7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
FBI Agent Lemmy Caution is sent to investigate the 'puzzling disappearance' of two million dollars in Casablanca. He soon discovers that a gang of professional gold smugglers led by a tough character named Rudy Saltierra might have pulled off a brilliant job. He goes to work to find out the truth, but Saltierra's mistress, nicknamed La Môme Vert de Gris, complicates his job and then makes his life miserable.
Starring: Eddie Constantine, Dominique Wilms, Howard Vernon, Maurice Ronet, Gaston Modot| Foreign | 100% |
| Film-Noir | 35% |
| Drama | 13% |
| Thriller | Insignificant |
| Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
French: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
French SDH, English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region free
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 1.0 | |
| Overall | 4.5 |
Bernard Borderie's "Poison Ivy" a.k.a. "La Môme Vert de Gris" (1953) arrives on Blu-ray courtesy of French label Pathe. The only bonus feature on the disc is an archival interview with actor Eddie Constantine. In French, with optional English and French SDH subtitles for the main feature. Region-Free.

Poison Ivy

Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Bernard Borderie's Poison Ivy arrives on Blu-ray courtesy of Pathe.
The release is sourced from a brand new 4K restoration -- the film was scanned in 4K and restored in 2K -- which was completed by Eclair laboratoires and L.E. Diapason, with the financial support of Centre national du cinéma et de l'image animée (CNC).
The film looks absolutely magnificent now, and if you have a projector I urge not to waste your time viewing it on a TV. Go big and have a very special viewing experience. Depth and clarity are simply outstanding, and fluidity is as good as you can hope it to be for a film of the era. The best news here is that there are absolutely no traces of problematic digital corrections -- grain is wonderfully exposed and nicely resolved -- and the grading job is very strong. I felt that there were one or two sequences where the blacks perhaps should not have been as lush as they are, but everything else looks magnificent. There are no stability issues to report. Lastly, if there were any traces of damage and other age-related imperfections it is impossible to tell now because the film looks spotless. Really, really great work from the folks at Pathe. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location. For the record, there is no problematic PAL or 1080/50i content preceding the main menu).

There is only one standard audio track on this Blu-ray release: French DTS-HD Master Audio 2.0 (with small portions of English). French descriptive Audio DTS-HD Master Audio 2.0 track is included as well. There are optional English and French SDH subtitles for the main feature.
The audio was fully restored by the great team at L.E. Diapason, which has done some pretty incredible work for a number of very high-profile restorations of classic French films. Depth, clarity, and especially stability are very good. Also, the high-frequencies are treated very nicely, without clipping, to preserve the as much fluidity as possible. My only minor criticism pertains to the size of the English subtitles, which I found to be slightly smaller than usual.


I don't know if all films always look better in black-and-white, but over the years there have been quite a few big directors, actors, and cinematographers who have argued that most do, and as time passes and we are starting to see more and more great black-and-white films being properly restored, I am finding it awfully difficult not to agree with them. This brand new release of Bernard Borderie's Poison Ivy, which is sourced from an immaculate 4K restoration completed by Eclair, is just the perfect example that these films can look astonishingly beautiful, or that they always have, and as most young directors are moving toward digital film-making we are clearly losing a very special organic beauty that cannot be imitated. I also have to say that this is one of the sexiest film noirs I have seen in quite some time, with a superb acting debut by Eddie Constantine. Fantastic release. VERY HIGHLY RECOMMENDED.
(Still not reliable for this title)

Speaking of Murder
1957

Witness in the City
1959

Elevator to the Gallows
1958

Les Salauds dorment en paix
1960

Nora inu / Chien enragé
1949

Rififí en la ciudad
1963

2009

Pale Flower / 乾いた花 / Kawaita hana
1964

1966

Back to the Wall
1958

Rififi
1955

白日焰火 / Bai ri yan huo
2014

Limited Edition
1967

Rundskop
2011

1959

Super Express 109 / Shinkansen daibakuha
1975

Dane-ye anjir-e ma'abed / The Seed of the Sacred Fig
2024

I contrabbandieri di Santa Lucia
1979

La polizia incrimina la legge assolve
1973

The cop
1970