6.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
From the witty, whimsical mind of acclaimed writer Paul Rudnick and celebrated stage director Christopher Ashley comes a hilarious, star-studded, boy-meets-boy romantic comedy! Steven Weber, Patrick Stewart, Michael T. Weiss, Bryan Batt, Sigourney Weaver, Nathan Lane and Olympia Dukakis star in this "warm and humorous exploration of all-too-human relationships" (Boxoffice) in the age of AIDS. Disenchanted with the not-so-romantic side of safe sex, sweet, single and obsessive Jeffrey (Weber) vows to become completely celibate! No sooner has he sworn off sex than he meets hunky, sensitive Steve (Weiss). But just as passion starts to ignite, Steve reveals some earth-shattering information, leaving Jeffrey to choose between losing the man of his dreams - or taking a risk on what just might be true love!
Starring: Steven Weber, Michael T. Weiss, Patrick Stewart, Bryan Batt, Sigourney WeaverRomance | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.84:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
“Jeffrey” began life as a play, with writer Paul Rudnick searching for a way to express his frustrations with the age of AIDS without losing his sense of humor. The production was praised and popular with audiences, ultimately making a leap to the big screen in 1995, with Rudnick taking command of the screenplay, while original director Christopher Ashley took the opportunity to make his feature-length helming debut. As transitions from the stage to movie theaters go, this wasn’t a radically altered endeavor, which is perhaps why “Jeffery” works so well, with Rudnick successfully reworking the sometimes broad material for the intimacy of cinema, dealing with close-ups and deep feelings without sacrificing the bounciness of the original work. Humor hasn’t been steamrolled by the production, which tries to stay on its feet while dealing with profound issues of fear and loss.
The AVC encoded image (1.84:1 aspect ratio) presentation for "Jeffery" offers an appealing look at a catalog title. While a fresh scan isn't available, detail remains compelling with some mild filtering, retaining skin textures for the feature's many loosely attired encounters, and facial particulars are satisfactory. New York City locations retain dimension, while costuming sustains fibrous qualities, which are on full display with various outfits, capturing felt fuzziness and harder leather. Colors are appealing, with a fine read of primaries, supporting a colorful film as it explores a '90s palette. Fantasy sequences bring out brighter hues, and skintones are natural. Delineation is acceptable with some evidence of crush. Source is in fine shape.
The 2.0 DTS-HD MA sound mix retains the feature's light touch, finding jazzy scoring cues sharp, with strong instrumentation. Moods are set by the music, with period sounds also retaining definition, Dialogue exchanges are strong, with deep voices and natural emotionality, picking up on subtle performance choices. Urban tours sustain atmosphere, with street sounds capturing bustle, and party scenes secure festive fullness.
"Jeffrey" grows comfortable addressing the realities of personal loss, detailing a time when hope was in short supply, making personal decisions concerning love and dedication difficult to make. Ashley does a terrific job opening up this world, retaining the rhythms of stage work while moving into the real world, keeping theatrical stiffness at bay. It's a nice-looking picture that strolls around neighborhoods and even visits a gay pride parade, and such energy is sustained by the cast, with Weber handling the challenge of confusion as Jeffrey doesn't know how to deal with the unknown, scared of everything that's in front of him. And Stewart is a joy as Sterling, embracing bigness while retaining the feature's heart. The performers retain Rudnick's timing and communicate his pain, giving "Jeffrey" a special lift as one of the few films to deal with AIDS with complete sensitivity, but also prepared to enjoy the moment, spotlighting the strangeness of the time with humor and heart.
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