6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Long live King Arthur and Camelot! Yet in all of ancient England's newfound peace there is "a fraying link in Arthur's chain:" the growing passion between heroic knight Sir Lancelot and beautiful Queen Guinevere. One of history's most beloved legends is vibrantly retold in an adaptation downplaying fantasy elements and giving 6th-century England a new kind of fantasy: a dazzling Hollywood sheen bursting with the CinemaScope-sized pageantry, conflicts and imposing citadels of location-lensed 1950s spectaculars. Robert Taylor is Lancelot, sworn to serve his King (Mel Ferrer) but devoted to his Queen (Ava Gardner). Richard Thorpe, who teamed with Taylor for eight films, directs this colorful epic of bravery and honor.
Starring: Robert Taylor (I), Ava Gardner (I), Mel Ferrer, Anne Crawford, Stanley Baker| Drama | Uncertain |
| Adventure | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.55:1
Original aspect ratio: 2.55:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 5.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
The second film in an unofficial trilogy of medieval dramas directed by Richard Thorpe, produced by Pandro Berman, and starring Robert Taylor (preceded by Ivanhoe and followed by The Adventures of Quentin Durward), 1953's Knights of the Round Table certainly at least sounds like the most accessible entry of the bunch. Historically noted as MGM and Britain's first film shot in CinemaScope, the ultra-wide backdrop is a natural fit for this colorful period piece.

It's all fairly melodramatic and the end result clearly remains a product of its time, as the uneven juxtaposition of “thees” and “thous” with modern English -- not to mention the less-than-impressive costume design -- renders certain scenes a bit more silly than serious. The performers do what they can with the script but Richard Thorpe’s direction is also fairly stiff and lacks continuous momentum, making Knights of the Round Table one of the lesser Arthurian big-screen epics in hindsight. Yet it turned a decent profit back in 1953 and 1954, with one of its primary draws being the studio’s use of ultra-wide Cinemascope to lure viewers away from their boxy new television sets at home. Filmed in part by British cinematographer Freddie Young, who had recently paired with Thorpe for Ivanhoe but would be best known for his future work with David Lean on both Lawrence of Arabia and Doctor Zhivago, the film’s visual scale and bold, primary-loaded color palette help to fill in some of the interest gaps where its narrative falls a little short.
For those reasons, Knights of the Round Table is best remembered more as a technical achievement than a seamless historical
quasi-epic, but anyone keenly drawn towards Arthurian drama will nonetheless find some enjoyment here; even in its least impressive moments,
this is watchable stuff. The end result is more than capably supported by Warner Archive’s new Blu-ray; it contains one of their best 4K-sourced
restorations in recent memory (especially compared to the older DVD)... which is quite the accomplishment, considering the boutique label's track
record to date.

Long-time owners of Warner Archive's 2012 DVD won't have a hard time deciding to upgrade here: though at least framed correctly at 2.55:1, that old disc was reportedly sourced from muddy, fourth-generation source materials and thus couldn't properly convey the considerable strengths of is vibrant color palette. In contrast, WAC's new Blu-ray is sourced from a recent 4K scan of the original camera negative; as seen in this set of direct-from-disc screenshots, it's an impressive presentation indeed and, for die-hard fans, the next best thing to an actual film print in great condition. As usual, this pristine 1080p transfer maintains an authentic veneer of film grain while being more or less entirely free from age-related wear-and-tear, allowing its excellent production design and, yes, those eye-catching colors to shine through. Fine detail is of course outstanding, and its bold primaries (particularly seen in the costumes) virtually jump off the screen. Encoded on a dual-layered disc, the film runs at an extremely supportive bit rate that, as usual for the boutique label, hovers in the mid to upper-30Mbps range during most of its runtime. It's yet another outstanding effort from Warner Archive and, again for long time fans, will be like seeing this film for the first time.
NOTE: As was common for films made decades before the modern digital and "seamless green screen" period, many scenes in Knights of the Round Table were composed optically; this meant that actors (and sometimes key foreground and background elements) were first filmed against a solid black or white backdrop and then superimposed on top of a separately-filmed "deep" background image, and the end result was cut into the original negative. Occasionally and for various reasons, seams were left showing in the form of outlines and other imperfect edges, which are of course a bit more visible when high-resolution 4K scans of the negative are involved. Though many are virtually undetectable, the opening "Excalibur" scene (as seen in screenshot #7) features fairly visible edge imperfections, as do a few others along the way. Since these elements are "baked in", they don't affect the Blu-ray's well-earned 5/5 score.

According to the June 9th edition of The Extras podcast with Tim Millard and WAC's George Feltenstein, Knights of the Round Table's original Cinemascope four-track magnetic master did not survive due to deterioration (a common fate for magnetic soundtracks from this period); luckily, a 2.0 stereo protection track was created in the 1980s and that's what you'll hear on the Blu-ray. Those who wish to upmix this track to emulate four-track surround are free to experiment, but even as-is it's a more than satisfying effort that pairs nicely with the visuals. Trace amounts of hiss can be heard along the way, which were presumably left intact so as not to affect the dynamic range, while dialogue and foreground effects are otherwise clean and well-balanced. The epic original score by Hungarian-American composer Miklós Rózsa sounds impressive as well; it may not be as well-known as his work on films like Ben-Hur, Spellbound, and of course Double Indemnity, but it's no less outstanding than those scores and provides a solid sonic backdrop here.
Optional English (SDH) subtitles are included during the main feature, not the extras listed below.

This one-disc release ships in a keepcase with vintage poster-themed cover art. Several extras are included.

Richard Thorpe's Knights of the Round Table may be best remembered for its early use of Cinemascope and colorful visuals, which are supported by a solid cast and yet another standout original score by the great Miklós Rózsa. It makes for another notable Blu-ray release from Warner Archive, who as usual provide ample support for the film with another terrific A/V restoration and a handful of solid bonus features too. Recommended to the right crowd.

1995

1976

Warner Archive Collection
1952

1935

1966

2004

1981

1935

Warner Archive Collection
1940

Warner Archive Collection
1965

1938

1964

1942

1922

1977

1958

Warner Archive Collection
1950

1939

1956

1957