8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
An allied bomberplane is shot down over Paris by the Germans. Its crew (Terry Thomas as a flight captain) land there by parachute. With the help of some French civilians (Louis de Funès in the role of a conductor and Bourvil as a house painter) they try to escape over the demarcation line into the southern part of France, still not occupied by the Germans.
Starring: Louis de Funès, Bourvil, Terry-Thomas, Claudio Brook, Mike MarshallForeign | 100% |
War | 23% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.50:1
Original aspect ratio: 2.35:1
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
English, French SDH, German
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 0.0 | |
Overall | 4.0 |
Gerard Oury's "La Grande Vadrouille" a.k.a. "Don’t Look Now, We’re Being Shot At" (1966) arrives on Blu-ray courtesy of StudioCanal. There are no supplemental features on the disc. In French, with optional English, French, and German subtitles for the main feature. Region-B "locked".
Clueless
Presented in an aspect ratio of 2.50:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Gérard Oury's Don't Look Now, We're Being Shot At arrives on Blu-ray courtesy of StudioCanal.
The release is sourced from a new 4K restoration of the film which was commissioned to celebrate its 50th anniversary. In terms of detail, clarity and depth the improvements are indeed quite dramatic. I have an old French DVD release of this film and a quick comparison immediately revealed a massive gap in quality. Density and stability are also much better, and especially on larger screens the upgrades could and should be quite overwhelming. My one and only minor criticism pertains to the color grading. I find it a tad inconsistent because in a select areas I would have preferred to have slightly cooler primaries and nuances, but the overall balance is still very good. There are no traces of problematic degraining or sharpening adjustments. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There are three standard audio tracks on this Blu-ray release: French DTS-HD Master Audio 2.0, German DTS-HD Master Audio 2.0 (1974), and German DTS-HD Master Audio 2.0 (1967 and 1974). Optional English, French, and German subtitles are provided for the main feature. When turned on, the English subtitles appear inside the image frame (but only when French and German are spoken).
The original French track has been fully remixed and it is very easy to tell. Clarity, depth, and balance are outstanding. Georges Auric's orchestral score appears to have benefited the most because I did some random comparisons and it seems to be breathing a lot easier throughout the entire film. The dialog is stable, clean, and very easy to follow.
Most unfortunately, there are no supplemental features to be found on this release.
This was one of my favorite Blu-ray releases from 2016. The film is an undisputed classic but it seems like it was largely ignored during the DVD era and a lot of people are unfamiliar with it. Now it has been restored in 4K, and I think that it actually looks quite spectacular in high-definition. Hopefully this release will find a large enough audience and StudioCanal will consider bringing to Blu-ray in the United Kingdom some of the other recently remastered classic Louis de Funes comedies that have emerged in France. HIGHLY RECOMMENDED.
(Still not reliable for this title)
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