6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In post-WWI France, Claire Lescot is a famous prima donna. All men desire her, but none more than the young scientist Einar Norsen. When she rebuffs him, he leaves her house declaring he will kill himself. More than the plot, this film is about style, it was produced as a manifesto for the modern decorative arts.
Starring: Jaque Catelain, Léonid Walter de Malte, Philippe Hériat, Fred Kellerman, Georgette LeblancDrama | 100% |
Adventure | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
Music: LPCM 2.0
Music: LPCM 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 5.0 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Marcel L'Herbier's "L'inhumaine" a.k.a. "The Inhuman Woman" (1924) arrives on Blu-ray courtesy of Flicker Alley. The supplemental features on the disc include a recently produced featurette and short documentary film. The film can be seen with two brand new music scores by Aidje Tafia and Alloy Orchestra. With original French intertitles and optional English subtitles. Region-Free.
"If you can destroy your life so easily, it wasn't worth much to begin."
Presented in its original aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Marcel L'Herbier's The Inhuman Woman arrives on Blu-ray courtesy of Flicker Alley.
The release is sourced from a brand new 4K restoration of the film which was undertaken by Paris-based Lobster Films and overseen by Serge Bromberg, Eirc Lange, Chrystel Bonne, Lucie Fourmont, and Colin Ruffin. The 4K scanning was performed by the Eclair Group.
It is extremely easy to tell that the professionals that worked on the 4K restoration knew exactly what they were doing. Indeed, the overwhelming majority of the film now looks quite spectacular. There are segments where depth does fluctuate because time has clearly left its mark, but overall image balance and fluidity are as good as one would expect them to be. A lot of the darker footage, in particular, looks wonderfully balanced and crisp (see screencapture #2). According to information supplied by the producers of this release, the last tinted copy of the film was destroyed in a fire at La Cinematheque francaise, but the original colors for the tints, as envisioned by Marcel L'Herbier, were digitally restored after sample frames with negative elements were discovered at the French Film Archive. The reproduction of these colors is excellent. There are absolutely no traces of problematic degraining or sharpening adjustments. However, the encoding should have been carefully optimized because there are a few segments where some light compression artifacts/small macroblocks pop up (see screencapture #21). Because there are various density and fluidity fluctuations most viewers will likely miss them, but on very large screens they can be spotted. Damage and other purely age-related limitations have been addressed as best as possible and as a result the film looks exceptionally healthy. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location).
There are two standard audio tracks for on this release: LPCM 2.0 (Aidje Tafial's music score) and LPCM 2.0 (Alloy Orchestra's music score). Also, there are original intertitles in French and optional English subtitles.
Aidje Tafial's score: The score is very diverse. It incorporates some quite interesting harmonies with a rich percussion foundation. It has a contemporary identity but at the same time it also has a period feel. Depth, clarity, separation, and balance are simply fantastic.
Alloy Orchestra's score: It has a better defined classic structure, though it also favors contemporary harmonies and rhythms. It feels slightly more conservative, but it seems just as effective. Again, depth, clarity, separation, and balance are excellent.
Marcel L'Herbier's L'inhumaine is a grandiose project that matches the audacity and brilliance of the greatest silent masterpieces. There is no doubt that it was directed by a true visionary whose understanding of cinema and its potential was way ahead of its time. The film has been recently restored in 4K by French label Lobster Films and is now available in North America via Flicker Alley. The restoration is superb, but this is hardly surprising considering the fact that many of the same people that were behind the reconstruction of Georges Méliès' A Trip to the Moon were again involved. The technical presentation, however, could have been more convincing. Still, this is one this year's most exciting releases. HIGHLY RECOMMENDED.
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