7.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Fifteen-year-old Charley Thompson arrives in Portland, Oregon with his single father Ray, both eager for a fresh start after a series of hard knocks. While Ray descends into personal turmoil, Charley finds acceptance and camaraderie at a local racetrack where he lands a job caring for an aging Quarter Horse named Lean on Pete. The horse's gruff owner Del Montgomery and his seasoned jockey Bonnie help Charley fill the void of his father's absence—until he discovers that Pete is bound for slaughter, prompting him to take extreme measures to spare his new friend's life. Charley and Pete head out into the great unknown, embarking on an odyssey across the new American frontier in search of a loving aunt Charley hasn't seen in years. They experience adventure and heartbreak in equal measure, but never lose their irrepressible hope and resiliency as they pursue their dream of finding a place they can call home.
Starring: Chloë Sevigny, Travis Fimmel, Steve Zahn, Steve Buscemi, Amy SeimetzComing of age | 100% |
Drama | Insignificant |
Adventure | Insignificant |
Sport | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
UV digital copy
Region A (B, C untested)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.0 | |
Overall | 4.5 |
Portland, Oregon has been my home for most of my adult life, and as with any major city in the United States, it’s seen significant changes over even just the relatively few decades that I’ve personally been here. One of the first kind of funny things that a native told me when I moved here years ago barely out of my teens with my girlfriend at the time is that “Portland is a nice place to coast”, meaning there’s a certain laid back attitude where enjoying life can often take precedence over the day to day needs of actually eking out a living. But the “flip side” of “coasting” may be evident in what has become a rather alarming uptick in Portland’s homeless population. There are camps strewn around the inner city now that I certainly don’t remember ever seeing years ago, with whole little enclaves of people living in cardboard boxes, ramshackled lean-tos and a variety of other supposed shelters. It’s perhaps a singular example that even in what is often described as the paradise of America’s Pacific Northwest, economic realities have made life difficult for many. The downtrodden aspect of Portland is front and center, at least for a little while, in the moving Lean on Pete, a film which might be thought of as a “boy and his horse” movie in at least one way, but which tackles a number of weighty issues, not the least of which is attempting to find your place in a world where the emphasis often is on eking out a living, to the detriment of actually enjoying being alive.
Lean on Pete is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 1.85:1. Once again the IMDb is sadly lacking in any real technical data on the shoot, but once again your intrepid reviewer tracked down this rather interesting interview with cinematographer Magnus Nordenhof Jønck where he discusses digitally capturing the imagery with Alexa products, due both to time constraints (waiting for dailies wouldn't have been feasible), as well as the ubiquitous night and/or "magic hour" shots that fill the story and which Jønck states would have been challenging to achieve on 35mm. This is often a resplendently beautiful film, as can hopefully be seen in some of the screenshots accompanying this review. The palette is rather refreshingly ungraded (or at least appears to be so), looking warm and natural throughout. The many outdoor shots often have impressive depth of field in shots that offer rather stunning vistas. Fine detail is commendable in the many close-ups, and often even in midrange shots. Perhaps ironically, the one qualm I personally had here was with regard to shadow definition in some of the nighttime shots. It's actually fairly hard to make out what's going on in a couple of extremely dark moments, though perhaps things would have been even murkier on actual celluloid per Jønck's assertion. Aside from that passing issue, this is a really beautiful looking transfer that offers no compression anomalies.
Lean on Pete's DTS-HD Master Audio 5.1 mix has a glut of ambient environmental effects which really open up and support the surround presentation, beginning with sounds of breezes before the actual imagery even begins. There are a number of nicely done panning effects as horses gallop through the frame, and other moments, including a climax of sorts featuring cars in the desert really offer surprising sonic energy. Dialogue is always presented cleanly and clearly, and James Edward Barker's elegiac score spreads through the side and rear channels quite winningly.
There is a racetrack in Portland, for those who may wonder about such things (it's called Portland Meadows, not Portland Downs, as is seen in screenshot 5), and indeed there's actually a neighborhood called Delta Park very close to it which Charley mentions early in the film. Those elements are obviously based in "reality", while other aspects of the film do tend to push suspension of disbelief pretty dramatically at times. That perhaps makes it all the more remarkable that Lean on Pete is a uniquely emotional film, one that may well bring a lump to the throat of the most hard hearted viewer. Plummer is exceptional in a role that requires him to be onscreen almost nonstop, often with only a horse as the other putative "character". The supporting cast here is also excellent, even if they tend to drift in and out of the story. Technical merits are first rate, and Lean on Pete comes Highly recommended.
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