5.4 | / 10 |
| Users | 4.5 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
Evan seems like the perfect guy. He's an architect, lives in a beautiful California home, has two kids and a lovely talented wife. One afternoon, the wife and kids go to the beach but Evan has to stay home and work. It's raining, he's alone, listening to music, and there's a knock at the door. Two beautiful young girls, are standing in the cold. They're drenched, lost and just want to come in to dry off and use the phone.
Starring: Keanu Reeves, Lorenza Izzo, Ana de Armas, Aaron Burns (V), Ignacia Allamand| Horror | Uncertain |
| Thriller | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 2.0 |
Note: October's releases from Lionsgate Limited are another variant grab bag of formats and packaging options.
Jacob's Ladder 4K offers 4K and 1080 discs in
SteelBook packaging, Knock Knock 4K offers only a 4K disc in a DigiPack,
and Lionsgate Limited continues with their curation of Vestron Video outings with Hider in the House, offered in 1080 only.
The Police may have made the term "synchronicity" recognizable to untold generations unacquainted with the venerable Carl Jung, but for those
wanting a rather unexpectedly weird example of the phenomenon in Jung's original formulation, check out my opening paragraph of my Knock Knock Blu-ray review of Lionsgate's 1080 version released several years ago.
Lionsgate is revisiting the title in 4K with two new supplements (both offered in UHD with HDR) along with "legacy supplements" and that
aforementioned DigiPack.


Note: This release does not include a 1080 Blu-ray, so these screenshots are taken directly from the 4K UHD disc and downscaled to 1080 and
SDR. Color space in particular is therefore not accurate, and I recommend those interested to look at some of the screenshots in our old Knock Knock Blu-ray review of Lionsgate's 1080 release for a
probably better representation of the palette. Since this release does not include a 1080 disc, the 2K video score above has been intentionally left
blank.
Knock, Knock is presented in 4K UHD courtesy of Lionsgate Films' Lionsgate Limited etailer with an HEVC / H.265 encoded 2160p transfer in
2.39:1. The brief but appealing Establishing Shot featurette with Eli Roth (listed below) actually shows him in the 4K mastering suite dealing
with issues like brightness and grading on Knock, Knock, with an attendant interview featuring Roth waxing nerdily enthusiastic about 4K in
general and 4K discs in particular. The good news is that all of the truly weird artifacting I mentioned in my old Knock Knock Blu-ray review has been ameliorated. The bad news is that this is probably
even more "digital" looking than the old 1080 presentation. On the plus side of that particular equation is some really commendable clarity
and outstanding detail levels, but there's just a kind of flat glossy quality that can't be denied. While nowhere near what can be seen on the 1080
version, that very digital quality probably aided and abetted by Dolby Vision / HDR tends to come close to some posterizing in some of the brightly lit
moments (typically early on before the maelstrom of the young women hits). The HDR grades add a kind of sickly yellow look to a lot of the interior
footage, but probably also offer a bit more shadow detail in some of the darkest moments.

Maybe a little surprisingly, this 4K version has been granted a new Dolby Atmos mix which definitely improves the generally effective DTS-HD Master Audio 5.1 track that was on the old 1080 disc. The biggest consistent improvement here is probably with regard to the fun source cues, which pulse through the surround channels with considerable vigor throughout the story. As chaos unfolds, there's also clear engagement of the "traditional" surround channels if frankly sporadic emanations from the Atmos speakers, often again with regard to music but also occasionally offering ambient environmental effects in some of the outdoor moments in particular. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.

- Audio Commentary with Eli Roth, Lorenzo Izzo, Nicolas Lopez and Colleen Camp
- Deleted Scenes (HD; 4:51) feature optional commentary by Eli Roth.
- The Art of Destruction: The Making of Knock Knock (HD; 14:42) is a standard issue EPK with some decent interviews, especially with Roth, who discusses having discovered Death Game back in the day and having loved it.

This film will forever live in my memory for reasons maybe thankfully completely divorced from the actual movie. For those with actual memories of the film interested in picking up a copy, this new 4K UHD version has improved the odd artifacts seen on the 1080 version, but can't really get away from what looks like a kind of artificial digital capture. Technical merits are generally solid and the newly produced supplement is a lot of fun, with the somewhat unusual packaging offering another point of interest for collectors, for anyone who may be considering making a purchase.

Unrated
2010

Unrated Collector's Edition
2007

2015

Collector's Edition
2008

2009

Warner Archive Collection
1962

1990

Uncut
2013

2012

2012

Unrated
2011

2011

2012

Standard Edition
2011

2014

15th Anniversary Edition
2008

Eliza Graves
2014

2013

Unrated Edition
2008

2018