7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Who shot Vinson Gowrie in the back? The jailhouse at Jefferson, Mississippi, may not hold the actual killer, but it does have the suspect an angry lynch mob wants: Lucas Beauchamp, who has long refused to exhibit the obsequious attitude expected of black people in Jefferson.
Starring: Juano Hernandez, David Brian, Claude Jarman, Jr., Porter Hall, Elizabeth Patterson| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 1.5 | |
| Overall | 4.5 |
Based on a then-recent crime novel by William Faulker and famously filmed in the author’s own hometown of Oxford, Mississippi, Clarence Brown’s Intruder in the Dust is a terrific drama that’s long been overshadowed by the much more well-known To Kill a Mockingbird. Both focus on Black men who are wrongfully accused of violent crimes and vilified by racist locals, yet are ultimately supported by a select few individuals including a child… or in this case, young teenager Chick Mallison (Claude Jarman Jr., best known for his Oscar-winning role in Brown’s The Yearling three years earlier). Their endings couldn’t be more different, but let’s start at the beginning.

This earlier encounter drives Chick’s defense of Lucas -- which seems fully rooted in his need to finally square things up, not because he's following any kind of moral compass -- and though uncle John rightly admits that it’ll be a nearly impossible case to win, he accepts the challenge anyway. Yet it’s not until a late-night meeting in jail where the plot takes a giant step forward: Chick is discreetly asked by Lucas to exhume Vinson’s body and retrieve the bullet, which surely won’t match the only gun Lucas owns. Together with the help of Aleck and a kindly older woman named Eunice Habersham (Elizabeth Patterson), who also strongly believes in Lucas’ innocence, they ride by moonlight towards Vinson’s final resting place with nothing more than a shovel, a pickaxe, and a flashlight (below).
Like its source material, Intruder in the Dust is a well-told and unforgettably emotional experience that was certainly progressive for its time and thus holds up uniquely well almost 80 years later, although certain elements of its script and structure will likely go over the heads of non-adult viewers. Ironically, I’d imagine that most fans will cite the lead performance by young Claude Jarman Jr. (who passed away earlier this year, aged 90) as a highlight, and it is... but in my opinion, the finest two showings are by Juano Hernandez and Elizabeth Patterson. The former has a commanding presence and extremely expressive eyes, enough so that his limited screen time feels a lot longer than it actually is. Patterson has even less screen time, but her warm delivery adds substantial heart to its multi-generational narrative. (Surprisingly enough, the prolific Patterson didn’t land her first film role until 1926 at the age of 51, yet she may be best remembered for her recurring role as neighbor Matilda Trumbull on I Love Lucy in the 1950s.)
The collective strength of its characters, message, and other sturdy fundamentals including striking cinematography and restrained music propel
Intruder in the Dust to solid heights, while further support is added by Warner Archive’s welcome new Blu-ray. Armed with an extremely
well-polished restoration of strong source elements and a few period-specific extras, it’ll certainly attract established fans... and with any luck, a
generation of new ones.

Like countless other Golden Age MGM films whose original nitrate camera negative was destroyed in the 1978 George Eastman House fire, the best available source material for Intruder in the Dust was a fine-grain master positive made during the studio's forward-thinking program to protect its library in the mid-1960s. This source material was recently scanned in 4K and treated to a round of Warner Archive's meticulous manual cleanup process, which ideally removes any and all instances of dirt and debris while not sacrificing film textures. Indeed, the end result is a best-case scenario for purists and likely the best this film will ever look on home video. Though it may not achieve the kind of tack-sharp detail we're used to seeing on original nitrate restorations, under the circumstances it's wonderful work that really does come dangerously close to perfection. Additionally, the disc is well-authored and features no obvious encoding issues, running at a high and supportive bit rate from start to finish. In all respects, this is simply more visual wizardry from the boutique label, whose restoration efforts are consistently some of the best in the business.

The DTS-HD 2.0 Master Audio mix has similarly strong qualities, including clear dialogue and well-mixed effects that don't fight for attention with the restrained original score by composer Adolph Deutsch, whose deep résumé includes Seven Brides for Seven Brothers (uncredited), The Apartment, and The Maltese Falcon. As usual, it's presented in a split two-channel container preserving its original mono source and is largely free of damage.
Optional English (SDH) subtitles are offered during the main feature only, not the bonus features listed below. Oddly, these subtitles censor the word "negro" and of course the numerous uses of its more offensive variant, although the words themselves are clearly audible. You can hear everything, but you can't read everything. Got that?

This one-disc release ships in a keepcase with vintage poster-themed cover art that greatly improves upon the design used for WAC's 2011 DVD. Extras are limited to a few era-specific items but they're worth a look for sure.

Alongside The Yearling, the racially-charged Intruder in the Dust is director Clarence Brown's best film. Both feature young Claude Jarman Jr. in a prominent role, but Intruder has many more strengths including its then-recent source material, excellent cinematography (shot on location in original author William Faulker's hometown), and memorable supporting characters. The end result has lots of period-specific flavor and still packs a very strong punch, placing it alongside similar classics such as To Kill a Mockingbird. Warner Archive's Blu-ray boasts top-tier restoration work and a few period-specific extras, making it an essential purchase for all interested parties. Highly Recommended.

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