6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
When his wife is killed in a restaurant shoot-out, intelligence man Harry Hannan (Roy Scheider) has a breakdown and finds that his department doesn't want him back. Someone's trying to kill him and it could be them, though a cryptic Jewish death-threat suggests there's something else going on. His only ally seems to be mousy Ellie Fabian (Janet Margolin) who has managed to move into his New York apartment.
Starring: Roy Scheider, Janet Margolin, John Glover, Sam Levene, Charles NapierThriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 3.5 |
After scraping through most of the 1970s with intelligent B-movies, director Jonathan Demme took a sharp turn toward the cinematic with 1979’s “Last Embrace,” an extended Hitchcock homage starring Roy Scheider and Janet Margolin. Bathed in a warm, excitable score by Miklos Rozsa and shot by the great Tak Fujimoto, “Last Embrace” certainly isn’t sloppy. However, this adaptation of the book “The 13th Man” (written by Murray Teigh Bloom) doesn’t offer the snap Demme is looking for, and while the production has aspirations to be “North by Northwest,” it mostly comes to attention in frustrating fits.
The AVC encoded image (1.85:1 aspect ratio) presentation manages "Last Embrace" to satisfaction, with a few drawbacks arriving during the viewing experience, including the appearance of speckling, never moving into heavier displays of damage. Colors are stable and settled, with pleasing hues on costuming and locations, while skintones are true. Grain is managed adequately, and blacks are secure and communicative.
The 2.0 DTS-HD MA sound mix certainly shows its age with a sharper, thinner presence. Dialogue exchanges aren't lost, but fullness isn't available, with performances competing with atmospherics for dominance, narrowly beating out rushing water and street activity. Scoring also remains tepid, failing to pick up the picture in a way it seems intended to do, with several of the major suspense sequences more functional than remarkable. Hiss is detected.
"Last Embrace" works in small doses, with the overall movie missing a sense of urgency key to the raising of stakes and tension. There's also a refusal on Demme's part to commit entirely to the Hitchcock experience, with interest in following such melodrama and technical precision wiped away with cinematographic habits and the casual nature of the characters' quest. While "Last Embrace" ultimately underwhelms, the effort is there to create something that's a little odd and a little traditional, making its working parts more interesting than the finished product.
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