7 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A portrait of filmmaker Jacques Demy during his formative years in 1940s France.
Director: Agnès VardaForeign | 100% |
Drama | 63% |
Biography | 2% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.5 |
Note: This film is available as part of
The Complete Films of Agnès Varda.
In the wake (figurative or otherwise) of Agnès Varda’s death last year at the age of 90, quite a bit has rightfully been written about this iconic force
in
both
French and global cinema. Varda’s output includes well over fifty credits as a director (including some television entries as detailed by the
IMDb), and aside from listing some of her better known triumphs,
many obituaries and/or eulogies about Varda mentioned any number of other biographical data points, including her rather unique position as a
woman in France’s nouvelle vague movement, her own feminism which was featured none too subtly in some of her films, and her
frequently provocative experimental style. But you know what one of the things that kind of fascinates me personally most about Varda? That she
was married for 28 years to Jacques Demy, from 1962 until Demy’s death in 1990. That Varda, often a purveyor of verité infused
“realism”,
whether that be in outright documentaries or at least ostensibly more “fictional” outings, and Demy, a director whose candy colored, dreamlike and
at least relatively "Hollywoodized" musicals with
Michel Legrand brought a new luster and gloss to French cinema, managed to make a marital go of it for so long is certainly testament to the
maxim
that “opposites attract”, even if those oppositional forces in this instance played out at least in part in terms of what kinds of films the two were
often
best remembered for. If Varda's long marriage to Demy is more than enough reason to celebrate her personal life, her professional life is
beautifully
feted in this rather astounding new set from Criterion, which aggregates an amazing 39 films (albeit some running as short as a few minutes) to
provide what is arguably one of the most insightful
overviews of Varda's cinematic oeuvre. Perhaps unavoidably, but also undeniably movingly, these personal and professional sides of
Varda
merge in at least some of the films in this set, including
The
Young
Girls Turn 25, The World of Jacques
Demy, Jacquot de Nantes, and The Beaches of Agnès.
Jacquot de Nantes is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.67. Some prefatory text discloses that this was shot on 35mm color stock in a 1.66 panormaic format, and restored in 2013 by DIG Image, with a digital 2K restoration made from a 4K digital scan of the original 35mm negative. Agnès Varda supervised the color grading. I'll just start this video review with one word: red. For those who may have been reading the reviews of this set "in order", you've already come across my comments that many of the films tend to be graded slightly coolly, with a somewhat blue or slate gray undertone, something that can push reds toward orange territory at times. But here in really gorgeously warm and natural looking color are some vivid, true reds in an early scene where little Jacquot is watching a Punch and Judy puppet show which features some incredibly vivid curtains. The color material in this film repeatedly pops with gorgeous authority, and fine detail, as in the texture of the canvas seen in a painting early in the film, looks precise and palpable. Unfortunately, some of the black and white material is at least a bit more variable. There's some noticeable roughness on display in the early sequence which introduces little Jacquot in the dark recesses of his father's garage (where a little maybe sexually illicit activity is going on), and then later when Jacquot and other boys are playing at his flat, you can see bands of milky white damage running through the frame. Some of the black and white material shows somewhat chunkier grain than the bulk of the presentation, but aside from these passing variances, a lot of the black and white material offers secure detail levels and solid contrast. Some opening video of Demy lying on a beach looks like it may have been blown up from Super 16. There are some unavoidable variances in clarity and grain structure due to the many film clips that are utilized.
Jacquot de Nantes features an LPCM Mono track which was restored from the original 35mm magnetic mix. There's some really nice ambient depth in this track despite its inherent narrowness, with, for example, the clang and clatter of the Demy garage really sounding authentic and believable. There are quite a few source cues in the score, including total "cutaways" to scenes from Demy's musicals, and these moments sound full bodied and forceful. Dialogue and narration are all rendered without any problems whatsoever.
Jacquot de Nantes is an incredibly heartfelt love letter to Demy from Varda, but the most amazing thing about it is, despite how "personal" it is, it's instantly accessible to anyone who loves film. Technical merits are solid, and the supplementary package, while not overly bounteous, is excellent. Highly recommended.
(Still not reliable for this title)
Les plages d'Agnès
2008
1955
L'une chante, l'autre pas
1977
Sans toit ni loi
1985
1965
1981
Les glaneurs et la glaneuse
2000
The Creatures
1966
The Pleasure of Love in Iran
1976
Diary of a Pregnant Woman
1958
Le petit amour
1988
Cléo de 5 à 7
1962
Varda par Agnès
2019
Jane B. for Agnes V.
1988
1969
2015
You've Got Beautiful Stairs, You Know
1986
1984
L'univers de Jacques Demy
1995
Les glaneurs et la glaneuse... deux ans après
2002