7.9 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Mistaken for insane, a man arrives in San Francisco to inform the world that strange aliens have arrived on earth to overtake human life.
Starring: Kevin McCarthy, Dana Wynter, Larry Gates, King Donovan, Carolyn JonesHorror | 100% |
Sci-Fi | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1, 2.00:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (C untested)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.0 |
Don Siegel's "Invasion of the Body Snatchers" (1956) arrives on 4K Blu-ray courtesy of Kino Lorber. The supplemental features on the release include two exclusive new audio commentaries and two archival audio commentaries; archival program with directors Larry Cohen and Joe Dante; original trailer; and more. In English, with optional English SDH subtitles for the main feature. Region-Free.
Kino Lorber's release of Invasion of the Body Snatchers is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray release is Region-Free. However, the Blu-ray is Region-A "locked".
Please note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.
Screencaptures #1-21 are from the 1080p presentation of the 1.85:1 version.
Screencaptures #24-30 are from the 1080p presentation of the 2.00:1 version.
Screencaptures #32-37 are from the 4K presentation of the 1.85:1 version.
Currently, I have only one other release of Invasion of the Body Snatchers in my library, which is this release produced by Olive Films in 2018. I used it to do a number of comparisons.
Kino Lorber's release presents Invasion of the Body Snatchers in two ratios - 1.85:1 and 2.00:1. Both versions can be viewed in native 4K and 1080p. In native 4K, the two versions can be viewed with Dolby Vision and HDR grades. I viewed the 1.85:1 version in its entirety with Dolby Vision.
In native 4K, the 1.85:1 version looks good. It has a strong, stable organic appearance. However, the source limitations remain as pronounced as they are on the previous Blu-ray release. In fact, I believe that in 1.85:1 some are even marginally exacerbated. While switching between the native 4K presentation and 1080p presentation from the previous release, I could not see any areas where delineation, clarity, and depth were unquestionably superior on the former. On the contrary, I decided to upscale the previous release and observed virtually identical strengths and weaknesses in native 4K and 1080p. What impact does Dolby Vision have? Minimal. It is a very gentle grade whose greatest impact is probably on the daylight footage. The darker footage, and especially the one where the source limitations are pronounced, looks pretty much identical, and in some areas perhaps a tad too dark. (If I had to choose the superior darker areas, I would say that they are on the 1080p presentation). There are no traces of problematic digital corrections. However, because of the source limitations, you will see numerous fluctuations in terms of sharpness and clarity. The surface of the visuals is healthy.
What is the final verdict on this release? Its greatest strength is its inclusion of the 1.85:1 version of the film, which is not available on the Olive Films release. However, I felt that in a number of areas the native 4K presentation has a tendency to exacerbate source limitations, sometimes rather significantly, that an elaborate, proper 4K restoration would have addressed. The rest is fair to describe as negligible discrepancies, going both ways, and ultimately not having a meaningful impact on the overall quality of the presentation.
Both versions of Invasion of the Body Snatchers are presented with English DTS-HD Master Audio 2.0 tracks. Both be viewed with optional English SDH subtitles.
I did not perform direct comparisons with the audio track from the Olive Films release. The lossless track on this release sounded very good on my system. Occasionally, it does reveal thinning that reveals its age, but I am unsure if this is something that a modern Atmos mix, for instance, can address. The dialog is clear and easy to follow. There are no audio dropouts, hiss, pops, etc.
4K BLU-RAY DISC
The original camera negative for Don Siegel's Invasion of the Body Snatchers is missing, and without it, it is virtually impossible to deliver a proper definitive release of the film. Kino Lorber's two-disc set introduces new presentations of two versions of the film, sourced from recent, exclusive 4K remasters. I would describe both presentations as good. However, these 4K remasters tend to exacerbate different source limitations, and the more significant ones are of the kind that can be addressed only by an elaborate and very expensive restoration. Should you consider picking up the two-disc set if you already have Olive Films' Signature Edition from 2018? If you like the film a lot, yes. However, you will be pleased with it only if you approach it with the right expectations, one of which must be that it will not provide you with a flawless presentation of the film. HIGHLY RECOMMENDED.
1956
Signature Edition
1956
1956
Special Edition
1956
1956
1978
Warner Archive Collection
1951
Standard Edition
1953
Collector's Edition
1988
Special Edition | The Creeping Unknown
1955
Enemy From Space
1957
1958
2000
1953
2K Restoration
1958
1954
Five Million Years to Earth
1967
Спутник
2020
70th Anniversary
1953
1957
1953
Warner Archive Collection
1964
1958
Warner Archive Collection
1958