7.8 | / 10 |
Users | 4.3 | |
Reviewer | 3.5 | |
Overall | 3.9 |
In order to keep from being sent to fight in the Mexican War, an American soldier travels west and begins to live as a hermit. An elderly trapper takes him in and teaches him what he needs to know to survive in the wilderness. He takes a Native American wife and they adopt a child, but their idyllic existence is spoiled when he becomes entangled in a vendetta with the local Crow Indians.
Starring: Robert Redford, Will Geer, Delle Bolton, Josh Albee, Joaquin MartinezWestern | 100% |
Drama | 36% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
French: Dolby Digital Mono
Spanish: Dolby Digital 2.0
Portuguese: Dolby Digital 2.0
German: Dolby Digital Mono
English SDH, French, German SDH, Portuguese, Spanish, Danish, Norwegian
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 3.5 |
As 1969 gave way to 1970, the late Sydney Pollack, The Scalphunters under his belt, turned his gaze to the Rocky Mountains and all the blood and grandeur that accompanied the region's grisly frontier history. The resulting film, a quiet and withdrawn Western loosely based on the life of fabled mountain man Liver-Eatin' Johnson, has as much to say in its silence as it does when its reclusive Mexican War-veteran-turned-trapper opens his mouth. More than a beautifully shot saga of a lonely mountain man who briefly finds some measure of contentment, though, the aptly titled Jeremiah Johnson is a ballad of isolation, retribution and woe as channeled through Hemingway and penned with restraint by screenwriter John Milius (Apocalypse Now, Conan the Barbarian). And while it isn't as essential a mid-to-late 20th Century Western as Sam Peckinpah's The Wild Bunch or as poignant or powerful a revenge tale as Clint Eastwood's The Outlaw Josey Wales, Pollack's sixth film has been tragically overlooked and all but forgotten in recent years.
Don't mistake the softness that comes to bear on Jeremiah Johnson as the product of egregious noise reduction. Pollack's 1972 Western has never been as sharp as a well-kept Bowie knife, and Warner's 1080p/AVC-encoded video transfer stays true to Duke Callaghan's original photography. There are minor edge halos, a few instances of soupy grain, and some murky moonlit shots to endure, but, for the most part, the image is quite pleasing. Colors are warm and earthy, blood-red wounds and brilliant blue skies pop, black levels are deep and cavernous, and only a handful of faces appear slightly over-saturated. Otherwise, skintones are lovely (in that early '70s Technicolor sort of way) and contrast, though a touch dark, rarely falters. The film's grainfield is intact too, as are its fine details. Textures aren't always as crisp as they are during closeups, but hair, furs, trapper stitches and the like fare well, edges are nicely defined, and any softness is inherited from the source. Thankfully, the print is pristine, with no serious damage to report. And the same can be said of the encode itself, which doesn't exhibit any significant artifacting, banding, aliasing or other troubling issues. All in all, Jeremiah Johnson's presentation isn't as stunning as Warner's most thorough remasters or ground-up restorations, but there isn't a lot of room for improvement either.
Jeremiah Johnson's DTS-HD Master Audio 5.1 surround track wisely sticks to its mono roots, retaining the tone and tenor of its '70s sound design, tinny rifle fire, stagy punches, canned horse whinnies and all. The rear speakers are used to enhance the lifeblood of the wilderness and mountains, but only insofar as rusting trees, quiet breezes, cracking twigs, and chirping birds are concerned. The mix remains a front-heavy affair on the whole, and only a few effects -- generally those that occur when Jeremiah and those he meets aren't speaking -- warrant much attention. The same could be said of the LFE channel; it handles its wares well enough, yet only occasionally injects a sense of legitimate weight or power into the experience. Even so, dialogue is clean, clear and intelligible throughout, and only a bit of glaring ADR spoils the goods. Ultimately, I would have preferred a lossless mono track (including both would have been even better), but I doubt anyone will be terribly disappointed with the 5.1 remix as is.
Jeremiah Johnson has all but been forgotten. There are better Westerns, more timeless classics, and more enduring stories after all. But that doesn't mean it should be forgotten. An imperfect classic but a classic just the same, the late Sydney Pollack's sixth film still has plenty to offer modern audiences and hasn't aged as poorly as other widely known and critically hailed Westerns. Thankfully, its Blu-ray release won't give anyone a good reason to pass it over. With a faithful video transfer, a solid DTS-HD Master Audio 5.1 surround track, an excellent commentary with Pollack, John Milius and Robert Redford, and a tempting price point (that will only fall in the coming months), Jeremiah Johnson has never looked or sounded better. If you have any love of classic Westerns, add this one to your cart today.
2022
1985
1972
1953
1968
2006
Warner Archive Collection
1951
1956
1969
2K Restoration
1977
2014
2016
2016
1930
50th Anniversary Edition | Shout Select #57
1968
2015
1955
Limited Edition to 3000
1954
2019
Chino
1973