6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Having moved to the country with his mother following the death of his father, young Masashi immediately makes a most unlikely friend: a flying, jellyfish-like sprite that he nicknames Kurage-bo. Taking Kurage-bo under his wing and into the classroom, Masashi soon discovers that his schoolmates have similar friends and that they, their creators, and the town itself are not all they seem to be.
Starring: Takuto Sueoka, Himeka Asami, Shôta Sometani, Houko Kuwashima, Akiko YajimaForeign | 100% |
Sci-Fi | Insignificant |
Family | Insignificant |
Fantasy | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
Japanese: DTS-HD Master Audio 5.1
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 3.5 |
Takashi Murakami's "Jellyfish Eyes" (2013) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original trailer for the film's upcoming sequel; new video interview with Takashi Murakami; new featurette with cast and crew interviews; and documentary film with raw footage from the shooting of the film. The release also arrives with an illustrated leaflet featuring Glen Helfand's essay "Gods and Monsters: Murakami Goes to the Movies" and technical credits. In Japanese, with optional English subtitles for the main feature. Region-A "locked".
The unusual F.R.I.E.N.D.
Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Takashi Murakami's Jellyfish Eyes arrives on Blu-ray courtesy of Criterion.
Thew following text appears inside the leaflet provided with this Blu-ray release:
"The film was shot with a digital camera, and the entire production was completed in a fully digital workflow. The final color-corrected DPX files were output to Rec. 709 high-definition color space for Blu-ray and DVD release. The original 5.1 surround soundtrack was remastered at 24-bit from the original digital audio master files using Pro Tools HD.
Blu-ray mastering: Radius60, Los Angeles."
The presentation has the classic characteristics we have come to expect from recent films that were shot digitally. When there is an abundance of light, depth, clarity, and sharpness are excellent. In fact, many of the the static close-ups actually look like digital photographs (see screencapture #7). During the darker/indoor footage there are some minor fluctuations in terms of depth and occasionally clarity, but they are inherited. The special digital effects can also introduce some minor inconsistencies, but they, too, are part of the film's original visual style. (It is not difficult to tell that the film's creators did not have a massive budget to work with as some of the digital images are are far from impressive). Colors are stable and natural. Overall image stability is excellent. Finally, there are no purely transfer-specific anomalies to report in our review. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Japanese DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature.
The film has a very atmospheric score that helps tremendously in solidifying the odd reality in which its protagonists exist. The original sound design, however, is far from impressive. Indeed, anyone expecting a great deal of surround movement and a fantastic range of nuanced dynamics will surely be disappointed. There are a few sequences with big explosions and effects, but even they can't quite match the dynamic intensity that is present in big-budget Hollywood production. This said, clarity and sharpness are superb. Also, there are no pops, distortions, or audio dropouts.
Japanese artist Takashi Murakami's directorial debut, Jellyfish Eyes, is a very ambitious project that was clearly intended to appeal to a wide variety of viewers. But this seems to be the film's Achilles' heel -- it is seriously overwhelming. My feeling is that it will be appreciated primarily by folks who have seen and enjoyed some of Takashi Miike and Shinsuke Sato's similarly busy and bold films (Zebraman, Yatterman, and Gantz). Criterion's technical presentation of Jellyfish Eyes is excellent and the Blu-ray release features some very informative supplemental features with the director and various cast and crew members. RECOMMENDED.
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