5.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
The young daughter of a journalist disappears into the desert without a trace—eight years later, the broken family is shocked when she is returned to them, as what should be a joyful reunion turns into a living nightmare.
Starring: Jack Reynor, Laia Costa, Veronica Falcón, May Calamawy, Shylo Molina| Horror | 100% |
| Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Lukewarm reboots of classic monster movies are basically a dime a dozen these days, what with Guillermo del Toro's Frankenstein, Luc Besson's Dracula, Leigh Whanell's Wolf Man, and Maggie Gyllenhaal's The Bride! all appearing within the last year or so to varying degrees of success. (We'll leave Whanell's The Invisible Man out of this, because it's a few years older and actually pretty good.) So now we get The Mummy -- or more specifically, Lee Cronin's The Mummy, no doubt to distinguish it from this reboot franchise and the 2017 Tom Cruise dud -- but the end result is so poorly realized and painfully stupid that now I want to rewatch Evil Dead Rise to make sure I actually kinda liked it.

In the meantime, the Cannons have moved back to Albuquerque to live with Larissa's mom Carmen (Verónica Falcón) in her labyrinthine house; they also now have another daughter in Maud (Billie Roy), who was born soon after Katie's disappearance. Back in Egypt, detective Dalia has moved on to other things, but the recent discovery of an ancient sarcophagus -- recovered after a nearby plane crash -- brings the unlikely news that Katie is alive but most certainly not well. Somehow allowed to return back home to her family in New Mexico (more on that later), Katie is an empty shell of her former self: she's not just emotionally crippled and barely responsive, but her skin is severely damaged and face grotesquely disfigured as well. Nothing that some chicken soup and bedtime stories won't fix, right?
That's the tip of The Mummy's brainless iceberg, whose first glaring sign of stupidity is when we watch wide-eyed Charlie run through a digitally-added dust storm without blinking once. Somehow, it mostly gets dumber from there. Wheelchair-bound Katie is dragged up the stairs for maximum shock value. The two Cannon kids sleep next door to their scary big sister, who doesn't have a lock on her door. Carmen gets headbutted and bitten by her granddaughter but keeps praying over her anyway. A fatal accident, obviously caused by the Cannons' violent returning houseguest, leads to a funeral that's hosted in the very same house with Katie still upstairs. Meanwhile, Charlie and Larissa wade through lukewarm martial strife over their differing opinions of how to handle the situation, which at no point involves calling the authorities. Finally, Zika comes to Albuquerque like The Exorcist's Father Karras, ready for an inevitable showdown that includes magic spoken words that might just work when Grandma's prayers didn't.
It admittedly doesn't start off terribly by modern horror standards, but The Mummy's second half becomes a true test of viewer patience. Logic is completely thrown out the window in favor of cheap scares and gruesome body horror, and the plot has so many holes that even a blockhead like me didn't need hindsight to see them. It all adds up to a dismal attempt at reviving a franchise that somehow most recently peaked with the 1999 Brendan Fraser movie linked above, and it's easily one of the most unpleasant films that I've had to cover in the last year. It earns a bonus point for Natalie Grace's performance as well as the practical blood and gore effects... but Lee Cronin probably should have insisted that his name be taken off the title instead, because The Mummy isn't really a film to be proud of.
Nonetheless, it made money at the box office (no doubt due to franchise name value, not to mention the involvement of producers James Wan and
Jason Blum), and Warner Bros.' support for The Mummy includes separate 4K and Blu-ray editions as well as a Limited Edition Steelbook combo pack. All options feature terrific
A/V merits and even a decent collection of extras too... but if we're going by pure movie quality, this ain't exactly the safest blind buy.

NOTE: These screenshots are all sourced from the separate Blu-ray disc, reviewed here.
Warner Bros.' 2160p/HDR10/Dolby Vision transfer of The Mummy predictably serves up razor-sharp visuals for this native 4K all-digital production, one whose cinematography is full of deep shadows and an HDR-ready palette with loads of strong color push regardless of location. From that perspective it plays as smooth as expected with no speed bumps, while its high and supportive bit rate anchors the picture nicely with no perceived compression artifacts such as banding or macro blocking, even during especially challenging sequences like an early dust storm and the endless, maze-like corridors of Grandma Carmen's house which was clearly designed for jump scares. There's roughly three hours of total content on this triple-layered disc, so The Mummy has plenty of room to breathe and looks all the better for it, even if some of its deepest blacks and occasionally sickly hues don't always make for a visually appealing combo.

The Dolby Atmos mix is even better, boasting an extremely wide and immersive presence that, every step of the way, seems tailor-made for home theaters as its most unsettling moments come through rather convincingly. Floorboard creaks, heavy thuds, and knocks from afar are all rendered with extreme precision, enough so that I admittedly looked over my shoulder a few times. LFE is equally heavy, which holds true whether the sounds are natural, supernatural, or just part of the film's original score. Dialogue is mostly anchored up front except for in large groups or where location-based echoes or extremely directionality is present, which only adds to the atmosphere. I certainly didn't think much of the movie as a whole, but it sounds great and serves up all the sonic surprises that horror fans could want.
Optional subtitles, including English (SDH), are included during the main feature and key extras below.

This one-disc release ships in a keepcase with poster-themed cover art, a matte-finish slipcover, and a Digital Copy redemption code. Unlike Evil Dead Rises, this one gets a decent collection of on-disc extras right out of the gate.

The Mummy somehow turned a profit at the box office back in April, proving that franchise and producer name value still works. But this is an unusually bad genre exercise where cheap scares and unsettling moments clearly outnumber even basic levels of logic and story depth, both of with are so thin that they're practically transparent. Luckily, Warner Bros.' separate 4K and Blu-ray editions at least offer proportionately great A/V merits and even a decent handful of bonus features, which should certainly please fans, but this is one I definitely can't recommend sight unseen.

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