| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
JEANNE MOREAU, FILMMAKER is a revelatory 2-disc Blu-ray set that includes new restorations of Moreau’s rarely-seen work as a director: LUMIÈRE (1976), THE ADOLESCENT (1979), and the documentary LILLIAN GISH (1984). LUMIÈRE: Four actress friends, Sarah, Laura, Julienne and Caroline, talk about their emotional and professional paths. They live intensely and deal with different concerns, both as women and as actresses. Their strong bond is embodied in the central figure of Sarah, the oldest and most famous of them… / THE ADOLESCENT: July 14th, 1939. Marie has just turned 12 and, as she does every year, she is about to go on holiday to her paternal grandmother’s house in central France. She is thrilled to see her beloved Grandma and the children of the village. Marie also meets the new country doctor and begins to experience a previously unknown feeling. The young girl gradually leaves childhood behind, while the shadow of war soon looms over her... / LILLIAN GISH: A tribute to Lillian Gish by Jeanne Moreau, where one actress pays homage to another. The American silent film star looks back on her career since her début in 1913, and evokes the filming conditions when she was a child, the first Hollywood blockbuster Birth of a Nation by D.W. Griffith and her passion for cinema, guided by an insatiable curiosity…
| Foreign | 100% |
| Drama | 70% |
| Romance | 23% |
| Documentary | 5% |
| Biography | 2% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: DTS-HD Master Audio Mono
English: DTS-HD Master Audio Mono
English
Blu-ray Disc
Two-disc set (2 BDs)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 4.5 | |
| Audio | 3.5 | |
| Extras | 2.5 | |
| Overall | 3.5 |
A Parisian native, renowned actress Jeanne Moreau began her career in theater and quickly began one of the leads in her troupe. In 1949, she made her first foray into film in Jean Stelli's Last Love, the first of more than 120 films in which she would appear over the next seven decades. The award-winning French star is perhaps best known in the US for roles in Louis Malle's The Lovers (1958), François Truffaut's Jules and Jim (1962), Luis Buñuel's Diary of a Chambermaid (1964) and Luc Besson's La Femme Nikita (1990), and was at the forefront of forging a filmography that defied her age in ways far ahead of her time. She also directed three films, collected here and restored from the original negatives.


All three films are presented in 1080p with an AVC-encoded transfer, and each is restored as faithfully and proficiently as possible. Lumiere
opens the trio beautifully, with a striking image that boasts vibrant reds, lifelike skintones, deep black levels, and excellent delineation. Contrast is
balanced perfectly in all but a handful of shots, and I didn't catch sight of any issues like macroblocking or banding. Grain is pleasing and consistent,
while detail delivers. Edge definition is clear, natural and refined, textures are often crisp and revealing, and the only scenes that struggle are those in
which softness is inherent and traces back to the original source elements and cinematography.
The Adolescent also impresses, thanks to a lovely palette brimming with lush greens and convincing earthtones and a level of detail that
showcases the best the three-film restoration has to offer. Colors are more than satisfying, with rich blacks and humble hues that capture the country
simplicity of the story and subsequent picture. Grain again is given leave to play and it does so without every impeding detail. Edges are free of halos
and artificiality, fine textures are exacting, and more nuanced elements of the photography has been restored impeccably. Add to that a lack of any
issues of note and you have another deceptively disarming presentation.
The only transfer that disappoints is that of Lillian Gish, but blame the rawness of the documentary interview footage, the limitations of the
cameras being used, and the condition of the silent film clips that appear throughout the film. The encode itself is just as stalwart as the two before it,
but the lower definition, softness and occasional bit of print damage makes it appear otherwise. Ah well, it certainly isn't a detriment to the film itself,
nor does it spoil the previous presentations.

Each film is afforded a decidedly decent single-channel DTS-HD Master Audio Mono mix that doesn't leave much room for discussion. Voices are intelligible and competently prioritized, the films' soundscapes are relatively well-handled, and the only outlier is the documentary's track, which is subject to more air hiss and anomalies than the others. I don't have any real complaints, but I also wasn't drawn in sonically, at least not in any meaningful way.

Lumiere

Jeanne Moreau: Filmmaker is a unique 3-film collection in that it offers a singular glimpse into the mind and filmmaking prowess of the legendary French actress, who might only be known for her performances were it not for those eager to keep her lesser known films at the forefront of modern fans' attention. The 2-disc Blu-ray release features excellent video, solid mono audio, and a decent selection of supplements.