7.4 | / 10 |
| Users | 4.5 | |
| Reviewer | 3.5 | |
| Overall | 3.6 |
Filmed in high definition at London's renowned O2 Arena on December 15th 2011, this is Kasabian's first stand alone Blu-Ray release. The setlist combines tracks from that album with hits and classic album tracks from across their career so far. Bonus Features: I Hear Voices documentary following Kasabian on tour around the UK and Ireland in 2011. Track Listing: 1) Days Are Forgotten 2) Shoot The Runner 3) Velociraptor! 4) Underdog 5) Where Did All The Love Go? 6) I.D. 7) I Hear Voices 8) Thick As Thieves 9) Take Aim 10) Clubfoot 11) Re-Wired 12) Empire 13) La Fée Verte 14) Fast Fuse / Pulp Fiction 15) Goodbye Kiss 16) L.S.F. 17) Switchblade Smiles 18) Vlad The Impaler 19) Fire
Starring: Tom Meighan, Sergio Pizzorno, Kasabian, Chris Edwards (XXXIII), Ian Matthews (VI)| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
English, French, Spanish, German
25GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.5 | |
| Extras | 1.5 | |
| Overall | 3.5 |
Are musical genres even relevant anymore? The vivisection of the Billboard charts into this nook or that cranny would seem to suggest so, but there are two things working against that theory. First of all, there’s a growing homogeneity to a lot of pop and rock music where whatever “subgenre” it’s supposed to belong to varies by relatively minimal amounts from any other given subgenre. But there is also an increasing tendency by bands and artists to throw as many different styles at the figurative wall, hoping that at least a few of them stick on those selfsame niche defining charts. That may be the case with Kasabian, an English band usually lumped into the catchall “rock” category, but who could be pigeonholed—for a tune or two anyway—into any number of genres, at least as evidenced by Kasabian Live at the 02—London 15/12/2011. (For those not up to speed with the European way of abbreviating dates, no, there isn’t some new fifteenth month—the concert took place on December 15, 2011.) This concert starts out with waves of synth washes as a light show pulses organically overhead, and one could be forgiven if they felt they had wandered into some sort of techno or trance performance. But once the first tune gets underway, a strange concatenation of styles is heard. At times just straight ahead, good old rock and roll, at others an almost proto-rap vocal performance by lead singer Tom Meighan—all of these elements combine to make Kasabian in a very real way uncategorizable, Now all of this doesn’t mean that Kasabian is versatile enough to be convincing or innovative all of the time, and there are elements of their sound which are awfully redolent of any number of other bands, but the good news is that list of bands is pretty diverse, including everything from Deep Purple to Scorpions to even more outré choices like Devo.


Kasabian Live! Live At the O2 London 15/12/2011 is presented on Blu-ray courtesy of Columbia Records and Eagle Vision (an imprint of Eagle Rock Entertainment) with an AVC encoded 1080i transfer in 2.35:1. This is a curiously schizophrenic high definition presentation that looks fantastically sharp at times but then devolves into noisy softness at others. Part of the problem here is the very lighting array that probably gave the live concert a lot of its visual allure. In a video setting, however, what happens is we're awash in nearly absolute darkness, with a minimum of shadow detail, and then suddenly strobing starts filling the frame with intermittent light, bringing with it occasional banding and a simple inability to see anything long enough to make out sufficient fine object detail. There's a minimum of posterizing here, a typical bugaboo of so many live concert videos, and in the sequences where there's a modicum of "normal" stage lighting without strobing or other effects, things pop really rather well. But the general feeling most will probably have watching Kasabian is of a middling high definition experience.

How much you like your immersive high definition concert experience to include rabid audience sounds will probably dictate whether you want to opt for Kasabian Live! Live at the O2 London 15/12/2011's DTS-HD Master Audio 5.1 or LPCM 2.0 mix. While the uncompressed stereo fold down has its share of overwhelming audience noise, the narrower sound field it provides contains the audience sounds and relegates them more relatively to the background (though if you're expecting a concert free of raucous reactions, even this mix will disappoint). The 5.1 mix spreads the audience sounds across the rear channels, as is to be expected, but the mix here is much more immersive, by which I mean that the audience sounds actually overwhelm the band at regular intervals, as if you're right in the middle of the O2 Arena. Some will love that feeling; I personally found it extremely distracting. The good news here is that fidelity on both of these tracks is top notch, able to catch every nuance of the band's multilayered instrumentation and doing a fine job for the most part of delivering Meighan's vocals over the rest of the cacophony. Dynamic range isn't especially wide here, since the band tends to favor over the top rock outings rather than more introspective ballads and acoustic fare.


Kasabian has been burning up the European charts now for several years, and they've had their songs featured in everything from Tony Hawk video games to the old J.J. Abrams series Alias, but my hunch is they're still a relatively unknown quantity on this side of the pond (even with a couple of their singles having cracked the U.S. Top 40). This concert video shows the band to be a high energy outfit that easily traverses a rather wide spectrum of styles and influences. The O2 Arena is an imposing edifice and the band has crafted a visually arresting show that was probably more viscerally exciting in person that it appears on this Blu-ray. The on again, off again video quality here is offset by great audio, albeit audio full of boisterous audience sounds, and the accompanying Documentary is also interesting. Recommended.
(Still not reliable for this title)

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