6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A young man's ability to surreally "be one" with and speak to cars sparks a revolution that could save his community. When his invention inadvertently accelerates the underlying problems of the community, our hero's quest must grow bigger than his own personal ambitions and a fight for survival ensues with the zombies of capitalism.
Starring: Luciano Pedro Jr.| Foreign | 100% |
| Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
Portuguese: DTS-HD Master Audio 5.1
Portuguese: Dolby Digital 5.1
Portuguese: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 4.5 | |
| Extras | 3.5 | |
| Overall | 3.0 |
“King Car” is a Brazilian production looking to combine elements of a horror film with social commentary concerning many issues facing the country, including class divide. It’s co-written and directed by Renata Pinherio, who strives to make an artful picture filled with displays of shock value and general weirdness, which includes scenes of a female character having sex with a car. If you thought “Titane” was the only movie interested in the carnal cravings of automobiles, you’d be wrong, but Julie Ducournau’s feature was something to behold, with a level of insanity that invited a deeper inspection of artistry. “King Car” is mostly a mess of ideas, with Pinherio too caught up in the madness she’s creating with this riff on Stephen King’s “Christine,” unable to form a story out of the screenplay’s borderline random assortment of images and incidents.


The AVC encoded image (2.38:1 aspect ratio) presentation for "King Car" does well with fine detail, picking up on facial particulars and environmental exploration. Metallic views are textured, and distances are dimensional. Colors support lighting challenges, with cooler blues and reds, while disco hues are brighter, along with outdoor events. Greenery is distinct. Delineation is acceptable. Compression issues are common, especially during evening encounters and hazy happenings, with banding dominant.

The 5.1 DTS-HD MA mix handles dialogue exchanges well, offering a clear understanding of human interactions and the more metallic voices of the cars. Scoring and soundtrack selections support with crisp synth and electropop beats, adding some heft to the low-end. Atmospherics deal with community bustle, nature visits, and room tone, and surrounds offer some separation effects along the way to engage the listener.


"King Car" means to build to a chaotic conclusion, where a full reveal of threat is presented and characters either come to their senses or go deeper into submission. And yet, the movie doesn't find its way to a satisfying conclusion, working too hard to emphasize oddity instead of laboring to give it all a more meaningful presence in the endeavor. "King Car" has nice technical achievements, including the central monster car design, and it promises a mysterious escalation into madness. However, clarity doesn't arrive, leaving the viewing experience underwhelming, especially when the screenplay contains so many exotic, demonic ideas.

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1962

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1965

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1968

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1984

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1958

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1966

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1955

A*P*E / The New King Kong
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2015

2010

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