6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
When the war on the streets becomes personal, no one is safe. Guzman, a small-time drug lord, takes on Giovanni, the biggest Mafia boss in L.A., igniting a war.
Starring: Vince Murdocco, Mary E. Zilba, Rodrigo Obregón, David Jean ThomasDrama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
French: LPCM 2.0
Italian: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 3.0 |
Lovers of limited editions which often come with proscribed market availability may have a lifeline of sorts due to the vagaries of licensing deals, which often run for about three years, meaning if you missed a release the first (or second, or third) time around, chances are you might get another crack at grabbing the brass ring and/or polycarbonate disc, as L.A. Wars itself proves rather handily. A Vinegar Syndrome release of L.A. Wars came out almost three years ago to the day of this particular release, and evidently quickly or otherwise sold out, and according to our typically fairly reliable database is now fetching what I consider to be absurd amounts of money on the secondary market. If you don't mind not having the same supplements as the Vinegar Syndrome release, this MVD Rewind Collection outing should probably suffice more than handily enough for any fans of this lo-fi action film.
L.A. Wars is presented on Blu-ray courtesy of MVD Visual's MVD Rewind Collection imprint with an AVC encoded 1080p transfer in 1.33:1. The back cover of this release states this was "scanned and restored in 2K in 2020 from 16mm archival elements", which echoes the verbiage Brian quotes in his review of the Vinegar Syndrome release. I've tried to come close to mimicking some of the screenshots Brian uploaded to accompany his review, and while there are some broad similarities between the two presentations, to my eyes this MVD Rewind version looks at least a bit brighter than the Vinegar Syndrome version, something that can affect at least perception of an already thick (and I'd argue at times somewhat noisy looking) grainfield, as well as some nuances in color temperature. In that regard, note, for example, the kind of reddish shirt in screenshot 2 in this review and Brian's and how the differing brightness plays with the warmth (or lack thereof) between the versions may be apparent. On the other hand, I could see some actually preferring the brighter look in some of the darkest moments, as in screenshot 3 in both reviews, where I think fleshtones may be a bit better suffused here than on the Vinegar Syndrome release. All of that niggling aside and playing into my score just as much, I'm evidently a bit more of a curmudgeon as to the recurrent damage on display here, which I'm assuming is more or less the same as what Brian saw, and which he actually seemed to like as it added to the "grindhouse" experience. Parsing through some of the screenshots I've included here, you can make out some of the often impossible to ignore vertical and horizontal scratches, which tend to come in varieties of bright green, as well as any number of other blemishes and nicks. As Brian mentions in his review, there's also considerable image instability at times and noticeable wobble during the credits.
L.A. Wars definitely ups the ante in the audio department, at least from the specs perspective when comparing the two releases. This release substitutes an LPCM 2.0 Mono track for the Vinegar Syndrome's DTS-HD Master Audio 2.0 Mono version (do other audiophiles ever wonder, as I do, why different releases feature different audio codecs?). But this release then adds a true stereo LPCM 2.0 track, one which is considerably more energetic, with increased amplitude and a noticeably more vibrant midrange and especially low end. For good measure, there are also fun French and Italian tracks in LPCM 2.0 (I toggled between, and they're both fine, though the French is definitely nowhere near as bright as the Italian). Dialogue, effects and score are all rendered without any issues. Optional English subtitles are included.
If you're a fan of this movie, you'll probably appreciate Brian's reaction more than mine, since the more cliché ridden aspects of this story (and I'd argue there are a lot of them) kind of left me waiting for the next outbreak of carnage to relieve the tedium. In that regard, L.A. Wars delivers pretty handily. One way or the other, those who like this movie and who didn't pick up the Vinegar Syndrome release and who don't want to fork out a Benjamin or two for it at this point should find this version a reasonably suitable replacement. Technical merits are generally solid, though I'd recommend those interested parse through the screenshots here. The audio options on this disc offer more variety than the Vinegar Syndrome disc, and while some of the supplements are different between the two releases, the ones on this disc shared or otherwise are very enjoyable, for anyone who may be considering making a purchase.
SOLD OUT / Vinegar Syndrome Archive
1987
Vinegar Syndrome Archive
1985
SOLD OUT / Vinegar Syndrome Archive
1984
Vinegar Syndrome Archive / Sold Out
1993
1989
1967
1985
Special Edition
1983
Special Edition
1982
The Dungeon / Vinegar Syndrome Archive / SOLD OUT
1979
1973
1974
Submission [Slipcover/Ed Exclusive on Retailer Limited to 2000]
1973
Nightmare in Blood / Swastika Savages / The Fakers
1970
1994
1973
1988
1976
1991
1990