8 | / 10 |
Users | 0.0 | |
Reviewer | 5.0 | |
Overall | 5.0 |
In a huge, old-fashioned luxury hotel, a stranger tries to persuade a married woman to run away with him, but it seems she hardly remembers the affair they may have had (or not?) last year at Marienbad.
Starring: Delphine Seyrig, Giorgio Albertazzi, Sacha Pitoeff, Françoise Bertin, Jean LanierDrama | 100% |
Foreign | 82% |
Romance | 24% |
Surreal | 17% |
Mystery | 7% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
German audio only accessible via German menu screen.
English, French SDH, German
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (locked)
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 5.0 |
Alain Resnais' "Last Year at Marienbad" (1961) arrives on Blu-ray courtesy of StudioCanal. The supplemental features on the disc include an introduction by film scholar Ginette Vinendeau; Luc Lagier's documentary "In The Labyrinth of Marienbad"; two short films directed by Alain Resnais; new trailer for the recent restoration of the film; and more. In French, with optional English subtitles for the main feature. Region-B "locked".
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Presented in its original aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Alain Resnais' Last Year at Marienbad arrives on Blu-ray courtesy of StudioCanal.
The release is sourced from a brand new 4K restoration of the film. Its main menu has interfaces in French, English, and German, which means that France and Germany are getting the exact same technical presentation of the film on Blu-ray.
I have two older releases of the film in my library: the very early North American release that Criterion produced in 2009, and StudioCanal's first European release which also arrived in 2009. I like Criterion's presentation of the film a lot, and I still think that nearly ten years later it looks quite magnificent. However, the new 4K restoration offers small but meaningful improvements that I think folks with larger screens will definitely appreciate. First, density levels are better, and while not by a lot on a larger screen it is something that strengthens fluidity rather significantly. So, expect a 'tighter' overall image with better resolved grain (compare screencapture #3 with the corresponding screencapture from our review of the Criterion release). Second, the new 4K master is very carefully graded. As a result, together with the stronger density the visuals now convey better ranges of nuances (see screencaptures #5 and 19). There are areas where these improvements can be very difficult to spot because the Criterion release still looks great, but as mentioned above on a larger screen the difference is rather obvious. Image stability is excellent. Finally, when compared to the old transfer from the StudioCanal release the new transfer is certainly a lot healthier. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: French DTS-HD Master Audio 2.0. Optional English subtitles are provided for the main feature. When turned on, they split the image frame and the black bar below it.
I did a few random comparisons with the lossless track from the Criterion release and could not hear any improvements to report in our review. However, this does not surprise me because clarity, depth, and stability were already exceptional.
StudioCanal's 4K restoration of Alain Resnais' classic mind-bender Last Year at Marienbad is a beauty, so if this happens to be a film that you like and enjoy revisiting I urge you to consider picking up the studio's new release. Also, if you reside in North America and already have Criterion's early release from 2009, keep in mind that there are additional bonus features that are not included on it. The release we have reviewed here comes from the British branch of StudioCanal, but it has interfaces in German and French, so this tells me that Germany and France are getting the same technical presentation of the film via their local StudioCanal branches. VERY HIGHLY RECOMMENDED.
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