7.7 | / 10 |
| Users | 4.8 | |
| Reviewer | 5.0 | |
| Overall | 4.8 |
A man travels to Jerusalem during the Crusades of the 12th century, and finds himself as the defender of the city and its people.
Starring: Orlando Bloom, Eva Green, Jeremy Irons, David Thewlis, Brendan Gleeson| Action | Uncertain |
| Epic | Uncertain |
| Adventure | Uncertain |
| War | Uncertain |
| History | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
German: DTS-HD HR 5.1 (48kHz, 24-bit)
English SDH, French, German, Spanish
Blu-ray Disc
Three-disc set (3 BDs)
Digital copy
4K Ultra HD
Region free
| Movie | 4.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 5.0 |
The erstwhile 20th Century Fox released a really sumptuous three (1080) disc edition of Kingdom of Heaven several years ago, one which offered three cuts of the film and a glut of bonus material. Now of course rebranded as 20th Century Studios (wouldn't coopting the Fox part of their name have made more sense for the 21st century?) and in collaboration with current corporate owners Disney / Buena Vista, they're back with this new 4K edition of the film (in SteelBook packaging), which offers two versions of the film (the theatrical version has been jettisoned), along with most but not quite all of the supplements that graced the earlier release (I suspect some of the licensing deals for supplements "on loan" from places like A&E may have expired and weren't renewed for this release).


Note: Screenshots are sourced from the 1080 disc in this package.
Kingdom of Heaven is presented in 4K UHD courtesy of Disney / Buena Vista with an HEVC / H.265 encoded 2160p transfer in 2.39:1. As can
perhaps be gleaned in doing screenshot comparisons between this release and the old one, both the 1080 and 4K presentations here offer slightly
varying brightness and color temperature, and I suspect that may be the only point of contention for some videophiles. To my eyes these new versions
are just slightly brighter than the previous version I reviewed, something that rather interestingly can add highlights to both the cooler and warmer
ends of the spectrum at different times, especially in the 4K UHD's presentation featuring HDR / Dolby Vision. I also found the slightly brighter
ambience in conjunction with HDR / Dolby Vision to noticeably improve shadow detail, one place I specifically pointed out as being at least a bit of a
deficit in the first 1080 version I reviewed. Some of the crush I mention in that old 1080 review has also been noticeably ameliorated if not completely
eliminated in the 4K UHD version, and I'd say maybe even a bit in the new 1080 version. Detail levels are typically impressive throughout, especially in
the brightly lit scenes, where the palette pops even more impressively. Both the cool blue and warmer amber gradings that Scott and cinematographer
John Mathieson employ really look sumptuous in the HDR / Dolby Vision grades. I will say that despite the almost Pavlovian response some have to the
term, some of the blue material has a slightly teal quality in the 4K version in particular that I actually quite liked. This is another 4K presentation that
proves grain can add a nicely organic quality without overwhelming things or degrading into splotchiness.

I gave top marks to the old 1080 set's DTS-HD Master Audio 5.1 track, and all of the positives I mention in my original 1080 review have been ported over here, with even more impressive immersion at times, courtesy of a new Dolby Atmos offering. Even in the Roadshow Version, for example, there's new breathing room and a noticeably more enveloping quality to the Overture, but once the film actually kicks into gear, the surround activity is consistently impressive. Early scenes like the men making their way on horseback offer a glut of well placed ambient environmental effects, but of course it may be some of the more sweeping epic moments in the film that offer the most arresting use of all of the surround channels. I am an admitted geek when it comes to what I've jokingly referred to as an as yet unknown genre called Feudal Fusion, as exemplified by such groups as Enigma or perhaps more saliently in terms of this film's score Mediæval Bæbes, but I had a whole new appreciation for Harry Gregson-Williams' gorgeous contributions to the film courtesy of the Atmos track. Dialogue is rendered cleanly and clearly throughout (and is often nicely directional). Optional subtitles in English, French, German and Spanish are available.

4K UHD Disc
- Development, including:
- Tripoli Overview
- Early Draft Screenplay by William Monahan
- Story Notes
- Location Scout Gallery
- Pre-Production, including:
- Cast Rehearsals (SD; 13:23)
- Ridleygrams
- Colors of the Crusade (SD; 32:14), devoted to costume and production design
- Costume Design Gallery
- Production Design Primer (SD; 6:52), more on the film's production design with the Production Designer and Set Decorator
- Production Design Gallery
- Production, including:
- Creative Accuracy: The Scholars Speak (SD; 26:38) features talking heads discussing the film's historical veracity
- Unholy War: Mounting the Seige (SD; 17:04) shows the behind the scenes activity involved in one of the film's big set pieces
- Storyboard Galleries
- Unit Photography Gallery
- Post-Production, including:
- Deleted and Extended Scenes (SD; 30:09) features optional commentary by Director Ridley Scott and Editor Dody Dorn
- Sound Design Suite features a fun interactive grid where you can do your own ADR and foley mixes
- Visual Effects Breakdown (SD; 21:53)
- Release and Director's Cut, including:
- Press Junket Walkthrough (SD; 6:17)
- World Premieres: London, New York and Tokyo (SD; 3:41)
- Special Shoot Gallery
- Poster Explorations
- Trailers and TV Spots features four Trailers (HD; 2:34), (SD; 1:34), (HD; 2:34), (HD; 2:25), and an amazing total of 50 TV Spots in SD, varying from 00:16 to 00:32, many of which trace the film's somewhat bumpy marketing efforts to various demographics.
- Paradise Found: Creating the Director's Cut (SD; 8:29)
- Director's Cut Credits
- Interactive Production Grid (SD; 1:23:45), additional featurettes which are accessible via various categories, or playable all at once.
- Ridley Scott - Creating Worlds (SD; 2:37)
- Production Featurette (SD; 2:18)
- Wardrobe Featurette (SD; 2:12)
- Orlando Bloom - The Adventure of a Lifetime (SD; 2:11)

As is probably clear from both my prior review and this review, I am a huge fan of this film and was delighted to see it announced for 4K. There may be some niggling qualms from some in terms of both some differences in appearance and the absence of both one version of the film and a couple of supplements, but for this fan, I found this to be a hugely appealing release with excellent technical merits and handsome SteelBook packaging. Highly recommended.

Ultimate Edition
2005

Ultimate Edition
2005

Director's Cut
2005

Director's Cut
2004

Director's Cut
2004

The Final Cut 4K | Collector's Edition
2004

2010

2003

1995

2006

2007

2011

2001

2017

Commemorative 20th Anniversary Edition
1998

with Bonus Disc
2010

2010

2000

2018

2001

Extended Cut
2000

2012

2010-2013