6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
TRACK LISTING
1. The Pump
2. Blues Force
3. It Was Only Yesterday
4. Red House
5. Don't Give It Up
6. Room 306
7. Put It Where You Want It
| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
Are you old enough to remember LPs? Back in the day when what you held as you listened to music was big enough to feature type that could actually be read, there was a certain class of people (some would say nerd) who would obsessively read credits and liner notes to inform themselves about the various albums they had purchased. But enough about me. With the advent of CDs and the sometimes miniscule type in insert booklets, I have to wonder if credits reading has gone out of style, and so it’s perhaps become even harder for session musicians to gain a foothold in the general public conciousness. One session guy who has managed, at least within his own probably relatively small scale world, to attain a certain renown is guitarist Larry Carlton. Though he may not command the marquee value of, say, George Benson, Pat Metheny, or other jazz guys who have shot to the top of the charts, Carlton is if anything probably more prolific than either of those gentlemen, having contributed to hundreds, maybe even thousands, of recordings over his long career. As a sideman Carlton has backed up everyone from Michael Jackson to Steely Dan to (ahem) The Partridge Family, which surely gives some indication of how fluent Carlton is in a variety of styles. I first noticed his work on the lovely early 1970s output of Joni Mitchell, who with her jazz inflected albums like Court and Spark invigorated her own folk-rock vocabulary with an entirely new sensibility, part of which can certainly be attributed to Carlton’s input. Carlton also released a string of albums around that same time with the early fusion progenitors L.A. Express, but he’s probably become better known to modern jazz-pop fans for his work with Fourplay, even as he continues to churn out an amazing number of dates for other headliners. If Carlton has hewed to a career away from the Top 40 limelight (at least under his own name), the same can’t be said for Toto’s guitarist Steve Lukather, whose teenage friendships with David Paich and the Porcaro brothers helped to lay the foundation for one of the most successful “supergroups” of the late 1970s and 1980s. Even as one Toto album and single after another continued to chart, Lukather, like Carlton, was forging an incredibly lucrative and busy side career as a session guy for (like Carlton) Michael Jackson, Olivia Newton-John and well over a thousand other dates.


Like the other New Morning releases in-akustik has offered on Blu-ray, Larry Carlton and Steve Lukather is presented via an AVC encode in 1080i and 1.78:1. As most of these other releases have been, the image quality on this release is not top tier. Unfortunately, even more than some of the other New Morning releases, this outing suffers from an overly soft and blurry image which is further hobbled by stage lighting that seems to work at odds with the filming. Only in extreme close-ups do we get anything approaching hi-def clarity and pop. Colors are decent throughout, with good to excellent saturation, but again, it's only in the close-ups that things really resonate fully. There's moderate to severe crushing in the darker segments and contrast is at odds with the bright lighting a lot of the time.

Much better are the two lossless audio options, DTS-HD Master Audio 5.1 and LPCM 2.0, both of which present the music in full flower, with a lot of fiery action throughout all frequencies. Fidelity is spot on, highlighting Luke's blistering attack and Carlton's more refined, laid back approach. Bass, drums and keys are all spread naturally throughout the soundfield and provide ample low end throughout the set. The drums are especially well positioned and extremely present without being overwhelming. Crowd noise does not intrude very much during the songs themselves, but fills the surrounds during the applause interstitials. Any fans of either or both of these fine headliners will be more than satisfied with the reproduction of these excellent lossless mixes.


The New Morning series has been one of the most consistently entertaining pop-rock-jazz sets of releases over the past few years, and this outing with Larry Carlton and Steve Lukather is no exception. Though the Blu-ray is hobbled by a softer than average image quality, the soundtrack is fully alive and present and helps to make up for that shortcoming. Recommended.