7.4 | / 10 |
Users | 4.1 | |
Reviewer | 4.0 | |
Overall | 4.1 |
Invited to Nightmute, Alaska, to head a murder case, a veteran LAPD detective finds his investigation disrupted by an ever-shining midnight sun that wreaks sleep-depriving havoc on him – and by personal guilt over a second crime that may be real...or a figment of his increasingly unstable consciousness.
Starring: Al Pacino, Robin Williams, Hilary Swank, Maura Tierney, Martin Donovan (II)Crime | 100% |
Drama | 86% |
Psychological thriller | 66% |
Mystery | 57% |
Thriller | 56% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
German: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital 2.0 (192 kbps)
English SDH, French, German SDH, Portuguese, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
It amazes how many moviegoers think writer/director Christopher Nolan materialized as if from nowhere, stepping out of the shadows of the Batcave with keys to the Tumbler in one hand and 1.5 billion dollars in the other. Don't get me wrong, Batman Begins and The Dark Knight are fantastic films, each one a breathtaking glimpse of how bold and brilliant superhero cinema can be, but I pity anyone who doesn't realize how deep Nolan's rabbit hole goes. His tri-pronged 1998 neo-noir, The Following, is a testament to smart, inventive low-budget filmmaking; a clever and compelling introduction to a unique voice who would soon take Hollywood by storm. His lean and lucid turn-of-the-millennium American debut, Memento, continues to smash every cinematic rule (even some ten years after its inception), simultaneously unspooling forwards and backwards while pairing mesmerizing visuals with masterful storytelling. His ode to sleight-of-hand trickery, The Prestige, twists and turns with the confidence of its maestro, playing on expectation to deliver a staggering series of thematic and narrative gut punches. And then there's Insomnia, Nolan's unnerving adaptation of Erik Skjoldbjærg's bleak Norwegian thriller of the same name. Smoldering and intense, its deliberate pacing, marvelous cinematography and arresting performances make it a fine addition to Nolan's canon.
Williams made the mistake of comparing 'Righteous Kill' to 'Old Dogs.'
Insomnia emerges from the catalog fog with a remarkable, oft-times striking 1080p/VC-1 transfer; an unexpectedly satisfying, altogether filmic presentation that tactfully complements Christopher Nolan's isolated Alaskan hideaways and Wally Pfister's burdensome shadows. First and foremost, the film's colors are gorgeous. Savory, hearthlike hues imbue a cozy hotel with welcome warmth, clinical greens and icy silvers lend a callous quality to the Nightmute's morgue, and wintry grays and earthy browns afflict a dilapidated lakeside cabin. Through it all, skintones remain natural and lifelike, only succumbing to slight flushing on rare occasion. Black levels are nearly impeccable, delineation teases and reveals exactly as it should, and contrast is strong and stable. Moreover, detail is exquisite. Crisp, refined textures are common and closeups look magnificent; landscapes are sharply defined and the film's attractive veneer of grain is intact. In fact, the whole of the transfer is both proficient and pristine. Artifacting, errant noise, banding, crush and smearing simply aren't in the lineup. Yes, minor ringing invades the image, and yes, a handful of shots seem a bit restless (mainly those at the Connell funeral), but it's unclear whether each one traces back to the filmmakers' original production or the studio's more recent tinkering. Thankfully, neither is distracting enough to warrant any serious grief. From scene to scene, shot to shot, Insomnia earns its place among the most stunning catalog titles released this year. Filmfans and videophiles will be extremely pleased with the results.
Insomnia is an exceedingly atmospheric psychological thriller, and Warner's fluid, sophisticated DTS-HD Master Audio 5.1 surround track embraces every distressing silence, hushed exchange and tenuous chase. Dialogue is clean and clear -- Finch's phone voice being the lone (albeit reasonable) exception -- and meticulous prioritization lends realism to dense fog banks and chugging ferries. Subtle touches are used to great effect, tasking the rear speakers with luring listeners deeper and deeper into the film's mounting despair. The chilly alleys of Nightmute are convincing; the boxed-in acoustics of Dormer's hotel room equally so. The clamor of a dump-site is aurally and thematically overwhelming; the restrained bustle of a police station is as perfectly small-town as they come. Granted, large stretches of the film are rather front-heavy, particularly Insomnia's procedural sequences, but Nolan shows a knack for mounting slowburn, sonic offensives that elevate the track throughout the experience. Even composer David Julyan's score plays it close to the chest, relying on hauntingly languid crescendos to build tension. His pieces surge and relent in all their lossless glory, mind you, but his more nuanced flourishes will nevertheless go unnoticed. Similarly, the LFE channel charges to the forefront only when necessary, supporting the mix rather than dominating it, and directionality is, more often than not, a tad diplomatic. Still, I doubt Insomnia could sound much better than it does here.
The Blu-ray edition of Insomnia doesn't feature any groundbreaking BD-Java or BD-Live bells and whistles. It doesn't boast a Maximum Movie Mode or a host of newly produced documentaries. What it does offer is a remarkably reserved, unexpectedly informative supplemental package that, if nothing else, has a director's commentary unlike any I've ever encountered. It's not often I absorb -- really absorb -- an entire commentary, but I couldn't get enough.
Though more suffocating and less calculated than Nolan's other films, Insomnia is a gripping, performance-driven psychological thriller worthy of carrying the acclaimed director's name. Both Pacino and Williams are exceptional, Pfister's atmospheric cinematography is a sight to behold, and Nolan and Seitz's adaptation of Frobenius and Skjoldbjærg's original film snakes in artful, occasionally mesmerizing directions. Better still, Insomnia's Blu-ray debut is a catalog standout; one that features an excellent AV presentation and an intriguing supplemental package. With such a low introductory pricepoint, I can't help but recommend this one to everyone, newcomer and Nolan zealot alike.
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