a credit to
Wayans, and also to Clayne Crawford, that they were not only brave enough to step into such
oversized shoes, but sufficiently skilled to walk in them gracefully. Lethal Weapon's second
season debuts on September 26, 2017, and the story's larger arc has already arrived at a point that
the movies didn't reach until the end of the first sequel. After that, the movie narrative got soft
and sloppy, with Lethal Weapon III and IV having to work overtime to manufacture drama out of
a relationship from which most of the conflict had been rung out. It will be interesting to see
whether the TV series' creative team can avoid the same trap. As for the Blu-rays, they're light
on extras and bit-starved like all of Warner's non-Archive TV releases, but they're
adequate—and, against all expectations, the show is entertaining escapist fun. Recommended.
2016
Warner Archive Collection
2017-2018
Warner Archive Collection
2018-2019
2018
1974
1989
2016
2019
2011
2018
2019
Import
1978
2013
2019
2015
Dynamite Women
1976
1975
Cohen Film Collection
1924
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1940
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