Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In 1970s France, a gay man tells the erotic story of his life, from school to being a commander in the army to hustling on the streets of Paris.
Director: Wallace PottsDrama | 100% |
Erotic | 12% |
Documentary | 11% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
English, Spanish
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
1979’s “Le Beau Mec” is a film about fantasies. Director Wallace Potts oversees this examination of Karl Forest, a 27-year-old gigolo who spends his days pursuing men or being pursued. He conducts business in Paris, and “Le Beau Mac” tries to pass itself off as a documentary about Forest and his many thoughts and experiences. However, reality isn’t really the point of the endeavor, which is reminiscent of an old Playboy video where the subject would spend an hour participating in random sexualized events, creating intimacy without actually exposing real life. “Le Beau Mec” is more adult cinema than journalism, watching Potts go anywhere in the picture if it means extra time with Forest and his many carnal encounters.
The AVC encoded image (1.33:1 aspect ratio) presentation is sourced from a "16mm original reversal negative, digitally captured using a 5K Kinetta Archival Scanner." There is noticeable age and wear and tear during the viewing experience, and some points of damage. Clarity reaches as far as possible, offering some detail on exposed actors and their surroundings, including forest depths. Colors are stable, with clear primaries on clothing choices and signage. Skin tones are natural. Exteriors maintain greenery. Delineation is satisfactory. Grain is heavy and film-like.
The 2.0 DTS-HD MA mix is sourced from a "16mm magnetic track." Age is also apparent here, providing a decent sense of narration, maintaining clarity with the subject's random thoughts and experiences. Musical offerings are basic but appreciable.
"Le Beau Mec" isn't a compelling portrait of a man using his physique to get what he wants. Potts isn't too prepared when it comes to delivering behavioral comprehension. The picture is more confident as a study of sexual experiences featuring Forest, who attempts to deliver as much of himself as possible in a purely visual sense. "Le Beau Mec" has a purpose that's not especially hidden, but perhaps those expecting a robust investigative dive into the Karl Forest experience are going to be left somewhat disappointed by the limitations of the exploration. It's game on for everyone else, handed a film that's loaded with heated encounters and voyeuristic sequences, tailored to titillate and celebrate, not inform.