5.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus and presents himself as her secretary Arkan. Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia, Rafa and Mario accept the invitation but Billy and Sharon stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty.
Starring: Santiago Segura (I), Aldo Sambrell, Silvia Superstar, Billy King (II), Enrique López LavigneHorror | 100% |
Foreign | 53% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
English: DTS 2.0
Spanish: DTS 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 1.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.5 |
After covering Jess Franco titles from the 1960s and ‘70s, it’s interesting to watch the frightfully prolific filmmaker take on the 1990s. “Killer Barbys” is a 1996 effort that’s meant to give Franco some appeal to younger audiences, merging his interests in gothic horror with the wicked musical and sexual appetites of punk band traveling across Europe. As with most Franco endeavors, it’s all borderline unwatchable, but I recognize the man has his fans. I just need them to explain his appeal to me, because “Killer Barbys” is a complete mess of ideas aching for proper direction.
The AVC encoded image (1.67:1 aspect ratio) presentation is billed as "Newly restored from a 4K scan of the original film elements." And perhaps it was, delivering a fresh feel to a forgotten picture. It's a difficult viewing experience to begin with, featuring some of the softest cinematography I've seen in recent memory, which results in bloomy whites throughout. Delineation is challenged as well, but this is likely an inherent issue. Colors are acceptable, best with rock club interiors and some costuming, but the palette remains subdued for a gothic feel. Source has its share of wear and tear, with blips of chemical damage, scratches and speckling. Grain is heavy, almost impenetrable at times.
The DTS 2.0 track is a strange one, as it uses a lot of audio effects to create a realm of the unreal for the characters. At least I think periodic distortion and echo effects are intentional. Unmolested dialogue exchanges are adequate, capturing the rhythms of the different languages offered. Soundtrack selections are most urgent, with punk rock raging through the mix, popping up without warning, but enjoying reasonable instrumentation and heaviness. Hiss is also detected.
As dull and grabby as Franco gets, "Killer Barbys" is autopilot work of the worst kind. It's enough to have Franco mentally check out right away, but to make his audience suffer for the next hour and a half while the movie meanders to a non-ending is a special kind of cruelty.
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