7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Bishop, Q, Raheem, and Steel are Harlem friends who spend their days skipping school, getting in fights, and casually shoplifting. The only member of the group who has plans for the future is Q, who dreams of becoming a deejay. But one day Bishop happens to see James Cagney in White Heat and the film inspires him to buy a gun. His plan is to rob a corner store and split the money. Everyone goes along with the plan except for Q. They look for a way to get the power and respect they call Juice.
Starring: Omar Epps, Tupac Shakur, Jermaine Hopkins, Khalil Kain, Cindy HerronCrime | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital 2.0
English, English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Juice was directed by Ernest R. Dickerson, the longtime cinematographer best known for shooting some of Spike Lee's best films, including Do the Right Thing and Malcolm X. Making his directorial debut with Juice, Dickerson doesn't necessarily channel Lee's style and vision but he does explore within the same dramatic zip code, his film telling the story of four young African Americans as they traverse the difficult paths of then-contemporary youth. There film is richly textured in both sound and sight, capturing both the musical beat and the visual life essence of life on the street. It's a rock-solid film, built on a familiar foundation but explored with keen insight and a unique style that makes it a standout, a wonderful effort for a first-time filmmaker.
Q: DJ
Juice, which released in the pre-digital photography era in 1992, features a very handsome and natural 1080p transfer. It's bountifully filmic, offering a light, evenly dispersed grain structure with only mild spike to it. Details are excellent. Textural nuance is very impressive, whether considering faces, complexly stitched or densely constructed clothes, or various examples of rougher urban surfaces, like concrete and brick. Clarity and sharpness extend through the image. Colors are well defined. The movie can be fairly dark or often lacking in serious, punchy color, but the palette stands strong as it's presented. Red jackets push the image nicely in an early scene, particularly as they contrast against a rather flat, dull, gray-dominant backdrop. Black levels and shadow detail are stable and flesh tones are healthy and accurate. The image shows no visible compression artifacts and only a hint of print deterioration is evident; a stray vertical line that lasts but a few seconds at the 59:25 mark is the only distraction. This is a very impressive catalogue release from Paramount.
Juice features a hip and happening soundtrack from the golden era of Hip-Hop, but it's not particularly dazzling here. The DTS-HD Master Audio 5.1 lossless soundtrack certainly serves it well, but extension beyond the fronts and any serious low end thump are hard to come by. The opening title music struggles to push even a bit away from the center. The track does open up as the film moves along, offering increased range and pleasing all-around clarity to instrumentals and effects (particularly during some of the DJ scenes). Still, front-side push is about the track's limit, particularly disappointing given the relative dearth of serious bass. Otherwise, the track is fine, if not a bit straightforward. Environmental ambience helps fill in a few scenes, and is impressive both in quieter moments and more boisterous ones as well. Several action effects, like crashes and gunshots, satisfy base requirements. Dialogue delivery is firm in its center-front position. Clarity and prioritization are fine.
Juice contains a commentary, featurettes, and a photo gallery.
Juice might not get quite the recognition it deserves if only because a name like John Singleton or Spike Lee isn't attached to it, but it's nearly as good as either of those filmmakers' best works. It's certainly the beneficiary of tremendous lead performances, particularly from Omar Epps and the late Tupac Shakur, but Dickerson's direction and script (co-written with Gerard Brown) complete the movie and give it a beautifully organic and vivid yet gritty snapshot into 90s urban life. Paramount's Blu-ray is rock-solid, featuring superb 1080p video, good lossless audio, and a solid selection of several quality supplements. Highly recommended.
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