6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An ambitious dancer is determined to open a cultural center devoted to breathing new life into India's traditional artistic forms; meanwhile, the obvious adoration between him and his lead dancer arouses the jealousy of his enterprising companion.
Director: Uday ShankarForeign | 100% |
Drama | 70% |
Musical | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Hindi: LPCM Mono
English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (locked)
Movie | 4.5 | |
Video | 2.5 | |
Audio | 3.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of the Criterion release of Martin Scorsese's World Cinema Project, No. 4.
Criterion is often described as the very paradigm of a "niche" collector label, and in that regard, there may be nothing Criterion has offered over the
years that is more "niche" than their series of World Cinema Project offerings, all bearing the rather notable imprimatur of one
Martin Scorsese. This fourth volume follows in the footsteps of the previous three collections and offers another often bracing aggregation of little
or at least
lesser known films, some from rather unusual places and also at times addressing subjects that are not regular fodder for big budget Hollywood
extravaganzas.
Reviews of the previous three volumes in this series, all of which offer some really interesting and worthwhile films, are accessible by clicking on the
following links:
Martin Scorsese's World
Cinema Project, No. 1 Blu-ray review
Martin Scorsese's World
Cinema Project, No. 2 Blu-ray review
Martin Scorsese's World
Cinema Project, No. 3 Blu-ray review
Kalpana is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Some introductory text before the main feature provides the following information on the restoration:
The Film Foundation's World Cinema Project was established by Martin Scorsese in 2007 to help foster cooperation among filmmakers worldwide and to identify, preserve, and restore endangered films representing diverse cultural heritage.Even more detailed information is imparted in Criterion's insert booket:
This film was restored in 2012 by The Film Foundation's World Cinema Project at Cineteca di Bologna / L'Immagine Ritrovata laboratory from original film elements preserved at the National Film Archive of India.
Kalpana is presented in its original aspect ratio of 1.37:1. This digital transfer was created in 2K resolution on an Arriscan film scanner from a 35 mm duplicate negative and a 35 mm print held at the National Film Archive of India in Pune. The original monaural soundtrack was restored from a 35 mm optical soundtrack negative.This is unfortunately the least pleasing looking transfer in this fourth volume of World Cinema Project offerings, and even a cursory glance at the screenshots I've uploaded to accompany this review will show that the elements utilized for this transfer have pretty substantial and recurrent damage. There is near constant scratching on display, sometimes so severe that the image is momentarily obscured, and there are a number of other unignorable signs of age related wear and tear, including quite a few nicks and other blemishes. Those issues combine with Shankar's repeated use of opticals for some frankly astounding visual effects, resulting in wide variances in clarity and general detail levels, as well at times with grain structure. The film is absolutely amazing by any standard, but the damage here is so prevalent my hunch is it might take a small fortune to digitally clean things up more significantly.
The film was restored in 2012 by the Cineteca di Bologna / L'Immagine Ritrovata, in association with The Film Foundation's World Cinema Project, the family of Uday Shankar, the National Film Archive of India, and Dungarpur Films. The restoration was funded by Doha Film Institute.
Kalpana features an LPCM Mono track in the original Hindi. There's noticeable hiss throughout the track as well as discernable distortion in some of the music cues in particular. The film's score is really remarkable, featuring what almost sounds like a Gamelan orchestra with punctuated vocalisms that together presage elements of Bollywood, as other aspects of the film do. While hiss and a bit of background crackle are probably only more noticeable in non-musical moments, dialogue still manages to be delivered cleanly and clearly. Optional English subtitles are available.
Criterion has packaged Two Girls on the Street and Kalpana together on one disc. After selecting an individual film, supplements exclusive to that film are then accessible, as follows:
Kalpana is in some ways the most singularly astounding film in this fourth volume, and for that reason alone some of the technical limitations of both the video and audio presentations may arguably have to be accepted. I'm a huge Bollywood fan, and I had never seen Kalpana before, and it really caught me by surprise. With caveats duly noted, Recommended.
(Still not reliable for this title)
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