7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
A martial arts master working as a bodyguard must unleash his secret techniques to save a spoiled, rich girl.
Starring: Yue Song, Collin Chou, Xing Yu, Michael Wai-Man Chan, Li YuFei| Foreign | 100% |
| Martial arts | 76% |
| Action | 45% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Mandarin: DTS-HD Master Audio 5.1
Mandarin: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 1.0 | |
| Overall | 2.0 |
Fans of the martial arts genre may be familiar with the term Bruceploitation, the often kind of sad but simultaneously funny efforts by film producers to rebrand certain performers as “the new (and/or next) Bruce Lee” after that performer’s tragic early death. There are a fair number of examples in both Kung Fu Trailers of Fury and Return of Kung Fu Trailers of Fury, but for those not previously up to speed with this probably desperate “genre” of marketing, among the actors who came along in the wake of Bruce Lee who were supposedly his “second coming” were Bruce Li, Bruce Le, Bruce Lai, Bruce Lei, Bruce Ly and (just for good measure) Lee Bruce, among many others. The fact that only certain aficionados of martial arts films will have heard of any of these guys is perhaps just one indication of how ultimately successful they were in assuming Bruce Lee’s mantle. Well, there’s a new kid on the block, so to speak, once again trumpeting his arrival as the “next (and/or new) Bruce Lee” (as evidenced by this film’s trailer itself), though in this case Yue Song had the decency not to try to morph Bruce Lee’s name into something similar. Song previously served in a triple threat capacity as the star, writer and director of the frankly kind of middling The King of the Streets, and some of his narrative deficiencies are still on display in Iron Protector, the second film for which he’s a so-called multi-hyphenate with the above mentioned trio of job duties. That said, Iron Protector has a bit more of a visceral storyline than The King of the Streets did, and Song has certainly upped the presentational ante, albeit with a number of visual tricks and other bells and whistles that may add a bit to mood, but don’t offer much in the way of actual substance. While the story is rote (if not quite as rote as in The King of the Streets), Song acquits himself pretty spectacularly in the action sequences, which (if the trailer is to be believed) were achieved without any “tricks” or stunt doubles. That stunt double issue may in fact be true, since even with patented quick cutting editing techniques it’s more than obvious that Song is performing his own stunts, but the “trick” part is at least arguable, depending on how you define “trick”, since it’s obvious (as well as overtly shown in some of the brief making of featurettes included on this Blu-ray as supplements) that copious wire work was involved in several of the fight scenes.


Iron Protector is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. Technical data (heck, even complete cast listings) are negligible online (at least that I could find), but this appears to be digitally captured and for the most part is really rather spectacularly well detailed, especially given the fact that this was probably not a high budget affair. Song loves extreme close-ups, as can be seen in several of the screenshots accompanying the review, and with a refreshing lack of aggressive grading, the palette looks natural and detail and fine detail levels pop quite impressively a lot of the time. As mentioned above in the main body of the review, Song has "tarted" up the proceedings with a number of visual tweaks, including some scenes with pushed contrast and brightness and interstitial elements featuring drawings that morph into the "real" versions of what's being depicted (see screenshot 6). Some of the CGI looks a little on the "cartoonish" side, with prevalent softness and not much in the way of even general detail levels, but overall this is a very appealing transfer that, aside from some brief flirtations with banding, is problem free.

Iron Protector features a rambunctious DTS-HD Master Audio 5.1 track in the original Mandarin that offers regular surround activity in the many over the top action set pieces, where elements like panning footsteps or the discretely channeled crunch of bones snapping make the listening experience quite immersive. Dialogue and score are rendered very cleanly, without any problems. Fidelity is great throughout the presentation, and dynamic range is also very wide.


This may be a backhanded compliment, but Yue Song has grown immeasurably since The King of the Streets. That said, some (maybe even many) would still argue he has bit of growth left to accomplish, mostly in the basic tenets of clear, concise screenplay writing. Song's camera in this film is a study in ADHD, with bizarre framings and nonstop movement, and those proclivities are matched by Song's fun stagings of several completely over the top action scenes. Those action elements may be enough to provide allure for martial arts fans, and for them, technical merits are very strong.
(Still not reliable for this title)

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