7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1, 1.33:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Music: DTS-HD Master Audio 5.1 (96kHz, 24-bit)
None
50GB Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 4.5 | |
| Overall | 4.0 |
The melding of jazz and classical music is usually credited to the so-called Third Stream, a term formulated by Gunther Schuller which attempted to concretize a movement which was already well under way. For some reason the term Third Stream has entered the public lexicon, as have subsequent terms like jazz-rock fusion and the like, but one of the first—if not the first—combinations of rock with classical music seems to have become largely forgotten, at least by the general public if not by the musical cognoscenti. Deep Purple was barely a year old when its keyboard player Jon Lord premiered Concerto for Group and Orchestra with the London Symphony in late 1969 with the redoubtable Malcolm Arnold conducting. The piece had one more public performance, in 1970 in Los Angeles, and then the score and parts mysteriously disappeared, never to be found again. While there was a recording and a videotape of the original performance, it seemed that Lord’s Concerto would be lost to the mists of time.


Jon Lord: Concerto for Group and Orchestra is presented on Blu-ray courtesy of Eagle Vision (an imprint of Eagle Rock Entertainment) with an AVC encoded 1080i transfer in 1.78:1. This is a nicely sharp and well detailed presentation that suffers only minimally from some inadequate contrast and lighting in some of the darker studio moments. Fine detail is quite commendable, especially in close-ups. The archival footage culled from the actual performance looks pretty ragged, as should be expected.

While the sole option of DTS-HD Master Audio 2.0 on the documentary might seem limiting, it really isn't, for the bulk of the piece is talking heads rather than actual music. The chief allure in the audio department is the beautifully realized 5.1 audio on the audio only supplement of the full Concerto. This supplemental feature boasts really impeccable fidelity and nicely nuanced separation. Despite some of Lord's tendencies to mass his rock voicings in the mid to low ranges, things sound remarkably clear and well detailed.


The documentary on this Blu-ray may actually be its least appealing element, despite being quite enjoyable in and of itself. The supplementary features, though, are outstanding, with much fuller and in depth interviews and a really stunning new recording of Lord's legendary Concerto. Highly recommended.