8.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Four years after surviving an assassination attempt at a wedding rehearsal, a vengeful assassin awakens from her coma and sets her murderous sights on her former partners and the man who ordered her death, who also happens to be her boss and her lover.
Starring: Uma Thurman, Lucy Liu, Vivica A. Fox, Michael Madsen, Daryl Hannah| Dark humor | 100% |
| Drama | 83% |
| Martial arts | 65% |
| Epic | 47% |
| Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Four-disc set (4 BDs)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 2.5 | |
| Overall | 4.0 |
Six Degrees of Separation has entered the public lexicon not merely as a title but as a frequently used descriptor for the interconnectedness of "it all". In that regard, we will get to Kill Bill in just a second, after a brief detour of sorts. That now legendary play (and perhaps slightly less legendary film) was written by one John Guare, a guy whose name may not be overly well recognized outside of theatrical circles, but who delivered a one-two punch to the New York theater scene in 1971 with his libretto for the Joseph Papp musical production of Two Gentlemen of Verona (which infamously "stole" the Best Musical Tony that year from Stephen Sondheim's Follies) and a non-musical off Broadway triumph called The House of Blue Leaves, a play whose synopsis frankly reads a lot like a Quentin Tarantino movie. Tarantino has evidently never gone officially on record as to whether or not Guare's play provided a spark of inspiration for the name of the club at the center of the Kill Bill tale, but it seems pretty likely given Tarantino's well known fascination with the little nooks and crannies of pop culture. And so at last we come to this new edition of Kill Bill, one which combines the two parts of the original theatrical release into one "seamless" narrative, while also offering a number of differentiations from that original set of releases, including now being able to see the so-called "House of Blue Leaves" sequence in the film in color.


Note: Screenshots are sourced from the 1080 discs in this package.
Kill Bill: The Whole Bloody Affair is presented in 4K UHD courtesy of Lionsgate Films (and in this instance Lionsgate Limited) with an HEVC /
H.265 encoded 2160p transfer in 2.39:1. Both the mylar O ring's description and Lionsgate Limited's own website still have the 2.40:1 aspect ratio
listed for this release which mirrors the
previous releases, but the site's pixel measuring app lists this as 2.39:1, for what that's worth. My hunch is despite that picayune change those who
liked the previous standalone releases of the two separate volumes are going to be pleased with this rejiggering, while those on the other side of the
opinion spectrum will most likely have many of the same complaints they did with the original releases. I'll refer those interested to the above linked
reviews I provided of the original 4K releases, as at least some of my comments there certainly pertain to this new version. Once again, it is
absolutely
the palette that captured the immediate attention of my eyes, and of course one of the major differences in this version is the "new" color version of
that aforementioned House of Blue Leaves sequence, which is in fact amazingly colorful (some of the screenshots I've uploaded to accompany this
review are from that sequence). But throughout the presentation, Tarantino's unerring sense of production design expertise offers an incredibly wide
gamut (in all senses of that word) of hues that get an enormously impressive presentation courtesy of the HDR / Dolby Vision grades. As I
mentioned
in the two previous 4K reviews, there has been a lot of chatter about DNR, and that's no doubt going to be the case again, though I'd once
again recommend actually pausing the frame during some of the more "managed" sequences and there is a least a light dusting readily
observable. Still that aspect, along with the whole refashioning here (even if it was Tarantino's original wish for the release), may chafe at certain
"purist" or at least "orginalist" sensibilities. I generally found this presentation to be more pleasing in the palette than even the previous releases,
which may offset any lack of real improvement in detail if not concerns about DNR, and my score reflects that (maybe slight) increase in
appreciation.
Note: I encountered a couple of authoring anomalies on both the 4K and 1080 discs included in this package. Disc Two in both resolutions
is authored to proceed directly to the feature without "stopping by" any intermediary menus, but in pressing the Top Menu remote button after the
feature had booted, I was greeted with a completely black screen on both discs. In restarting the disc and allowing the feature to start again and
then pressing Pop Up Menu allowed access to the Main Menu and its selections. Additionally, I couldn't get the 1080 disc to recognize the DTS-HD
Master Audio 5.1 track initially, and in fact the film played to silence despite my receiver showing "Stereo" (the main menu codec and one that indeed
had sound at disc boot up). Only in going to audio options and first selecting the Dolby Digital option and then going back to the DTS-HD Master
Audio 5.1 option was I able to get to the lossless surround track. I didn't encounter the same issue with the 4K disc.

Kill Bill: The Whole Bloody Affair features an impressively immersive DTS-HD Master Audio 5.1 track that unsurprisingly mirrors a lot of what is heard in the previous two part version. Side and rear engagement is evident from the get go with the panicked breathing that starts the film, but there are regular onslaughts of activity that swirl around the listener, especially in some of the amazing action sequences. Even relatively "quieter" moments, though, can show intelligent attention to both sound design and mix, including the almost psychedelic array of cues Tarantino and his music team assembled for the film. Dialogue and voiceover are rendered without any issues. Optional English and Spanish subtitles are available.

Note: The only on disc supplement is offered on Disc One of both the 1080 and 4K versions. The 4K version has HDR/Dolby Vision, but like
the 1080 version, has a Dolby Digital 5.1 track.
Disc One

When the first two volumes came out in 4K, I mentioned in those reviews how Quentin Tarantino had approved them himself, so who were we mere mortals to argue? That same comment certainly applies here, though those who find fault with the narrative restructuring here (which has one kind of interesting "non" reveal) should remember that this was evidently Tarantino's original plan for the film before studio bean counters got involved. This Lionsgate Limited edition offers technical merits that in many ways mirror the previous releases, though fans may wish more on disc supplements had been included. The packaging is playful and some of the non disc swag fun as well. With caveats noted, Recommended.

2009

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@Zola
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50th Anniversary
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Director's Cut | バトル・ロワイアル
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