5.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
A typical weekend down the shore takes a bizarre turn into the mysterious New Jersey Pine Barrens as six girls and five obnoxious fist-pumpers become the unsuspecting targets of a deranged killer.
Starring: Danielle Dallacco, Angelica Boccella, Giovanni Roselli, Shawn C. Phillips, Ron Jeremy| Horror | 100% |
| Comedy | 13% |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 2.32:1
Original aspect ratio: 2.39:1
English: Dolby Digital 5.1 (448 kbps)
English: Dolby Digital 2.0 (192 kbps)
Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 2.5 | |
| Overall | 2.5 |
The latest effort by a member of the cast of MTV's Jersey Shore to prolong their seemingly endless fifteen minutes of fame consists of Jenni "JWoww" Farley lending her name—and apparently nothing else—to the horror comedy Jersey Shore Massacre, which is being released in an all-out blitz on DVD, Blu-ray, video-on-demand and, no doubt for the sake of credibility, a few theater screens. The writer and director is Paul Tarnopol, whose only other listed credit is as the producer of Girls Gone Dead, the previous feature made by the company bringing Jersey Shore Massacre to your screen. In the "Behind the Scenes" included in the extras, Tarnopol intones, in a robotic voiceover characteristic of the wooden performances he elicits from his cast, that "guidos" and "guidettes" were part of his everyday life long before shows like Jersey Shore and The Sopranos and that the idea of incorporating them into a horror comedy was "impossible for me to resist". Whatever Tarnopol may have been thinking (and it probably had a dollar sign in front of it), a slasher film in which a deranged killer hacks up stand-ins for the likes of Snooki, JWoww, Pauly D and The Situation has an inevitable logic. For six seasons, these wanton morons became staples of pop culture simply by making anyone who tuned in feel better about themselves. No matter what mistakes you made in life, they made you feel smart, because you couldn't possibly be that dumb. Unfortunately, the attraction wore off as dumbness proved to be good business, and these stupid reality stars laughed all the way to the bank. Offering up surrogates of such pop culture lotto winners for torture and butchery is just the next logical step in feeding the public's appetite. Enter Tarnopol and his co-screenwriter, who goes by the pseudonym "Goldeneye".


Jersey Shore Massacre is the first Blu-ray release from Attack Entertainment, and as with many independents, Attack's first Blu-ray shows that they have a lot to learn about the format. Fortunately for the consumer, the production was shot digitally (using Red cameras, to judge from the "Behind the Scenes" footage), so that at least as far as the video image is concerned, Attack's rookie mistakes haven't hurt them too badly. When was the last time you saw a Blu-ray encoded with MPEG2? Such discs were common in the early days of the format, when advanced codecs like AVC and VC-1 were still being perfected, but today there is no excuse for using this dated format on a Blu-ray, except to cut corners. Indeed, both the disc's menu design and its stunted audio tracks suggests that the Blu-ray of Jersey Shore Massacre is as close to a straight port of the DVD as one can possibly make. Maybe consumers as ignorant and undiscriminating as the characters in the film wouldn't care, but it's worth pointing out that they watch DVD. Blu-ray buyers tend to expect more, e.g., advanced codecs, lossless sound and enough attention paid to indicate that a Blu-ray was made by someone who gives a $%^# about quality (to put it in language that executive producer JWoww should understand). Despite primitive encoding, the 1080p, MPEG2-encoded image is quite decent, no doubt because cinematographer Jay Shropshire (making his first feature) wasn't trying for anything subtle. You can see the characters; you can see their clothing, hair and faces; you can see the guys' muscles; you can see the fake blood when it starts to flow; and the killer's face and figure remain obscured until it's time for them to come into the light. Blacks are reasonably black, other colors look natural (as natural as anything in New Jersey), and the only portion of the film that looks dim and stylized is the mock horror film, Massacre at Camp Fat, which the gang watches to pass the time (and which is framed at 1.78:1, compared to the main film's 2.32:1). One thing that Attack got right: They used a BD-50, although they left a lot of the available space empty. The average bitrate is 24.93 Mbps, which is good enough for digitally acquired material, although the less efficient MPEG2 codec might have benefitted from less compression.

Lossy Dolby Digital 5.1 audio at the DVD-standard rate of 448 kbps? A Blu-ray that defaults to the stereo track unless you manually select 5.1? Did we just timewarp back to 2006? Memo to Attack Entertainment: If you want to be taken seriously as a Blu-ray producer, lossless audio is essential. That means re-encoding your master tracks as either PCM 5.1, Dolby TrueHD 5.1 or DTS-HD MA 5.1. Anything less, and most Blu-ray buyers won't give you a second look (or listen). That being said, I doubt that lossless would bring much more enjoyment (if that's the right word) to the experience of hearing Jersey Shore Massacre. How much more shrill and annoying can the ladies' voices get? How much dumber can the guys grunt? How much more (or less) synthetic can the score by David James Rosen (a contributor to various TV shows) sound as it fills in the scene transitions? How much better can the victims scream? The soundtrack for Jersey Shore Massacre is a no-frills affair done fast and on the cheap. Maybe if they knew it would be encoded in a lossless format, they'd take more time with it.


Having made fair sport of Jersey Shore Massacre, I have to offer a confession. I put the Blu-ray into the player late at night fully expecting to fall asleep while watching, so that I'd have to rewatch some part of it the next day. Instead, I remained alert for the entire running time. Like the TV show that inspired it, the film is weirdly fascinating in its awfulness, like one of John Waters' early works (but with far more pretension) or prestige trash like Showgirls (but with far less). In years gone by, it's the kind of thing I might have watched with a group of intoxicated friends while we all yelled at the TV screen. That doesn't make it a good movie, but it's something. I don't offer that as a recommendation. What consenting adults watch in the privacy of their own home is between them and their Blu-ray player.
(Still not reliable for this title)

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Slipcover in Original Pressing
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