7.8 | / 10 |
Users | 4.6 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Dave Lizewski, a comic-book fanboy, decides to take his obsession as inspiration to become a real-life superhero. As any good superhero would, he chooses a new name -- Kick-Ass -- assembles a suit and mask to wear, and gets to work fighting crime. There's only one problem standing in his way: Kick-Ass has absolutely no superpowers. His life is forever changed as he inspires a subculture of copy cats, is hunted by assorted violent and unpleasant characters, and meets up with a pair of crazed vigilantes, including an 11-year-old sword-wielding dynamo, Hit Girl and her father, Big Daddy.
Starring: Aaron Taylor-Johnson, Christopher Mintz-Plasse, Mark Strong, Chloë Grace Moretz, Nicolas CageAction | 100% |
Comic book | 50% |
Crime | 36% |
Dark humor | 30% |
Martial arts | 25% |
Teen | 23% |
Comedy | 6% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
English, English SDH, Spanish
50GB Blu-ray Disc
Three-disc set (1 BD, 2 DVDs)
Digital copy (on disc)
DVD copy
Bonus View (PiP)
BD-Live
D-Box
Social network features
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.5 |
Given Hollywood’s increasing dependence on blockbuster comic book adaptations to fill the lucrative summer release slate, it’s not terribly surprising to find some producers mining breakthrough franchises that are still relatively unknown. After all, bringing a character like Spiderman or Superman to the big screen carries tremendous pressure to stay true to a beloved character, while still delivering a storyline that remains fresh and original. Some can pull it off (Christopher Nolan’s Batman reboot), while others tend to flounder (Daredevil, Elektra). What makes Kick-Ass such an interesting venture among the world of comic books has less to do with the lack of iconic characters within the storyline, and more to do with the leap of faith that led to the subsequent screen adaptation. Created in parallel with the comic book version, the film acted as both a borrower and lender to Mark Miller’s ongoing Marvel series, allowing director Mathew Vaughn the opportunity to craft an end product that’s never truly faithful to the print version, but fits perfectly within the framework of the film medium. As most comic book fans know, there’s often something lost in the transition from the vivid panels of a comic or graphic novel to the reality-laced silver screen, but that simply makes the faithful adaptations that much more gratifying. Since Kick-Ass never claims to be a true adaptation in the sense of other long-time franchises (X-Men, Spiderman, etc.), we can throw most comparisons out the window and merely soak up the film in its own right. So long as you’re comfortable taking that stance, I’d wager you’ll leave Kick-Ass with a huge Cheshire grin on your face.
Not your average superhero.
Presented in 1080p utilizing the AVC codec (at a bitrate that averages around 22Mbps), Kick-Ass is a bit of an oddity when it comes to the visual style of the film. I'd never go so far as saying this is merely average or even subpar when stacked up to other recent blockbusters, but there are frequent moments in the film where something feels slightly "off". Whether it's the bleeding brightness of a sun-drenched sky or the unstable coloring on Hit-Girl's purple wig, we're given an end product that almost takes on a surreal characteristic, enhancing the over-the-top nature of the film itself. Fortunately, this doesn't often extend into fine object detail, allowing most textures to reveal a sense of depth that rivals all but the best Blu-ray productions. I wish the same could be said of the coloring in the film, but as I mentioned before, there seems to be a hint of color-boosting in several shots that will surely catch the eye of the most discerning videophiles, making you wonder if your eyes are playing tricks on you. Likewise, you'll notice a degree of black level weakness in a handful of shots, as the transfer struggles to fend off a shift to gray--forcing contrast to steady the subtle shade differentiations in the moderately dark portions of the screen. Getting back to the positive aspects of the transfer, I never noticed the appearance of edge halos, artifacting or aliasing, and grain is presented in an unobtrusive fashion.
In summary, when the transfer looks good, it REALLY looks good. However, it never quite reaches the upper echelon of its peers.
Continuing with Lionsgate's trend of offering a lossless 7.1 audio track on their blockbuster titles, Kick-Ass is every bit the entertaining beast we'd expect it to be. Surround separation is the primary contributing element in the overall proficiency of the audio experience, tossing the whimsical soundtrack from speaker to speaker with the grace of a butterfly, and delivering the playfully violent audio effects in a manner than never felt flat or stagnate. An excellent example of what I'm referring to can be found in the well-staged warehouse fight sequence pitting Big Daddy against a legion of goons with firepower. Bullets ricochet around the room with an aural assault that's sure to leave a gleeful expression on your face as you soak up the onscreen carnage.
Alas, not every scene in the film can be a violence-laden example of finely-tuned immersion, leaving dialog-heavy sequences a bit more front-heavy than I'd prefer. Clarity and richness are still superb during the quieter moments of the film, but I'd expect more side-to-side separation across the front spectrum on any release worthy of a perfect 5-star rating, reducing this to a mere 4.5/5 in my book.
Ass-Kicking BonusView Mode (1080p, Dolby Digital 2.0, feature length): Dedicating a small portion of the screen to a window that contains the film itself, we're treated to various interviews and behind-the-scenes footage in the remaining full-screen image. By my estimation, I'd say forty percent of the runtime is dedicated to director Mathew Vaughn's audio commentary (available as an alternate audio-only track on the disc), as we watch him sit through a viewing session of his final cut of the film.
Audio Commentary with Director Mathew Vaughn: Despite my respect for Vaughn's work as a director, he's not the most entertaining contributor when it comes to a discussion of the film. The majority of the commentary focuses on the particulars of each scene, including such tidbits as set design, tone, and production difficulties. If you want my advice, I'd opt for the BonusView supplement and skip the solo commentary.
A New Kind of Superhero: The Making of Kick-Ass (1080i, Dolby Digital 2.0, 113:04 min): Assembled as a comprehensive collection of interviews, behind-the-scenes footage, and production tales, this supplement offers an exhaustive look at the film adaptation that will surely delight fans. Running just shy of two hours in length, I grew a bit bored by the later stages of the dissection, but given the informative nature of the production, it's hard to knock it for being too in-depth.
It's On! The Comic Book Origin of Kick-Ass (1080i, Dolby Digital 2.0, 20:36 min): The creative minds behind the original comic book concept provide background on the creation of the story and artwork in the printed format.
The Art of Kick-Ass: Broken down into various segments, this image-based feature contains slide-shows of costumes, storyboard art, on-set photography, production designs, and other artwork for the film.
Marketing Archive (1080p, Dolby Digital 2.0): Consisting of two trailers (including the red band Hit-Girl version) and a poster art collection, this is your basic marketing supplement.
Rounding out the package, we're given a DVD copy of the film, and a Digital Copy disc with an included download code (Itunes compatible).
Kick-Ass certainly isn't a film for everyone, and may be downright offensive to the more conservative among us, but if you're able to effectively separate fantasy from reality and accept the violently comic style of the production, it's a film that's worth watching over and over again. For those that are already sold on the film itself, rest assured the presentation offered by Lionsgate is more than adequate in replicating the style of the unusual cinematography, and the 7.1 audio mix proves equally proficient. Add in an exhaustive collection of supplemental materials (set aside a full day if you have time), and this emerges as one of the better all-around Blu-ray offerings in recent memory. Highly recommended!
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