6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A U.S. Navy engineer, returning to the U.S. with his wife from a conference, finds himself pursued by Nazi agents, who are out to kill him. Without a word to his wife, he flees the hotel the couple is staying in and boards a ship, only to find, after the ship sails, that the agents have followed him there.
Starring: Joseph Cotten, Dolores del Rio, Ruth Warrick, Agnes Moorehead, Everett SloaneFilm-Noir | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.0 |
Arriving in theaters after Citizen Kane and The Magnificent Ambersons, Norman Foster's Journey Into Fear has more in common with the latter film. This is the first RKO production that co-star (and uncredited co-writer) Orson Welles acted in but didn't direct due to editing conflicts with the studio during Ambersons' production and, much like that film, it was cut to ribbons during post-production and lost money at the box office. Interestingly enough, a European release print of Journey -- one that removed the voice-over narration, preserved original scenes including the ending, and ran a few minutes longer -- was not only discovered several decades later but ran at a 2005 Welles retrospective in Switzerland. So, which version do we get on Warner Archive's new Blu-ray? The one that RKO butchered, unfortunately.
What follows is something of an attempted murder mystery involving assumed identities, shadowy secrets, and even something of a quasi-romantic relationship between Howard and Josette, who doesn't realize that the businessman has a wife waiting for him back at their hotel. Collectively this all amounts to a serviceable setup for a decently riveting noir-infused mystery but Journey Into Fear is too messy and disorganized to work as well as it wants to, no doubt a result of heavy-handed studio manipulation in the editing room. (The painfully flat voice-over narration, presumably also added later in the film's production, is another fairly major strike against it.) But while Journey Into Fear still works sporadically well as a close-quarters thriller with more than a few obvious Welles-branded touches along the way, this 68-minute theatrical cut is similar to a skilled fighter forced to compete with one hand tied behind their back. It's quite obviously been tampered with, and the end result can't help but struggle to land any knockout punches.
Not surprisingly, the lack of that sought-after European cut -- as well as an even longer reconstructed version, which reportedly utilized production stills and
intertitles to reproduce missing scenes -- makes Warner Archive's Blu-ray feel like a missed opportunity, as it would undoubtedly have provided the
definitive version of a compromised film that only shows fleeting signs of potential greatness. But I'd still imagine that this shorter version of
Journey Into Fear still has its fans, and they'll of course be decently pleased with the boutique label's efforts to preserve it in HD.
Warner Archive's Blu-ray is sourced from a recent 4K scan of safety preservation master positives on loan from the Library of Congress, with the end result being a fairly satisfying one that likely outperforms pervious showings of this theatrical cut by a wide margin. Nonetheless, density and fine detail are prone to fluctuation from scene to scene and contrast levels follow closely behind, as more than a few scenes and shots reveal an obvious dip in source quality. The boutique label's near-spotless track record suggests that WAC did what they could with the material, and as a whole Journey Into Fear is extremely watchable with plenty of striking compositions and stunning sights along the way. Film grain likewise tends to waver during those moments described above but holds steady otherwise, boasting a texture and look that simulates the appearance of nitrate film with a sporadically silver appearance to match. Black levels often run nice and deep, which is all but necessary for some of the film's darkly suspenseful moments. Disc encoding shows a few hiccups, though: bright light sources don't always play nice with noise levels, while trace amounts of posterization can also be spotted here and there. Overall this is still a fine effort under the circumstances (especially since it was never even released on DVD domestically), and one whose highlights absolutely can't be ignored.
This DTS-HD 2.0 Master Audio track is more or less in line with the visuals, a solidly restored split-channel presentation of the original mono track that has been carefully cleaned of most imperfections but not over-scrubbed to interfere with its dynamic range. As such, trace levels of hiss and gauziness remain, but only the occasional regional dialects make certain conversations a little tough to understand although the included English (SDH) subtitles will help with that. Elsewhere, background elements and the original score by RKO mainstay Roy Webb are well-mixed and sound decently crisp and dynamic, each contributing to an overwhelmingly good track that should please fans of the film.
This one-disc release ships in a standard keepcase with vintage poster-themed cover artwork and no inserts. A few vintage bonus features are on board but none are film-specific, which isn't all that surprising since even most RKO theatrical trailers from this era are nowhere to be found.
Journey Into Fear was the third and final film that Orson Welles helped to make for RKO Pictures, all of which were notoriously turbulent productions with controversies related to their completion and theatrical release. Citizen Kane obviously survived and the almost great The Magnificent Ambersons is still well-regarded, but Journey Into Fear -- which was butchered by RKO in post-production, much like Ambersons -- was the first true casualty. It's clearly well-directed by Norman Foster but the narrative suffers due to this studio interference, so anyone hoping for another great collaboration between Welles and frequent creative partner Joseph Cotten might walk away disappointed.
Warner Archive's Blu-ray has decent A/V merits considering its source material, but for whatever reason doesn't include the existing European cut of the film with various editing differences and no voice-over narration. Journey Into Fear is nonetheless recommended to established fans but, for obvious reasons, doesn't make a great blind buy.
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