8 | / 10 |
Users | 4.6 | |
Reviewer | 4.0 | |
Overall | 4.3 |
Jackie supplements her meager income as a stewardess by smuggling cash into the U.S. for gunrunner Ordell Robbie—until the day an ATF agent and an L.A. cop bust her at the airport. The cops pressure her to help them bring down Ordell, threatening prison if she refuses. With a sympathetic bail bondsman, who understands her restlessness only too well, Jackie arrives at a bold almost foolhardy plan to play off these opposing forces against each other. Matters are complicated by Ordell's confederates, Louis Gara and Melanie Ralston, who have agendas of their own. By appearing to cooperate with both sides, Jackie attempts to outfox them both and walk away with a half-million-dollar payday!
Starring: Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael KeatonCrime | 100% |
Dark humor | 89% |
Drama | 78% |
Thriller | 56% |
Heist | 24% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
There’s something that neither the “those who can’t, teach” professors at film school nor the fawning acolytes that form any given Hollywood celebrity’s entourage discuss after someone has managed to break through with one of the most acclaimed films of all time: namely, what to do as a follow up. Quentin Tarantino had started to make waves with Reservoir Dogs, but after Pulp Fiction became an international sensation, almost universally acclaimed by critics and embraced by worldwide audiences, Tarantino was the Golden Boy of Hollywood, a moniker that was either burnished or slightly tarnished (depending on your point of view) when his screenplay for Natural Born Killers became one of the causes célèbres of 1994. But it’s a well worn adage in Hollywood that you’re only as hot as your latest hit, and as soon as a few weeks after this one-two punch had conquered filmdom, people were already proclaiming Tarantino a passé past his expiration date flavor du jour. How, then, to prove it wasn’t all some bizarre fluke? It’s part of Tarantino’s perhaps unexpected charm that his “big” follow-up to Pulp Fiction was a rather “smallish” film that had certain peculiar ambitions but not the overweening ambition of either Pulp Fiction or Natural Born Killers. (For the purposes of this review we’re going to skip over the now largely forgotten—perhaps with good reason—anthology film Four Rooms to which Tarantino contributed a segment). With Jackie Brown, Tarantino did something that might have seemed, at least at that point of the auteur’s career, out of character: he adapted the work of iconic writer Elmore Leonard. Tarantino also crafted a film that was specifically built around helping to reinvigorate the careers of at least a couple of actors whom Tarantino felt had been unfairly neglected by those flavor du jour suits who were so quick to dismiss Tarantino himself. Pam Grier had been a niche blaxploitation actress who hit her version of the big time in the seventies but hadn’t been heard from much since, and Robert Forster was a guy who had seemingly been around forever and who had starred in a number of high profile films and television properties early in his career, but had then weathered a long semi-dormant period where he was lucky to get a few speaking lines in less than stellar properties. Tarantino also offers the viewer his Pulp Fiction co-star Samuel L. Jackson, here playing yet another vicious thug, one who is perhaps less articulate and Biblically astute than Jules Winnfield (Jackson's character in Pulp) but who might just be scarier in the long run. The excellent cast is rounded out by Michael Keaton playing ATF cop Ray Nicolette (a role he would reprise in another fantastic Elmore Leonard adaptation, Steven Soderbergh's excellent Out of Sight), Bridget Fonda as Jackson's pot smoking girlfriend, and none other than Robert De Niro as a recently freed jailbird who is partnering with Jackson to sell guns and make untold riches.
Jackie Brown is presented on Blu-ray with an AVC encoded 1080p transfer in 1.85:1. This is, like Pulp Fiction, a transfer personally approved by Quentin Tarantino, so who are we to argue? Well, maybe a few of us will argue, but only just a little bit. While this is by and large as fantastic looking as Pulp Fiction on Blu-ray is, there is a noticeable uptick in softness in several scenes, notably a lot of the midrange location shots in and around the San Fernando Valley. On other hand, more easily controlled shots, typically extreme close-ups, are bursting with sharpness and astounding fine detail, literally down to the eyelashes on several characters' faces. Colors are excellently saturated and fairly robust, though Jackie Brown hews a more subdued palette line than does Pulp Fiction. This film also is considerably darker (in the literal sense), and some of the most dimly lit sequences suffer from moderate crush. Sticklers will also notice very minor haloing courtesy of edge enhancement in a handful of moments, but otherwise this is another sterling effort that presents the film in its best ever home video release.
Jackie Brown continued Quentin Tarantino's love for great source cues, and the film is stocked full of fantastic vintage soul and R&B numbers that play in counterpoint to the lives of Jackie, Ordell and Max. Presented courtesy of a lossless DTS-HD Master Audio 5.1 mix on this new Blu-ray, the music sounds absolutely fantastic, with a snap and vitality that gives this film a very vibrant sonic ambience. The occasional but often startling rattle of gunfire also is presented viscerally, with some impressive LFE. Surround channels are used very well, if not quite as hyperbolically as they were in Pulp Fiction. Dialogue is very clearly and cleanly presented and is always very well prioritized in the mix. Fidelity is spot on, with superb dynamic range.
If you've seen Pulp Fiction but not Jackie Brown, you must prepare yourself for a completely different viewing experience. If Pulp Fiction slapped the viewer about the head and shoulders until they were stunned into obedient awe, Jackie Brown is like the slow, deliberate seduction of a Delfonics tune played late at night in a steamy Los Angeles apartment. This is a film much more about relatively more realistic characters, characters who are caught up in some desperate straits and are struggling to escape the grind of everyday life. Tarantino proved that he could do more than merely shock with this film, and Jackie Brown remains one of the more curiously satisfying films in Tarantino's oeuvre to this day. Highly recommended.
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Includes Beanie
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