6.9 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
As Rome's Cinecitta Studios celebrates its 50th anniversary, a Japanese television crew arrives to interview director Federico Fellini, who is preparing to shoot an adaptation of Franz Kafka's novel, "Amerika". Fellini recalls the early days of his career, including his initial visit to the sound stages as a young journalist in 1938, and spends time reminiscing with Marcello Mastroianni and Anita Ekberg, stars of his landmark film "La Dolce Vita".
Starring: Marcello Mastroianni, Anita Ekberg, Sergio Rubini (I), Antonella Ponziani, Maurizio MeinForeign | 100% |
Drama | 83% |
Surreal | 12% |
Comedy | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Original aspect ratio: 1.37:1
Italian: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
Note: This film is available on Blu-ray as part of Essential
Fellini.
It may not quite match the treatment Criterion afforded a certain iconic Swedish director with their frankly almost overwhelming Ingmar Bergman's Cinema release, but
Essential Fellini should pretty easily serve as either an absolutely first rate introduction to or a nostalgic reacquaintance with one of Italy's most
legendary filmmakers. Fourteen beloved if sometimes controversial Fellini films have been aggregated in this set, along with a bonus disc offering a
special devoted to Marcello Mastroianni, and while Criterion only provided check discs for the purposes of this review, from the looks of things online,
this is another beautifully packaged set from the label with a number of non-disc swag packaging bonuses.
Intervista is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Criterion only sent check discs for purposes of this review, and so I'm not privy to any verbiage about the transfer that may be included in an insert booklet, but the actual film includes some introductory text which offers the following information:
Restoration of Intervista (Federico Fellini, 1987) completed in 2019 by Istituto Luce - Cinecittà and Centro Sperimentale di Cinematografia - Cineteca Nazionale at the Istituto Luce - Cinecittà laboratories from the original 35mm picture negative made available by Istituto Luce - Cinecittà, Rai Cinema, the heirs of Ibrahim Moussa and from a positive track printed from the optical soundtrack negative.This newest of the films in Criterion's Fellini set may not offer the most visual wonderment, but the transfer is excellent, supporting both the kind of vérité elements as well as more traditionally Fellini-esque flights of visual fancy. The film benefits from a bulk of outdoor material, most of which offer really secure detail levels and an appealingly well suffused palette. Things can be a bit more variable in darker scenes, which can have a decidedly grittier and less detailed appearance (see screenshot 6 for one example). Some of these darker moments flirt with but probably never completely tip over into crush. Grain resolves naturally throughout the presentation, and perhaps due at least in part to the newer production date of this film, I noticed no age related wear and tear of any import.
Sound restoration supervision by Federico Savina.
Intervista features an LPCM Mono track which, along with the one of And the Ship Sails On, probably benefits from its relatively newer production era, so that overall fidelity is improved, especially with regard to a more burnished sounding midrange and low end. Nicola Piovani's playful score is well represented, and some occasionally whimsical sound effects also reverberate well. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
While Federico Fellini would go on to make The Voice of the Moon some three years after Intervista, for all intents and purposes this film can be appreciated as the maestro's swan song, offering a deliberately whimsical and maybe not completely "ripped from the headlines" account of his life and work. The whole Amerika angle is frankly bizarre, but also gives the film some potent subtext, at least insofar as Kafka's tale involves a wandering itinerant who may or may not finally find happiness in the wild and wooly world of show business. Technical merits are solid, and the supplements very enjoyable. Recommended.
(Still not reliable for this title)
Giulietta degli spiriti
1965
Lo sceicco bianco
1952
E la nave va
1983
The Swindle
1955
1953
Luci del varietà
1950
Fellini's Roma
1972
1969
Le notti di Cabiria
1957
1954
1973
1960
Otto e mezzo / Federico Fellini's 8½
1963
Djävulens öga
1960
Kvinnors väntan / Secrets of Women
1952
Tystnaden
1963
Gycklarnas afton
1953
Såsom i en spegel
1961
En passion
1969
Efter repetitionen
1984