6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
Mei-Ling is brutally raped one night by a group of men. Six years later, Mei-Ling is now the boss of a hostess club. Together with the help of hired assassin Shiu Ping, she gets her revenge, taking out each man one by one.
Starring: Li-Yun Chen, Sha Ma, Sing Chen, Paul Chang Chung, Hung-Lieh Chen| Foreign | Uncertain |
| Crime | Uncertain |
| Thriller | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 2.5 | |
| Audio | 2.0 | |
| Extras | 3.5 | |
| Overall | 2.0 |
Kill Butterfly Kill (1982) is being released as part of Neon Eagle Video/Cauldron Films' two-disc set. This review focuses primarily on the export cut.
"Can the women who kill in action cinema occupy a position that has been historically thought of as exclusively masculine?" Author Kwai-cheung Lo tries to answer this central question in his fine chapter, "Fighting Female Masculinity: Women Warriors and Their Foreignness in Hong Kong Action Cinema of the 1980s," from the book, Masculinities and Hong Kong Cinema (eds. Laikwan Pang and Day Wong, 2005, Hong Kong University Press). Lo conducts his analysis of some of the "women warriors" who are featured in female cop films from Hong Kong roughly three decades ago. These feature a young Michelle Yeoh (when she known in the '80s as Michelle Khan). Lo unpacks the gender construct of "female masculinity" represented in films of that period. Director Yu-Lung Hsu also deals with similar issues of sexual politics in his ninth film, Kill Butterfly Kill (aka Underground Wife). This feature was part of the Taiwanese wave of "Black Movies," an exploitation subgenre that combines the rape-and-revenge film with the Hong Kong action film. Hsu shows the transformation of female protagonist Tang Mei-Ling (aka Donna in the export version; portrayed by Juliet Chan) from rape victim to woman warrior but ultimately undermines her character's growth pattern with a wholly unnecessary subplot that reduces her to a submissive figure.
The picture opens with Donna running along the railroad tracks during a thunderstorm and taking shelter in a warehouse. It's her bad luck that five drunken men in the warehouse immediately have carnal desires for her. The initial setup of a gang rape gives way to each man individually defiling Donna. Her loss of innocence is depicted in some insufferably long scenes (edited differently in the two cuts). Though she survives, Donna is psychologically and emotionally vanquished. She jumps off a bridge a few days later but a man named Richard (“Tattooer Ma” Sha) dives in the water to pull her out. The narrative flash-forwards six years later with Donna owning a nightclub. She reunites with Richard, who has retired as a professional hitman. Donna enlists Richard, along with a couple of like-minded girlfriends, to wage vengeance on the five men who violated her years earlier.


This prefatory text appears prior to the movie's start:
The best surviving film elements were used for the following feature and some scenes are not ideal. We hope this doesn't hurt your enjoyment of the film.It is important to know while watching Kill Butterfly Kill that the elements Neon Eagle Video had to work with are far from ideal. The 1080p transfer is sourced from a recent 4K restoration done from the extant negative. The film appears in its native 2.40:1 aspect ratio on this MPEG-4 AVC-encoded BD-50, which is region free. Roughly one-half to two-thirds of the film looks quite good, particularly in scenes showing various colors (see Screenshot #s 4, 7, 9, 11, and 14). Cinematographer Tung-Hsiang Tu employed lens flares for some scenes. For example, see the low angle of the train tracks in #16. The flares beam across the discotheque in #2. There are a lot of shots that have green stains on the print (see frame grab #s 19-20) and red dye (#18). You can also see lighter stains elsewhere, such as in capture #13. Horizontal scratches pop up (see the top of the frame in #17). Neon Eagle has encoded the feature at a mean video bitrate of 34745 kbps.

Neon Eagle has supplied a DTS-HD Master Audio Dual Mono mix (1588 kbps, 16-bit) that's been dubbed in English. The track is flat and scratchy with pops, crackles, and warbling. Dialogue is audible to an average degree but keep in mind that Neon had to work with a damaged master that must have been difficult to clean up without tinkering with the original sound properties. This isn't an especially good dub (along with artificial lightning strikes), but that isn't Neon's fault either. There's an option to either play the film with English audio (no subs) or the same sound track with English SDH subtitles.


I haven't seen enough Taiwanese exploitation pictures to determine where Kill Butterfly Kill fits in the overall pantheon of this sub-genre but I feel that it probably belongs along the lower rung. It's tawdrily made and while I realize that the low budget and hammy acting imbues films of this ilk with a certain charm, the film is very inconsistent. It can be said that the movie is a star vehicle for Juliet Chan but it fails to sustain its intention of showing her transformation from rape victim to "woman warrior" type. My scores for the transfer and lossless mono are purely a reflection of how they look and sound from their original materials and not a reflection of Neon Eagle's restoration efforts. (I'm sure the specialty label did all that they could.) Fans of the film will be pleased to have the Mandarin Version and a pretty informative commentary track.
(Still not reliable for this title)

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