5.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Set in the 1980s, an estranged family hires a cult deprogrammer to take back their teenage son from a murderous cult, but find themselves under siege when the cultists surround their cabin, demanding the boy back.
Starring: Deborah Kara Unger, Johnathon Schaech, Stephen Dorff, Nick Roux, Alyssa Julya SmithHorror | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
5.1: 2326 kbps; 2.0: 1605 kbps
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
As Jackals opens, there is a time card announcing that it's March 1983 as the camera takes on a roving point-of-view to the front of a suburban home. The prowler stops to retrieve a key before proceeding through the door and up the stairs. It's plainly evident from this continuous subjective shot that director Kevin Greutert and cinematographer Andrew Russo are making an homage to the original Halloween (1978) but it's also fascinating to note the inversions that Jackals makes to the Carpenter classic. Later in Halloween, Michael strangles the dog Lester to death but in Jackals, the incoming intruder pets and caresses a cat gently. Upon coming into his own house, young Michael grabs a butcher knife before heading upstairs for his target, sister Judith. In Greutert's film, Mateo (as he comes to be called) initially seems to be after money as he sifts through the bedroom drawer. Mateo also meets his sister and like Michael, he's also wearing a mask as seen in the mirror reflection.
Following this prologue and a family gathering in a cabin, Greutert and his two editors cut to two young men in a car along a country road. The driver is forced to pull over because something's wrong with the tire. Sure enough, he has a flat and just as he's inspecting it, two individuals with ski masks fly out of a blue van. They punch and kick the two guys till they're on their knees. The driver is taken at gunpoint and thrown into the van. His friend is able to get away, though. The van travels to the same cabin in the secluded woods as the previous scene. The young man is taken to a room upstairs where he is tied up and gagged. Present are the two men who abducted him, a middle-aged woman, a guy in his twenties, a young mom and her baby. At this point, it's difficult to discern what's happening in the first act. It turns out that the group is staging a family intervention. The abductee bound in the chair is purported to be Justin Powell (Ben Sullivan) but he proclaims his name is now Thanatos (the namesake of Freud's death drive). Justin is surrounded by his biological family members: his father and mother as well as his older brother. Also present is his estranged girlfriend, Samantha (Chelsea Ricketts), and the infant Justin fathered with her. The Powell family has also hired Jimmy Levine (Stephen Dorff), an ex-marine who works as a cult deprogrammer. Justin has been brainwashed by a murderous cult (i.e., the titular characters) and Jimmy has been brought in to snap him out of it. In the disc's audio commentary, scribe Jared Rivet acknowledges Ted Kotcheff's 1982 drama Split as a formal influence on his script. That film starred Peter Fonda as the lead cultist and also featured Michael O'Keefe, Karen Allen, and Brian Dennehy in key roles. James Woods played the bounty hunter/deprogrammer. Dorff's character is named after Woods, whose friends and industry collaborators call him Jimmy. Dorff delivered a wonderful performance as the son of Jack Nicholson and Judy Davis in Bob Rafelson's Blood and Wine (1996). It's perhaps the best work Dorff's given in arguably the finest film he's appeared in so it's a mystery why Fox hasn't released it on Blu-ray or any HD format. Dorff is rock solid as the drill sergeant type here and makes the most of his screen time. His character takes a turn for the worse when he decides to venture in the forest at night.
The Jackals have arrived at the Powells' cabin to take back one of their adopted sons.
Jackals makes its inaugural debut on Blu-ray worldwide on this MPEG-4 AVC-encoded BD-50 courtesy of Scream Factory.
Shout! Factory's imprint gives the main feature an average video bitrate of 29990 kbps while the full disc amasses a total bitrate of 38.00 Mbps. Jackals appears in its original theatrical aspect ratio of approximately 2.39:1. Daylight scenes at the Powell cabin are gloriously photographed (see Screenshot #20) and cast a warm glow on the setting. Evening scenes are pitch black and illuminated by candles and fires. I thought that the spare lights brought out individual details well on the actors' faces: see capture #s 5, 14, and 15. There is an eerie glow to the Jackals in the yard (see the central screenshot). I maybe noticed macro-blocking in one shot but authoring and compression are top notch.
Scream Factory has made a dozen chapter selections accessible through the main menu or via remote.
Jackals comes with a DTS-HD Master Audio 5.1 Surround (2326 kbps, 24-bit) and a DTS-HD Master Audio 2.0 Stereo downconversion (1605 kbps, 24-bit). Dialogue is audible and pretty clearly spoken throughout. The surround channels really came to life when they make use of Anton Sanko's atmospheric and pulsating score. The blowing horn produced a throbbing sound to the point that the subwoofer and side channels made the floor rumble. Satellite speakers also showed range as the Jackals and Justin howled in near unison. This is one of the better lossless audio efforts from an IFC Midnight production.
Optional English SDH can be accessed from the menu or activated by remote.
The screenplay for Jackals was first penned in 2006, which coincided with a wave of torture porn films. The resultant film also has that vibe and is part of the home invasion thriller subgenre. Viewers will probably be more surprised at the ordinal arrangement of plot devices rather than with the familiar conventions contained within the story. As Justin, Ben Sullivan goes in and out of character with aplomb. He initially convinced me that he had some type of split personality disorder. He reminds me of a younger Michael Pitt and has a bright future. Jackals is especially recommended to fans of Adam Wingard's You're Next. We also recommend similarly themed films about cults and/or Satanic rituals such as Race with the Devil, Martha Marcy May Marlene, and Faults. Also be sure to check out The Strangers, which was edited by Kevin Greutert.
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