7.2 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The Andrew Lloyd Webber/Tim Rice rock opera about the life and death of Christ is brought to the big-screen after success on Shaftesbury Avenue and Broadway. The story of Christ's (Ted Neely) last week on Earth is told by a group of travellers who arrive in modern-day Jerusalem on a tour bus. Events are seen from the perspective of Apostle Judas, who betrays Jesus to the Judaic religious leaders in return for thirty pieces of silver. Songs include 'I Don't Know How to Love Him', 'Hosanna', 'Herod's Song' and the now-famous theme tune.
Starring: Ted Neeley, Carl Anderson, Yvonne Elliman, Barry Dennen, Josh MostelMusical | 100% |
Drama | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.36:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0
French: DTS 2.0
English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.5 |
Observant Christian believers may not have exactly experienced The Second Coming in the early seventies and some
were in fact downright outraged by what they perceived as unabashed sacrilege, but others experienced
something of a minor miracle at least when not one but two modern musical pieces about Jesus became immensely
popular,
capturing the imaginations of the usually recalcitrant young and storming the pop charts.
Andrew Lloyd Webber and Tim Rice’s rock opera Jesus Christ Superstar debuted as a bestselling two LP album
in 1970, but it didn’t take long for wise impresarios to figure out the piece was tailor made for the stage, especially after
the album made it all the way to the vaunted Number One position on the Billboard charts, spawning several hit
singles in the process. At more or less the same time, a “kinder, gentler” and much smaller scale musical opened off
Broadway and quickly became a major hit. Godspell was a decidedly more whimsical approach to its iconic
subject matter, but it, too, spawned a major hit single (“Day by Day”) and quickly established Stephen Schwartz as one
of his generation’s leading new writers. The original Broadway staging of Jesus Christ Superstar was a
gargantuan and
glitzy affair directed by Tom O’Horgan, the man who had shot to fame with the original version of Hair, which
itself had begun off Broadway but soon was such a fantastic success it matriculated to a Broadway house for the bulk
of its multiyear run. (O'Horgan's followup, Dude, featuring a score by Hair's Galt MacDermot and Gerome
Ragni, is one of the most notorious flops in Broadway history. It was a really bad year for MacDermot who saw
his other big musical of 1972, Via Galactica, go down in even bigger flames than Dude had just a
few
weeks later.)
O’Horgan was not a man known for his subtlety, and a lot of people were shocked at the
outrageous nature of some of O’Horgan’s staging ideas, though virtually everyone seemed to agree that the Lloyd
Webber-Rice score was amazing and that several performances (including Ben Vereen as Judas) were impeccable.
(Ironically that version’s Jesus, Jeff Fenholt, became as famous for a confusing parable—sorry, couldn’t resist—involving
Black Sabbath and Fenholt's supposed collaboration with them as well as for his televangelism as for anything to do
with the role that first brought him to wide public attention.) The film musical
was in pretty steep decline by the early seventies, with not even major Broadway hits being regularly optioned the way
they used to, but with both Jesus Christ Superstar and Godspell having that elusive built in youth
appeal,
they both seemed like sure bets. In a touch of perhaps intentional irony, Norman Jewison, who had just made a film
about
another persecuted Jew with his cinematic version of Fiddler on the Roof, signed on to direct, working with several people who had
either been associated with the original Broadway production or subsequent tours (and in some cases with the original
concept album as well). Jewison perhaps wisely jettisoned O'Horgan's hyperbolic approach for a stripped down but still
quietly flashy conceit that utilized actual historical Israeli ruins as settings while mixing in a number of contemporary
elements.
Jesus Christ Superstar is presented on Blu-ray courtesy of Universal Studios with an VC-1 encoded 1080p transfer in 2.36:1. Since this is a Universal catalog release, why don't we just cut to the chase and ask the question which will be on most fans' minds: was excessive DNR applied? The answer, perhaps surprisingly, is no. The film retains a healthy amount of grain, especially noticeable in the wide vista shots where a lot of sky is present, as well as in the nighttime and dimly lit sequences. One might hope this is a case of Universal having "learned their lesson", but my personal hunch is they just didn't think this release was "important" enough to "improve" it. The image here boasts decent fine detail, especially in close-ups, though the softness that has been attendant in every home video release is still evident, though somewhat mitigated. There is slightly more softness to some of the extreme wide shots. Colors are a bit on the anemic side at times but generally accurate looking. There is some very minor ringing that is especially noticeable when characters are outside.
Jesus Christ Superstar features a lossless DTS-HD Master Audio 2.0 that more than adequately recreates the theatrical exhibition's four track stereo soundtrack. Voices are very well mixed if perhaps a bit too far forward at times and there's some wide stereo separation that's evident from the first moments of the Overture. Fidelity is excellent and dynamic range is fairly wide.
The same supplemental features that were on previous home video releases have been ported over to this release:
Jesus Christ Superstar doesn't really work as a film, but it's still a fascinating relic of a time when suddenly Jesus was "cool" (as is stated in Rice's libretto) to a new generation. The film looks more dated than ever now to modern (and cynical) eyes, but it is still graced by some amazing performances and of course features the iconic Lloyd Webber music. Rice's provocative idea of seeing the Passion through Judas' eyes may still strike some as heresy, but it makes for riveting musical theater. This Blu-ray features very good looking video and excellent audio. Warts and all, Jesus Christ Superstar comes Recommended.
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1945