6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A French-Turkish co-production L'Immortelle is an erotic, dream-like fantasy in which a despondent man meets a beautiful, secretive woman who may, or may not, be involved in using kidnapped women as prostitutes...
Starring: Françoise Brion, Jacques Doniol-Valcroze, Guido Celano, Sezer Sezin, Ulvi UrazForeign | 100% |
Drama | 60% |
Erotic | 15% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: LPCM 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.5 |
I’m beginning to understand what inspired David Lynch to start directing films. 1963’s “L’immortelle” exists in a dreamscape, or perhaps a nightmare, or perhaps it’s all set in a level of purgatory. Famed French New Wave architect Alain Robbe-Grillet isn’t in the mood to provide answers with his directorial debut. He’s mounted an avant-garde ode to the minutiae of loss and psychological disorder, setting this often indescribable tale in Istanbul, where the lead character and the viewer are strangers in a strange land, unable to decode the local language and decipher the landscapes. “L’immortelle” isn’t an approachable picture by any means, instead marching forward as an exercise in cinematic form.
The AVC encoded image (1.67:1 aspect ratio) presentation is a generous replication of the original work, boasting terrific contrast and a relatively intact print, with only a few obvious instances of damage and speckling. Blacks are pure and textured, and there's a commendable management of grain, maintaining a richly filmic viewing experience. It's clear the picture has been brought to the HD realm with care, maintaining the essentials of the image without disruption.
The 2.0 LPCM sound mix does feature crackly highs, making extremes in mood a tad piercing. However, this is not a consistent event, as much of the track is tasked with organizing sound effects and dialogue exchanges, which sound clear and meaningful, while the film's minimal use of music supports as intended, without overwhelming other elements. Hiss is present but not excessively so.
Highly regarded, "L'immortelle" is a master class in editorial precision and sound design. It's cold to the touch, but impressively conceived, and the Blu-ray allows Robbe-Grillet fanatics an opportunity to study his most unappreciated (and unavailable) work with the pauseable concentration and repetition it deserves.
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