6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A young girl suffers a terrifying nightmare of a vampire with blazing golden eyes. Eighteen years later, the dream is revealed to be a hellish prophecy when a strange package containing an empty coffin mysteriously turns up at a nearby lake.
Starring: Shin Kishida, Midori Fujita, Chôei Takahashi, Sanae Emi, Tadao FutamiHorror | 100% |
Foreign | 91% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
Japanese: LPCM Mono
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.0 |
Note: This film is available as part of The
Bloodthirsty Trilogy.
Hammer Horror: The Warner Bros.
Years almost unavoidably if kind of tangentially documented the venerable British studio’s impact in the United States due to its
partnership
with what was then called Warner Brothers — Seven Arts, but Arrow’s new Bloodthirsty Trilogy proves that Hammer’s influence reached
far
beyond just the shores of the United States, in case there had been any doubt. As the cheerful Kim Newman mentions in an appealing overview
included on this two disc set as a supplement, there have been a lot of iconic Japanese horror films through the
years going back to the earliest days of cinema, including any number of so-called J-Horror outings that were ultimately adapted into English
language entries (Ring), but what may interest horror fans most about The Bloodthirsty Trilogy is this trio of films’ obvious
homages to Hammer stylistic proclivities as well as certain plot mechanics. That said, all three of the films in The Bloodthirsty Trilogy
definitely have a Japanese sensibility often focusing on the influence of supernatural phenomena, a subtext of sorts that in its own way points both
backward to some trends Newman outlines as well as to what
would become the future of Japanese horror as evidenced by the glut of 21st century films that gained international audiences. All three of the
films in this set are midlevel programmers (even Newman confesses that after having seen each of the trilogy several times he has a hard time
remembering them and had to refer to his notes to prepare for his interview for the Blu-ray), and so those searching for obscure,
undiscovered masterpieces may be at least a little let down, but all three films have spooky elements and some directorial flair courtesy of Michio
Yamamoto.
All three films in The Bloodthirsty Trilogy are presented on Blu-ray courtesy of Arrow Video with AVC encoded 1080p transfers in 2.35:1. Arrow's insert booklet provides the following fairly generic verbiage on the transfers:
The films in The Bloodthirsty Trilogy are presented in their original aspect ratio of 2.35:1 with mono audio. The Vampire Doll, Lake of Dracula and Evil of Dracula were remastered from the original film preservation film elements by Toho Co., Ltd. and delivered as High Definition masters to Arrow Films. Additional picture restoration work was completed at R3store Studios, London.All three of these films look pretty similar in terms of palette reproduction and grain resolution, and all three have been restored to a point where any age related wear and tear is virtually negligible. I'm assuming "preservation film elements" may not mean original camera negatives, since all three of these films have a slightly "dupey" look at times, with contrast fluctuations and blacks that can be on the milky side at times, as well as grain that can look fairly thick quite a bit of the time. Some day for night material also can have a slightly gray-green appearance. While the palettes in all three films resonate with some authenticity, things looked slightly brown to my eyes in all three films, skewing flesh tones toward "Egyptian makeup" territory and tending to push "Hammer red" blood tones slightly toward orange hues at times. Clarity is somewhat variable at times as well, and in fact it looks like focus pulling was a challenge in all three films at selected moments. Some opticals can look a little rough, including flashback sequences that are featured in all three films.
All three films in The Bloodthirsty Trilogy feature LPCM Mono tracks in the original Japanese. The trilogy sports some rather unusual music,
with astringent modernist orchestral cues being mixed with some electronic instruments and even (in the third film) a more "pop-ish" almost Bacharach
quality at times, and fidelity support good if sometimes kind of brash sounding rendering of the music in all three films. Dialogue and effects are also
reproduced with good prioritization and no discernable damage like distortion or dropouts.
While I didn't see any mention of this in the insert booklet or on the documentation included with the release, and while the disc menu also doesn't
provide necessary information, it turns out that both Lake of Dracula and Evil of Dracula include English dubs presented via LPCM
Mono. You can access these tracks by toggling the Audio button on your remote. The English dubs have marginally lower amplitude and a somewhat
boxier sound than the Japanese tracks, and of course feature almost hilariously loose sync in terms of dialogue matching lip movements.
This is the latest multi-film release from Arrow where at least some of the films share a disc, and so supplements on that particular disc are not
necessarily tied to a particular film.
Disc Two contains Lake of Dracula and Evil of Dracula and the following supplements:
- The Vampire Doll (1080p; 2:04)
- Lake of Dracula (1080p; 2:12)
- Evil of Dracula (1080p; 2:22)
Both Kim Newman in his on screen supplement as well as the really interesting essay by Jasper Sharp included in this set's insert booklet make the case that kind of hilariously The Bloodthirsty Trilogy either subliminally or (in the case of Lake of Dracula) overtly makes the case that the vampires are (or sprang from) interlopers from another land, since Japan would never foster such hideous creatures. It's a kind of passing plot point that nonetheless makes the case that Yamamoto and Toho wanted their vampiric cake and to eat it, too, meaning they wanted to indulge in the "delights" of Hammer-esque bloodsuckers while keeping a certain maybe even jingoistic distance from the subject. Lake of Dracula is in some ways the most "interior" of the three films in The Bloodthirsty Trilogy due to its emphasis on Akiko's psychological frailty, but what it lacks in outright scares it makes up for with a rather interesting almost melancholic mood. Arrow provides a release with decent technical merits for those considering a purchase.
(Still not reliable for this title)
幽霊屋敷の恐怖 血を吸う人形 / Chi o suu ningyô
1970
Chi o suu bara
1974
The Mask of Satan / La maschera del demonio | The Mario Bava Collection
1960
AIP Cut | 60th Anniversary
1963
La morte vivante
1982
La novia ensangrentada
1972
El retorno del hombre lobo
1981
La perversa caricia de Satán
1976
Limited Edition | Indicator Series
1979
Nosferatu, a Symphony of Horror | Nosferatu, eine Symphonie des Grauens | 2006 Restoration, Hans Erdmann/Heller compilation score
1922
L'amante del vampiro
1960
I vampiri
1957
El gran amor del conde Drácula / Cemetery Girls / Dracula's Virgin Lovers / The Great Love of Count Dracula
1973
La vampire nue | Limited Edition | Indicator Series
1970
La fille de Dracula
1972
La noche del terror ciego | Standard Edition
1972
Terrore nello spazio | 2K Restoration
1965
Malenka / Malenka, the Niece of the Vampire / Malenka, the Vampire / The Vampire's Niece
1969
La orgía nocturna de los vampiros
1974
Hannah, Queen of the Vampires / Young Hannah, Queen of the Vampires / Young Hannah
1973